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When I open my Apple music app on my phone and ask it to cast to my speakers, it says it's casting, but it continues to keep playing on my phone only. In addition to that, when I use Google Home to cast to my speakers, it does work, but the volume (even at 100%) is ridiculously low to the point you can't even hear it. I don't have the same problem with Spotify.

I didn't have this issue before I switched over to the WiFi Pro network. What's going on?

Thanks for trying the steps. Could you please tell us if this happens on all music providers you try on your Pixel phone? Have you also tried using a different device to check if you will also experience the same thing?

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It was just with Apple music, everything else (like Spotify) was fine. However, after the last deletion and reinstallment of the app it seems to be working properly. Fingers crossed it stays that way

I started out when Spotify did not have a Saved music feature or a very effective personal Music Library system, and so creating Playlist Folders and also putting full albums into playlists allowed me to create a personal Music Library system to find what I wanted to listen to quickly. I have just carried over the habit and it still works for me, until the development teams get around to what they decide to do with the Your Music section and where to take it. Your Music is way to limited for my uses at the moment. Your Music is a great tool for new users when starting out with the Spotify service but after a good solid year of listening to music one tends to reach the limits set in Your Music rather quickly.

It also all depends on how one wishes to use the Spotify music service, sounds as if you are reaching the point of becoming a Power User of the Spotify system, and so you might think about how to utilize the Playlist Folders and the 10,000 track limits per playlist to your advantage now. I have now currently just over 83,000 tracks of saved music, some of it is local music files of missing music from the Spotify service, and then 99% of the rest is full albums, E.P.'s and some rare singles of material from the Spotify service. All of the content is saved in Playlist Folders by A-Z designation, and Playlists organized by artist names. And I still have not scratched the surfaced yet of content on the music service. Some users have gone so far as to just save individual albums as their own playlists, but some of these users have run into issues on their accounts with way too many playlists for the apps to be able to load correctly now with the new coding structure.

I'm simply looking for the easy soluton which in my mind would be similar to what the older Library system offered, which held everything you had listened to/added/etc. (As you seem to know well about). I'm looking for a system like this as it provides an easy way for me to monitor my listening history and simply if I want to put my entire collection of music on shuffle (alike to iTunes).

Can't believe your solution of putting them in A-Z playlists hadn't crossed my mind however! Although I dislike the feel of having it in more than one playlist; I can't think why what you're doing shouldn't work for me. So thank you

No problem. Since all music players have a system where one can build custom playlists, the same principles in most cases applies to the Spotify service, just takes a few days to set up. Took me a whole weekend of building it and once it was done, maintaining it just takes a few hours a week when new content comes out or when content gets update.

The same issue plagues me as well. What I do is when I encounter an overflow I browse through my music library and take out songs and albums that either I don't care for, I've heard plenty of times, or that I can listen to on my iPod or computer. Just think about what songs you really wouldn't miss if you couldn't access them without taking ten seconds to search the artist. I know it sounds obvious but I was suprised how much my collection shrank once I asked myself why exactly I saved music. I understand that you are frustrated by the situation and from what I have seen throughout my time in the Green Room, this is one of the most frequent concerns among users. Thank you for your input. Spotify is doing its best to remedy the concerns presented by you and other diligent users. Your patience and dedication is making change. I'll let you know if anything regarding this issue comes to my attention.

Background: Music is played in operating theatres (OTs) throughout the world, though controversy around its use exists. While some clinicians may find background music favourable to the theatre mood and a way to augment surgical performance, there is concern raised over its distracting and noise-creating properties.

Methods: In this prospective observational study, between August and December 2021, 110 surgeons and registrars in South Africa responded to a survey investigating the way they use music, and their perceptions and attitudes towards its effect on the OT environment.

Results: In this cohort, 66% were male, 29% were consultants and the most common age range was 30-39 years old. Eighty per cent of respondents reported that music was played at least "sometimes", with 74% reporting that they enjoyed it. Easy Listening was the most played and preferred genre followed by Top 40/Billboard hits. Overwhelmingly, respondents reported that background music in the OT improved temperament, focus, mood, and performance, though over a quarter felt it worsened communication. Thirty-one per cent of respondents reported that the choice of music depended on the type of operation, and 70% would turn music down or off during crises. Those who enjoyed music in their spare time were significantly more likely to enjoy music in the OT and perceive it positively.

Conclusion: This study provides a window into the surgeons' use of and attitudes to intraoperative music in South Africa. While overall, music is viewed positively by this cohort, some concerns remain regarding communication and distractedness. Further interventional and qualitative studies would be useful.

With the world constantly wanting new, fresh music, considering the musicians behind the music is vital. Hilary Gleason, executive director of Backline says this is exactly what has been the motivation throughout her life.

Before the disruption of the touring industry due to COVID-19, most musicians were relying on tours and live performances as a primary means of financial support and with many musicians out of work, Backline witnessed their case management submissions quadruple. Over the course of this pandemic, we have seen more and more discourse surrounding the mental state of musicians and how the industry plays a giant role.

These training sessions will cover topics such as the history of systemic racism and racial microaggressions within the music industry, barriers to accessing mental health care within BIPOC communities, and how these challenges can present in the form of mental strife, psychological fatigue and emotional exhaustion. Additionally, Backline and Black Mental Health Alliance will offer non-clinical training to other organizations, corporations, and individuals serving the music population.

Too many artists lose their lives to mental illness and addiction well before their time. With organizations like Backline and resources such as the Check Your Head podcast illuminating the mental health crisis within the music industry, the hope is that more people in the industry will get the help that they need.