Babes in Arms opened at the Shubert Theatre on Broadway, in New York City on April 14, 1937 and ran for 289 performances.[5] In the original play, a character named Billie Smith (played by Mitzi Green) sings the song to Valentine "Val" LaMar (played by Ray Heatherton).[6] The character's name was changed to match the lyric of this song.[7]
In the song, Billie describes Valentine's characteristics in unflattering and derogatory terms (at one point Billie describes Valentine's looks as "laughable", in keeping with the title), but ultimately affirms that he makes her smile and that she does not want him to change. The description of Valentine was consistent with Lorenz Hart's own insecurities and belief that he was too short and ugly to be loved.[8] (The lyrics are sufficiently gender-neutral to allow the song to be sung about a person of any gender, and a large proportion of cover versions of the song have been by men describing a hypothetical woman.)
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The Chet Baker and the Julie London versions of the song were credited in the 1981 film Sharky's Machine, which Burt Reynolds starred in and directed. Doc Severinsen produced the soundtrack for the film,[11] along with Al Capps and Bob Florence.[12]
There is a significance of this song in that there are over 100+ versions of "My Funny Valentine" in various musical styles This is attributed to the common chords and ability to jump off into improvisation that flows naturally, allowing a return to the chart. I am not a music scholar but have collected over 100 versions. There are new ones recorded as a younger generation discovers this piece of music. Right now Gotan Project has one of the very best Euro-Techno version. Very smooth but fresh. No reference to give except my own collection and my own analysis.
Even if you aren't a fan of the holiday and prefer spending it by yourself or with the gals, it never hurts to have a collection of romantic songs on reserve ... just in case good ol' Cupid comes calling.
Singer Etta James released this timeless ballad in 1961 and since then it's become one of the most popular songs played at weddings and was famously sung by Beyonc during the 2009 inauguration of President Barack Obama.
Jim Brickman and Martina McBride team up in this song, which features lyrics like "Even if the sun refused to shine / Even if romance ran out of rhyme / You would still have my heart / Until the end of time." It doesn't get much more Valentine-ish than that.
Al Green's hit "Let's Stay Together" went to the top of the Billboard Hot 100 and stayed there for 16 weeks. Whether times are good, bad, happy or sad, it remains a popular song, especially for couples.
Hearts around the world skipped a beat watching Bella and Edward finally tie the knot in "Breaking Dawn," the 4th installment in the "Twilight" series. Even though this Christina Perri song plays during the film's closing credits, it's come to represent the pair's eternal love.
Life doesn't always go as planned, but sometimes it's the unexpected things, like mistakes and heartbreak, that lead us to where we're ultimately meant to end up. This Grammy-winning song reminds us exactly that.
Simple and sweet, "Love Me Tender" is one of the greatest Elvis songs of all time, right along with "Can't Help Falling in Love," which, of course, also makes our list of the best Valentine's Day songs ever.
The late, great Patsy Cline will always be remembered for her legendary voice and classic songs like "Walkin' After Midnight." Her ballad "Crazy" talks of love lost, but perfectly sums up what it means to fall head over heels.
Planning a Valentine's Day proposal? Then this earnest song by Train will be stuck on repeat. Even if getting married isn't part of your Valentine's Day celebration, it'll put hearts in their eyes when you play it.
haaa, i love this joint. i didn't really get into speakerboxx/the love below on the whole, but there were a couple of standout songs if i remember, and this was definitely one of them.
As for "Han Solo", i always thought that, aside from tying into the space imagery of Pluto, was a play on "hand solo," i.e. masturbation. He's playing solo until he's hit by cupid's arrow.
It reads like a wedding proposal, from the time he wraps the sweetest soul falsetto ever around "I want to spend my life with you" to a chorus that feels like wedding vows have been exchanged: "Loving you whether (whether) times are good or bad, happy or sad."
Dolly Parton wrote this song and topped the Billboard country charts with her own version in the early '70s. But Whitney Houston made the song her own with an iconic, gospel-flavored reinvention of the country ballad for the soundtrack to "The Bodyguard" nearly two decades later.
Jerry Bruckheimer was so impressed with the romantic nature of this atmospheric synth-pop ballad that when Giorgio Moroder submitted the demo for a scene in "Top Gun," the director filmed additional romantic scenes between Tom Cruise and Kelly McGillis to feature the song.
The premise of the song is that saying "I love you" doesn't mean much in an age where everybody seems to throw the words around too easily. So Nuno Bettencourt is saying he'd prefer it if you show him how you feel. "Then you wouldn't have to say that you love me," he explains. "'Cause I'd already know." It's sweet. And sometimes that's enough.
