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UK hard house or simply hard house is a style of electronic dance music[1] that emerged in the early 1990s and is synonymous with its association to the Trade club and the associated DJs there that created the style.[2][3] It often features a speedy tempo (around 150 BPM but hard house ranges from around 135 BPM to around 165 BPM), offbeat bass stabs,[4] hoovers and horns.[4] It usually contains a break in the middle of the track where no drums are present. UK hard house often uses a long and sharp string note to create suspense. Most of the time, the drops are introduced by a drum roll.

UK producer and label owner John Truelove was quoted as saying of hard house's origins: "I would say that tunes such as XVX's "Tremorra Del Terra" and Interactive's "Amok" (essentially the same tune) were absolutely defining moments. Early German trance led directly to what Daz Saund and Trevor Rockcliffe were playing at Trade."[5]

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Certain brands have reached legendary status with die-hard hard house fans, such as Birmingham based Sundissential and the record label Tidy Trax who also branched out in the early 2000s into putting on club events, including the Tidy Weekender 3 day events. Clubbers are known to travel cross-country to some parties. The venues associated with certain brands are almost the stuff of legend themselves and are remembered fondly and given almost cult status by veteran ravers. For example:

Between 1999-2006 The Tidy Boys were regular performers at festivals, music venues and night clubs around the UK and across the rest of the world playing locations such as Australia, New York, Las Vegas, Tokyo, South Africa, Ibiza, New Zealand, Hong Kong, Norway & Finland.

The brand struggled in the late 2000s to keep going financially with dwindling sales (through its Tidy record label) and poor attendance figures to events. During the mid-2010s, however, the brand has had a huge resurgence and revitalized the UK hard house scene putting on huge events across the UK has been possible due to the fans being able to reconnect with the brand through the Tidy Boys official Facebook page and growing social media presence.

Launched in 2000, Storm regularly attracted up to 2000 clubbers in its heyday, and people came from as far as Bournemouth, Edinburgh and Belfast. The remoteness of Coalville made the venue tricky to get to, as there were no buses there which run on a Sunday and no local train station, meaning that the majority of clubbers who made it to Storm each week were usually die-hard ravers and for this reason, the brand and the venue had a cult following and very quickly reached legendary status amongst hard house fans.

One of London's most popular and frequent hard house nights, Frantic was launched in 1997 by then-history teacher Will Paterson, who wanted to create a night based purely on the harder sounds that formed part of the night at clubs like Sunnyside Up and The Garage at Heaven.

Hard house and hard NRG artists and DJs at these venues included Captain Tinrib, D.F.Q., Ben Javlin, Steve Thomas, Steve Hill, Rubec, Simon Eve, Pete Wardman, Dave Randall, Johnnie "RR" Fierce, Karim, Chris "Drum Head" Edwards, and Weirdo.

Manchester's longest-running hard house club night, launched in October 2000 and ran every Friday at The Phoenix until 2003. In 2003 Sin:ergy moved to a monthly event at club North (under Afflecks Place). With the tag line was... "All Nations, All Persuasions" Sin:ergy and welcomed anyone and everyone, it was a place all about the music no matter what the colour of your skin or sexual orientation. Sin:ergy welcomed artists such as; Tidy Boys, Karim, RR Fierce, Sterling Moss, Ilogik, Lab 4 and many more and boasted Paul Glazby and Ian M as resident DJs.

PureFilth! was a hard dance club based in Manchester for clubbers who liked their music extra hard, the night was setup and run by Stuart Moir (an original Sin:ergy promoter). PureFilth! started as a monthly Thursday night @ Club Phoenix and quickly progressed to a monthly Saturday which we moved to The Park Nightclub, Manchester and a monthly student night (Thursday) at Scubar, Manchester.

PureFilth! was the only club night in the north and one of the first in the UK that solely concentrated on the harder side of house, in its day PureFilth! had a hardcore following putting on events packed with DJs with the 1st birthday being a highlight of many people clubbing history... 14 hours, 2 venues and 20 artists including; Captain Tinrib LIVE, Paul Glazby, Energy UK DJs, Ben Stevens, Nik Denton, JP & Jukesy, Tim Clewz and many more.

Resurrection is one of hard house's rising stars and is Manchester's newest Hard House and Hard Trance club night brought to you by the people behind the legendary club nights Sin:ergy and heavy-hitters PureFilth! Launched in May 2019, Resurrection 1 had an all-star lineup featuring Rob Tissera, Ilogik, Dynamic Intervention, JP & Jukesy, Tim Clewz, Casper, Little Miss Natalie, Frank Farrell and resident DJs. In December 2019 was Resurrection 2 featuring Lab 4 LIVE, Defective Audio, Eufex, Jon Hemming, Joe Longbottom, Bass Jumper, Jodie Rose and many more.

