Grauman's Chinese Theatre (branded as TCL Chinese Theatre for naming rights reasons) is a movie palace on the historic Hollywood Walk of Fame at 6925 Hollywood Boulevard in Hollywood, Los Angeles, California, United States.
The original Chinese Theatre was commissioned following the success of the nearby Grauman's Egyptian Theatre, which opened in 1922. Both are in Exotic Revival style architecture.[2] Built by a partnership headed by Sid Grauman over 18 months beginning in January 1926, the theater opened May 18, 1927, with the premiere of Cecil B. DeMille's The King of Kings. It has since been home to many premieres, including the 1977 launch of George Lucas' Star Wars, as well as birthday parties, corporate junkets, and three Academy Awards ceremonies. Among the theater's features are the concrete blocks set in the forecourt, which bear the signatures, footprints, and handprints of popular motion picture personalities from the 1920s to the present day.
Originally named Grauman's Chinese Theatre, it was renamed Mann's Chinese Theatre in 1973; the name lasted until 2001, after which it reverted to its original name. On January 11, 2013, Chinese electronics manufacturer TCL Corporation purchased the facility's naming rights.
In 2013, the Chinese Theatre partnered with IMAX Corporation to convert the house into a custom-designed IMAX theater. The newly renovated theater seats 932 people and features one of the largest movie screens in North America.
After his success with the Egyptian Theatre, Sid Grauman turned to Charles E. Toberman to secure a long-term lease from Francis X. Bushman on property at 6925 Hollywood Boulevard, the site of Bushman's mansion.In appreciation, a plaque was installed on the front of the theater dedicating it to Bushman.
Toberman contracted Meyer & Holler, designer of the Egyptian, to design a "palace-type theatre" of Chinese design. Grauman financed the theater's $2.1 million cost and owned a one-third interest in the Chinese Theatre. Grauman's partners, Mary Pickford, Douglas Fairbanks, and Howard Schenck, owned the remainder.[citation needed] The principal architect was Raymond M. Kennedy of Meyer & Holler.
During construction, Grauman hired Jean Klossner to formulate an extremely hard concrete for the forecourt of the theater. Klossner later became known as "Mr. Footprint", performing the footprint ceremonies from 1927 through 1957.
Many stories exist to explain the origins of the footprints. The theater's official account credits Norma Talmadge as having inspired the tradition when she accidentally stepped into the wet concrete. However, in a short interview during the September 13, 1937, Lux Radio Theatre broadcast of a radio adaptation of A Star Is Born, Grauman related another version of how he got the idea to put hand and foot prints in the concrete. He said it was "pure accident. I walked right into it. While we were building the theatre, I accidentally happened to step in some soft concrete. And there it was. So, I went to Mary Pickford immediately. Mary put her foot into it."
In 1947's Fun and Fancy Free "Mickey and the Beanstalk", the cartoon ends with Willie the Giant stomping through Hollywood looking for Mickey Mouse. After he looked for Mickey in one of the buildings and found he was not in there, his right foot stepped over the theater called the "Grauman's Chinese", before he searched the restaurant "Brown Derby" with HOLLYWOOD lights blinking in the background.
Another account, says that the original "accidental" slabs were made and stayed, at the curb, on the sidewalk, until 1958, when they were removed for the Hollywood Walk of Fame.
When they stepped up off the curb, they accidentally walked on wet cement and left a trail of footprints from the street to the front doors of the theater ... The stars, seeing what they had done, grabbed a nail on the ground and signed their names next to their footprints, Pickford even dated it." — Marc Wanamaker, Hollywood Heritage Museum.
Still another account by Klossner recounts that Klossner autographed his work next to the right-hand poster kiosk and that Grauman and he developed the idea then and there.His autograph and handprint, dated 1927, remain today. (Note: In 1949, Klossner's story changed to say that Grauman had accidentally stepped into the wet concrete.) The theater's third founding partner, Douglas Fairbanks, was the second celebrity after Talmadge to be immortalized in the concrete.
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