Chandramohan "Charlie" Sharma is a street fighter who has been yearning for revenge from the renowned security supplier and owner of Shalimar Securities, Charan Grover, for eight years. Grover got Charlie's father, Manohar Sharma, wrongfully arrested as a thief because Grover had conned Manohar into stealing his own diamonds worth $15 million. Diamonds worth 300 crore ($39.48 million) will reach the Atlantis Hotel, Dubai on Christmas Eve. Charlie wants to steal the diamonds and frame Grover. To accomplish this, he assembles a team; Ex-Captain Jagmohan "Jag" Prakash, a hard-of-hearing strongman, Tehamton "Tammy" Irani, an old and seizure-prone safecracker who was Manohar's best friend, Rohan Singh, a young intelligent hacker who is Jag's nephew, and Nandu Bhide, a lookalike of Charan's son Vicky Grover.

Kasmin Fernandes at The Times of India felt, "As a heist film centred around a dance competition, Happy New Year provides plenty of fodder for composers Vishal and Shekhar and lyricist Irshad Kamil to showcase their way with sounds. And they've delivered, with seven original tracks, one electronic version, a variation, a medley and an instrumental number."[28] Rohit Vats for Hindustan Times gave the album 3 out of 5 stars stated, "Farah Khan looks more concerned about the feel of her film than the quality of the songs, and it prompts her to go with trendy tunes. Overall, the album is average and is only youth oriented. Acquiring longevity will be difficult for this album."[29] For India.com, Prathamesh Jadhav wrote, "It's a mixed bag!"[30] On the contrary critic Surabhi Redkar for Koimoi felt, "The Happy New Year album is not as extravagant as the film looks. With an expectation of a Bollywood musical soundtrack, it comes down to a regular album of Vishal-Shekhar. Even though the album will be a hit with tracks such as 'Manwa Laage' and 'Kamli', it will not enjoy much longevity."[31]


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Shilpa Jamkhandikar of Reuters said that the film has liberally borrowed from Hollywood heist films, in particular from Steven Soderbergh's Ocean's Eleven. "The first half is lighter and genuinely funny at times, but as the second half wears on, the proceedings become monotonous".[76] Lisa Tsering of The Hollywood Reporter reviewed film as, "an ambitious musical, a love story and an Ocean's 11-style crime caper".[77] Sami Qahar of the Dawn gave the film 2.5 out 5 stars and said the film is "Ocean's Eleven plus Italian Job plus Step Up all in one...on cheap shape-deteriorating steroids."[78]

The music and lyrics are in the public domain in the European Union and the United States. The copyright expired in the European Union on January 1, 2017.[24] A U.S. federal court ruled in 2016 that Warner and Chappell's copyright claim was invalid and there was no other claim to copyright.[18]

The complete text of "Happy Birthday to You" first appeared in print as the final four lines of Edith Goodyear Alger's poem "Roy's Birthday", published in A Primer of Work and Play, copyrighted by D. C. Heath in 1901, with no reference to the words being sung.[26] The first book including "Happy Birthday" lyrics set to the tune of "Good Morning to All" that bears a date of publication is from 1911 in The Elementary Worker and His Work, but earlier references exist to a song called "Happy Birthday to You", including an article from 1901 in the Inland Educator and Indiana School Journal.[27] In 1924, Robert Coleman included "Good Morning to All" in a songbook with the birthday lyrics as a second verse. Coleman also published "Happy Birthday" in The American Hymnal in 1933. Children's Praise and Worship published the song in 1928, edited by Byers, Byrum, and Koglin.[citation needed]

Summy Company became the Summy-Birchard Company in 1957, and this became a division of Birch Tree Group Limited in 1970. Warner/Chappell Music acquired Birch Tree Group Limited in 1988 for US$25 million.[10][11] The company continued to insist that one cannot sing the "Happy Birthday to You" lyrics for profit without paying royalties; in 2008, Warner collected about US$5,000 per day (US$2 million per year) in royalties for the song.[31] Warner/Chappell claimed copyright for every use in film, television, radio, and anywhere open to the public, and for any group where a substantial number of those in attendance were not family or friends of the performer. Brauneis cited problems with the song's authorship and the notice and renewal of the copyright, and concluded: "It is almost certainly no longer under copyright."[3][16]

In the European Union, copyright lasts for the life of the author plus 70 years. Patty Hill died in 1946 as the last surviving author, so the copyright expired in these countries on January 1, 2017.[24]