Robert Smith does a brilliant job of capturing the sugar rush of falling hopelessly in love in "Friday I'm in Love," a song he's gone on to dismiss as "not a work of genius," "a dumb pop song" and "a very naive, happy type of pop song." But all those qualities that make him feel a little silly are what makes it such a work of genius. Smith sounds perfect pining, "I don't care if Monday's black / Tuesday, Wednesday heart attack / Thursday never looking back / It's Friday, I'm in love." And yes, we'll admit it's as much about loving the weekend as it is about loving the person with whom the singer plans to spend that weekend.
It doesn't sound much like a love song after Stephin Merritt sets the tone for this highlight of "69 Love Songs" with "The book of love is long and boring / No one can lift the damn thing / It's full of charts and facts and figures / And instructions for dancing." Then he turns around and hits you with an unabashedly romantic chorus of "But I, I love it when you read to me / And you, you can read me anything." The point, of course, is that when love is real, it transcends all the greeting-card cliches it so closely resembles and speaks directly to the heart.
This Beatlesque ballad put the Bangles back at No. 1 on Billboard's Hot 100, employing a much different vibe than their previous chart-topping single, "Walk Like an Egyptian." This one is as earnest as that other song was silly, Susanna Hoffs going straight for the listener's heart string with her trembling delivery of "Close your eyes, give me your hand, darling / Do you feel my heart beating? / Do you understand?" It's all a bit over-the-top but in a good way, securing the Bangles a shot at the airwaves in the age of heavy-metal power ballads. And Hoffs' emotional delivery makes it that much more compelling.
This smoldering duet between D'Angelo and Lauryn Hill is a finger-popping throwback to the golden age of soul that strikes a more romantic tone than much of "The Miseducation of Lauryn Hill." Hill has said the goal of "Nothing Even Matters" was to make a love song in the style of a Roberta Flack and Donny Hathaway duet without the overt sexuality of more contemporary R&B, which definitely checks out here. There's a raw sensuality to the chemistry between them but the lyrics are more playfully romantic than erotic, paying tribute to a love so true, she's got no time for manicures and he's convinced he's got no need for alcohol. That sounds like love to me.
Some people want to fill the world with silly love songs. This we know because McCartney told us (in one of the most defensive pop songs ever written). But the most enduring love song of his solo years isn't silly at all.
Those crystalline high notes are enough to give a person chills while achieving the type of emotional resonance you might not expect from a song in which the singer claims she's "higher than a motherf----r."
Flack took that song and made it smolder by slowing it down to a sensual crawl. After scoring a scene of a couple making love in "Play Misty for Me," it topped the Billboard year-end Hot 100 in 1972 and won Grammys for Record and Song of the Year.
It's only fair to let Bob Dylan sing one of his own songs after that. This country-rocking valentine was also featured on George Harrison's post-Beatles masterpiece, "All Things Must Pass." And that Harrison version is brilliant, but this is classic Dylan.
And Springfield really taps into the essence of the lyrics, drawing you in with her sultry delivery of the song's first line: "The look of love is in your eyes / A look your smile can't disguise / The look of love is saying so much more than just words could ever say."
Funny ValentineJapanese NameNamesakeMy Funny Valentine[1] (Richard RodgersW song)StandDirty Deeds Done Dirt CheapProfileAge48[2]BirthdaySeptember 20, 1847[3]GenderMaleNationalityAmericanHair ColorBlond (Digital Color, ASB, EOH)Eye ColorBlue (Digital Color, EOH) Purple (ASB)FavoritesHobbiesPlaying the mandolinOther InformationGoalsEstablish the United StatesW as Earth's dominant superpower.RelativesCaptain Valentine (stepfather)
Scarlet Valentine (wife)StatusStatusDeceasedDate of DeathJanuary 19, 1891[4]Cause of DeathFatally shot by Johnny JoestarMediaManga DebutSBR Chapter 25 - Tusk, Part 1Final
AppearanceSBR Chapter 89 - Break My Heart, Break Your Heart, Part 2 (Death)
SBR Chapter 91 - High Voltage, Part 2 (Appears in flashback(s))
In the English localization, if Valentine is mirror matched against himself, during the dialogue before the fight, the first Valentine will provoke saying "Get ready for amber waves of pain!", while the second Valentine will say "Hello me. Meet the REAL me" (the latter being a lyric from the song "Sweating Bullets" by the band Megadeth) e24fc04721
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