During the COVID-19 pandemic, Resurrection have been keeping everyone entertained with their 6x LOCKDOWN Digital Raves, 2x massive 4PLAY events featuring... GoodGreef, Xstatic, We Love Hardhouse in December 2020 and Storm, Reactivate and Hard Trance Europe in March 2021 and their weekly SPOTLIGHT show (every Sunday 6-8pm) all live on globalhardhouse.com

Pumping house[21] (or bumping) is an intermediate term and a local variant of the early scouse house scene, which was popular Russia and Spain in the late 1990s to early 2000s. The genre takes start when the Dutch duo Klubbheads invented so called bamboo-bass in the track Ultimate Seduction - "A Walking Nightmare (Klubbheads GP Mix)" in 1997. Years later the genre gave birth to Britain's donk scene and Spain scene poky.[20] Pumping house is used as an interchangeable term for scouse house in Russia, Spain and Poland.

Hard NRG is a genre that emerged from trance and UK hard house that gained popularity on the rave scenes. The genre is distinguished by the offbeat bass patterns that were inspired from Hi-NRG, which were added over darker and more anthemic trance beats and synths. Though lacking the trance melodies it has more of a rhythmic structure.

Hard house is similar to, but distinct from hardstyle. Confusion can sometimes arise as some club nights and events will play both hardstyle and hard house. This may be because hardstyle is quite well known across western Europe, whereas hard house has only ever had a limited audience outside of the UK, Australia and South Africa, so there is more new music being released in the hardstyle scene.[citation needed].

Hardstyle/Trance come closest, but it has a lot more groove to it and tougher synth sounds. Anyway, I dusted off the Hard House tracks for the first time in about 10 years and did a mix, and while this isn't a mix submission I wanted to know what you thought to this style of music....

The perfect soundtrack for driving at breakneck speeds, UK hard house is less uplifting that most forms of house. With a darker edge and relentless beat, UK hard house music is highly repetitive and features intense breakdowns and tight drum rolls. It all adds up to a rushing, pounding sound that always seems on the brink of breaking loose.

When it comes to hard house, I feel like I've been shitting in the wind for years. On my blog, the world famous Weekly Review of Dance Music, I've been pushing hard house (between the years of 1996 and 2001) just as much as I have normal house, techno, minimal house, minimal techno, industrial techno and shoulder pad techno but the mainstream haven't picked up on it yet. The hard house revival hasn't happened and I'm not sure it ever will (happen). I'd love to see Anne Savage play Room 2 at Fabric. Why isn't that long haired bloke who bounces the door at Berghain ushering in Ian M once a month?

Tony De Vit is the Frankie Knuckles of hard house, and Global Underground 005: Tokyo is the Ministry of Sound: Sessions Six of hard house, so if you, hold on, no, yeah, that does work because if Tony De Vit is the Frankie Knuckles of hard house then Ministry of Sound: Sessions Six must also be the Global Underground 005: Tokyo of normal house which means, if you run that backwards, Global Underground 005: Tokyo is still the Ministry of Sound: Sessions Six of hard house, and Tony De Vit is still the Frankie Knuckles of hard house.

One of the tracks on this, "All Night" by House Negro, sounds like an ice cream van that got lost down one of them streets off the Chepstow Road that do drum and bass during the Notting Hill Carnival, but instead of drum and bass music, it's hard house drums and hard house bass with the ice cream van music playing over the top of it, in a good way. He's also got the snooker ball sampling and evil, "The Tradesman" by Equinox on there. What's better than snooker and ice cream? Apart from hard house, fuck all.

Seb Fontaine's mix is not hard house, it's a time capsule trance set with an unrelated Balearic/speed garage remix of "Rapper's Delight" tacked on to the end. CD2 is the hard house side and we find Tony in a more relaxed, playful mood than he was on both of his Global Underground compilations. CD2 is a lovely collection of life affirming underground hard house, some normal house classics that are sped up to hard house speed and one trance song to throw you. If you can play me a DJ mix with a stronger four dart finish than "One More" by DJ Ablaze, "In My House" by Barabas & OD1, "Expression" by Steve Blake and "Dancing On A Ceiling (Tony De Vit Remix)" I'll be damned.

I found this mix whilst researching for this article. It was in the hard house compilation bin on Discogs and the cover made me laugh out loud so much that I had to include it on here for future generations to look and laugh at too. DJ She's wearing them yellow sunglasses that the grown-ups used to wear when I was at school in the mid-90s. She's holding out to the camera and smiling. She looks excited to be putting out a commercial mix. She's slapped a PARENTAL ADVISORY EXPLICIT CONTENT on it. She's wearing a market stall jumper. e24fc04721