Nelson's attorneys Betsy Manifold and Mark Rifkin presented new evidence on July 28, 2015, one day before a scheduled ruling, which they argued was conclusive proof that the song was in the public domain, "thus making it unnecessary for the Court to decide the scope or validity of the disputed copyrights, much less whether Patty Hill abandoned any copyright she may have had to the lyrics". They had been given access to documents previously held back from them by Warner/Chappell, which included a copy of the 15th edition of The Everyday Song Book published in 1927. The book contained "Good Morning and Happy Birthday", but the copy was blurry, obscuring a line of text below the title. Manifold and Rifkin located a clearer copy of an edition published in 1922 that also contained the "Happy Birthday" lyrics. The previously obscured line was revealed to be the credit "Special permission through courtesy of The Clayton F Summy Co.". Manifold and Rifkin argued that the music and lyrics were published without a valid copyright notice as was required at the time, so "Happy Birthday" was in the public domain.[41]

Warner/Chappell disputed the evidence, arguing that, unless there was "necessary authorization from the copyright owner", the "Happy Birthday" lyrics and sheet music would still be subject to common law copyright as an unpublished work, and that it was unknown whether the "special permission" from the Summy Company covered "Good Morning to All", "Happy Birthday", or both, thus alleging that the publication in The Everyday Song Book was unauthorized. The company also argued that it was not acting in bad faith in withholding the evidence of the 1927 publication.[42]

Before the lawsuit, Warner/Chappell had been earning $2 million a year licensing the song for commercial use,[46] with a notable example the $5,000 paid by the filmmakers of the 1994 documentary Hoop Dreams[49] in order to safely distribute the film.[50] On February 8, 2016, Warner/Chappell agreed to pay a settlement of $14 million to those who had licensed the song, and would allow a final judgment declaring the song to be in the public domain, with a final hearing scheduled in March 2016.[51][52] On June 28, 2016, the final settlement was officially granted and the court declared that the song was in the public domain.[18] The following week, Nelson's short-form documentary Happy Birthday: My Campaign to Liberate the People's Song was published online by The Guardian.[53]

In the 1987 documentary Eyes on the Prize about the U.S. civil rights movement, there was a birthday party scene in which Dr. Martin Luther King Jr.'s discouragement began to lift. After its initial release, the film was unavailable for sale or broadcast for many years because of the cost of clearing many copyrights, of which "Happy Birthday to You" was one. Grants in 2005 for copyright clearances[59] allowed PBS to rebroadcast the film.[60]

In 2010, the Western classical music conductor Zubin Mehta conducted the orchestra to play variations of "Happy Birthday" in the styles of various Western classical music composers including Wagner, Bach, Mozart and Beethoven, and in the Viennese, New Orleans and Hungarian composition styles.[61][62]

Let the kiddos have a little fun too! This catchy tune from the Disney movie Zombies will be stuck in everyone's head on New Year's Day and beyond. Wish yourself well in the new year with its positive sentiment: "Been waiting for this moment, Yeah I'm gonna own it. You can watch me shine, This is gonna be my year!"

This week, America marks Martin Luther King Jr. Day: a national holiday celebrating the life and legacy of the great civil rights leader. As our way of honoring Dr. King, we're telling the story of "Happy Birthday." That would be the version that's often called "the black happy birthday song," the version written and originally performed by Stevie Wonder. It's a tribute to MLK, and it will always be associated with the 15-year effort to designate this national holiday.

Wonder attended King's funeral, and soon joined Rep. John Conyers in support of a bill that would declare a national holiday in King's honor. The idea quickly gained momentum, but it would take years of tireless effort to pass the law, due to opposition by people like Sen. Jesse Helms, who painted King as a lawless communist.

While labor unions turned up the political heat, Wonder revisited a song called "Happy Birthday." He wrote the song after he set out to record the traditional birthday song for King, then realized he didn't know the music to that version. Being Stevie Wonder, he decided to just whip up his own birthday song, with lyrics paying tribute to MLK.

Stevie Wonder has continued to sing his version of "Happy Birthday," which has been embraced as a civil rights anthem and a celebration of hope, particularly among African-Americans. With all due respect to Patty and Mildred Hill (and the Beatles), if you want to bring down the house with a happy-birthday song, it's hard to beat Stevie's.

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