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' Toss and Turn ' 53 x 50 in 2022
filmed in the studio. Sketch the picture initially.
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" The reason I draw humans is because they are as mysterious as the universe. It is as mysterious as looking at the stars in the sky. The meeting and transmission of emotions and nerves through the operation of organs move me. "
The Metamorphosis
The Metamorphosis
38 W x 51 H x 1 D in
38 W x 51 H x 1 D in
I love the novelist Franz Kafka (3 July 1883 – 3 June 1924). The protagonist's way of resisting absurdity is very realistic and attractive to me.
In a world where images dominate individuals, where is the real face? This work was created from a very essential and personal question. I am very shy or very interested in the combative part. But this picture is in the middle. It expresses a human gesture that is embarrassed by stress and trying to overcome it.
The Three Shades is a sculptural group produced in plaster by Auguste Rodin in 1886 for his The Gates of Hell. He made several individual studies for the Shades before finally deciding to put them together as three identical figures gathered around a central point.
I often look at Rodin's sculptures and get inspired.
" This picture has now been erased and has become another picture. It is only left as a photograph in the process. Until I complete one work, I enjoy many more beautiful moments than completion. "
This is the most recent abstract expressionist painting with human figures. I was very satisfied. It was placed in the uncategorizable point I wanted.
" I am nothing. " 53 W x 50 H x 1 D in
Scent of a Woman 35.6 W x 46 H x 1 D in
As I continued to see and feel the gestures of modern dancers, I took away the emotions. I tried to artfully shape the movement perceived by sight and the movement of immaterial objects. Rather than distinguishing between paint and form, everything becomes music that is delivered instantly. My virtuosity had clear roots in perspiration, as well as inspiration
As I continued to see and feel the gestures of modern dancers, I took away the emotions. I tried to artfully shape the movement perceived by sight and the movement of immaterial objects. Rather than distinguishing between paint and form, everything becomes music that is delivered instantly. My virtuosity had clear roots in perspiration, as well as inspiration
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