Gta 5 Radio Stations Download Mp3

Radio broadcasting is the broadcasting of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station, while in satellite radio the radio waves are broadcast by a satellite in Earth orbit. To receive the content the listener must have a broadcast radio receiver (radio). Stations are often affiliated with a radio network that provides content in a common radio format, either in broadcast syndication or simulcast, or both. Radio stations broadcast with several different types of modulation: AM radio stations transmit in AM (amplitude modulation), FM radio stations transmit in FM (frequency modulation), which are older analog audio standards, while newer digital radio stations transmit in several digital audio standards: DAB (Digital Audio Broadcasting), HD radio, DRM (Digital Radio Mondiale). Television broadcasting is a separate service that also uses radio frequencies to broadcast television (video) signals.

The thermionic valve (a kind of vacuum tube) was invented in 1904 by the English physicist John Ambrose Fleming. He developed a device he called an "oscillation valve" (because it passes current in only one direction). The heated filament, or cathode, was capable of thermionic emission of electrons that would flow to the plate (or anode) when it was at a higher voltage. Electrons, however, could not pass in the reverse direction because the plate was not heated and thus not capable of thermionic emission of electrons. Later known as the Fleming valve, it could be used as a rectifier of alternating current and as a radio wave detector.[2] This greatly improved the crystal set which rectified the radio signal using an early solid-state diode based on a crystal and a so-called cat's whisker. However, what was still required was an amplifier.

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By about 1920, valve technology had matured to the point where radio broadcasting was quickly becoming viable.[9][10] However, an early audio transmission that could be termed a broadcast may have occurred on Christmas Eve in 1906 by Reginald Fessenden, although this is disputed.[11] While many early experimenters attempted to create systems similar to radiotelephone devices by which only two parties were meant to communicate, there were others who intended to transmit to larger audiences. Charles Herrold started broadcasting in California in 1909 and was carrying audio by the next year. (Herrold's station eventually became KCBS).

In The Hague, the Netherlands, PCGG started broadcasting on November 6, 1919, making it, arguably the first commercial broadcasting station. In 1916, Frank Conrad, an electrical engineer employed at the Westinghouse Electric Corporation, began broadcasting from his Wilkinsburg, Pennsylvania garage with the call letters 8XK. Later, the station was moved to the top of the Westinghouse factory building in East Pittsburgh, Pennsylvania. Westinghouse relaunched the station as KDKA on November 2, 1920, as the first commercially licensed radio station in the United States.[12] The commercial broadcasting designation came from the type of broadcast license; advertisements did not air until years later. The first licensed broadcast in the United States came from KDKA itself: the results of the Harding/Cox Presidential Election. The Montreal station that became CFCF began broadcast programming on May 20, 1920, and the Detroit station that became WWJ began program broadcasts beginning on August 20, 1920, although neither held a license at the time.

In 1920, wireless broadcasts for entertainment began in the UK from the Marconi Research Centre 2MT at Writtle near Chelmsford, England. A famous broadcast from Marconi's New Street Works factory in Chelmsford was made by the famous soprano Dame Nellie Melba on June 15, 1920, where she sang two arias and her famous trill. She was the first artist of international renown to participate in direct radio broadcasts. The 2MT station began to broadcast regular entertainment in 1922. The BBC was amalgamated in 1922 and received a Royal Charter in 1926, making it the first national broadcaster in the world,[13][14] followed by Czech Radio and other European broadcasters in 1923.

Radio in education soon followed and colleges across the U.S. began adding radio broadcasting courses to their curricula. Curry College in Milton, Massachusetts introduced one of the first broadcasting majors in 1932 when the college teamed up with WLOE in Boston to have students broadcast programs.[16] By 1931, a majority of U.S. households owned at least one radio receiver.[17]

Broadcasting by radio takes several forms. These include AM and FM stations. There are several subtypes, namely commercial broadcasting, non-commercial educational (NCE) public broadcasting and non-profit varieties as well as community radio, student-run campus radio stations, and hospital radio stations can be found throughout the world. Many stations broadcast on shortwave bands using AM technology that can be received over thousands of miles (especially at night). For example, the BBC, VOA, VOR, and Deutsche Welle have transmitted via shortwave to Africa and Asia. These broadcasts are very sensitive to atmospheric conditions and solar activity.

