Gregorio Fontaine Correa (a.k.a Gregorio Fontén) holds a PhD in Sonic Arts from Goldsmiths, University of London. His practice is that of a faltering (vacilar) between listening and dancing: a flow-stop sounding between surroundings, song, writing, and corporeality. (Phd Thesis)

He has developed a methodology for this vacilar that branches out in sets of sound poetry, piano and field recording, electroacoustic installations/actions, and in the Winka Wayno Sound System.

His work has been published and presented in different places such as Queen Elizabeth Hall (London), Center for New Music (San Francisco), Fundación Phonos (Barcelona), CMMAS (Morelia), Teatro Municipal de Santiago among others and the publications Contemplación (Libros de la Elipse, Santiago 2001), FM (Veer Books, Londres 2014) and Transducción (Sonhoras, Barcelona 2018).

His songs have been described as ramshackle and unique, whose effect is hallucinatory, corrosive; both strange and beautiful.