Nielsen Audio, formerly known as Arbitron, the United States-based company that reports on radio audiences, defines a "radio station" as a government-licensed AM or FM station; an HD Radio (primary or multicast) station; an internet stream of an existing government-licensed station; one of the satellite radio channels from XM Satellite Radio or Sirius Satellite Radio; or, potentially, a station that is not government licensed.[18]

AM stations were the earliest broadcasting stations to be developed. AM refers to amplitude modulation, a mode of broadcasting radio waves by varying the amplitude of the carrier signal in response to the amplitude of the signal to be transmitted. The medium-wave band is used worldwide for AM broadcasting. Europe also uses the long wave band. In response to the growing popularity of FM stereo radio stations in the late 1980s and early 1990s, some North American stations began broadcasting in AM stereo, though this never gained popularity and very few receivers were ever sold.

The signal is subject to interference from electrical storms (lightning) and other electromagnetic interference (EMI).[19] One advantage of AM radio signal is that it can be detected (turned into sound) with simple equipment. If a signal is strong enough, not even a power source is needed; building an unpowered crystal radio receiver was a common childhood project in the early decades of AM broadcasting.

AM transmissions cannot be ionospheric propagated during the day due to strong absorption in the D-layer of the ionosphere. In a crowded channel environment, this means that the power of regional channels which share a frequency must be reduced at night or directionally beamed in order to avoid interference, which reduces the potential nighttime audience. Some stations have frequencies unshared with other stations in North America; these are called clear-channel stations. Many of them can be heard across much of the country at night. During the night, absorption largely disappears and permits signals to travel to much more distant locations via ionospheric reflections. However, fading of the signal can be severe at night.

AM radio transmitters can transmit audio frequencies up to 15 kHz (now limited to 10 kHz in the US due to FCC rules designed to reduce interference), but most receivers are only capable of reproducing frequencies up to 5 kHz or less. At the time that AM broadcasting began in the 1920s, this provided adequate fidelity for existing microphones, 78 rpm recordings, and loudspeakers. The fidelity of sound equipment subsequently improved considerably, but the receivers did not. Reducing the bandwidth of the receivers reduces the cost of manufacturing and makes them less prone to interference. AM stations are never assigned adjacent channels in the same service area. This prevents the sideband power generated by two stations from interfering with each other.[20] Bob Carver created an AM stereo tuner employing notch filtering that demonstrated that an AM broadcast can meet or exceed the 15 kHz baseband bandwidth allotted to FM stations without objectionable interference. After several years, the tuner was discontinued. Bob Carver had left the company and the Carver Corporation later cut the number of models produced before discontinuing production completely.[citation needed]

Edwin Howard Armstrong invented wide-band FM radio in the early 1930s to overcome the problem of radio-frequency interference (RFI), which plagued AM radio reception. At the same time, greater fidelity was made possible by spacing stations further apart in the radio frequency spectrum. Instead of 10 kHz apart, as on the AM band in the US, FM channels are 200 kHz (0.2 MHz) apart. In other countries, greater spacing is sometimes mandatory, such as in New Zealand, which uses 700 kHz spacing (previously 800 kHz). The improved fidelity made available was far in advance of the audio equipment of the 1940s, but wide interchannel spacing was chosen to take advantage of the noise-suppressing feature of wideband FM.

The AM radio problem of interference at night was addressed in a different way. At the time FM was set up, the available frequencies were far higher in the spectrum than those used for AM radio - by a factor of approximately 100. Using these frequencies meant that even at far higher power, the range of a given FM signal was much shorter; thus its market was more local than for AM radio. The reception range at night is the same as in the daytime. All FM broadcast transmissions are line-of-sight, and ionospheric bounce is not viable. The much larger bandwidths, compared to AM and SSB, are more susceptible to phase dispersion. Propagation speeds are fastest in the ionosphere at the lowest sideband frequency. The celerity difference between the highest and lowest sidebands is quite apparent to the listener. Such distortion occurs up to frequencies of approximately 50 MHz. Higher frequencies do not reflect from the ionosphere, nor from storm clouds. Moon reflections have been used in some experiments, but require impractical power levels. 2351a5e196