What is the most listened-to music in South Africa? Is it R&B, like in many other African countries? Or maybe pop music, like in most parts of the world? Or maybe homegrown kwaito? Wrong. Research by international entertainment company Havas Sports and Entertainment has yielded what for some South Africans is a surprising result.
Much of modern South African gospel rails against ills such as violent crime. And, as Netshivhambe said, South Africans, influenced by decades of gross inequality in their society, love a good protest.
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NEW YORK, Nov. 29, 2016 /PRNewswire/ -- South Africa's gospel music group Joyous Celebration partners Bishop T.D. Jakes and the Potter's House Choir as well as "Friends of the Potter's House" (other established American gospel artists) for the recording of Joyous 21 and a "Day of Culture Live Concert East Coast Tour" from the 03rd to 10th December 2016, with the main objective of sharing and highlighting cultural diversity with music as a unifying force through this collaboration. The group will tour Texas (Dallas), New York (Brooklyn and Harlem), New Jersey (North Brunswick), Pennsylvania (Philadelphia), Maryland (Baltimore) and Washington DC.
Music is the biggest cultural phenomenon in the world and has the power to touch and unite people whilst contributing to a thriving economy. Just like developing economies have to contend with issues of racial inequality and lack of opportunity, the US is no exception as it has to also address issues of race, inequality and opportunity for the marginalized. In this regard, the arts in South Africa have played and continue to play an integral role in shaping the country and society at large, especially as an important contribution to social cohesion and nation-building, and promoting South Africa through the advancement of intercultural dialogue, understanding and collaboration. As Joyous Celebration "comes of age" and celebrates two decades of music making, they aim to continue changing lives and touching souls by bringing their music to all people across the globe and in the process share and tell the South Africa's good story of nation building, reconciliation and fostering social cohesion.
Joyous Celebration is a brainchild of 3 music industry's heavyweights - messrs Lindelani Mkhize, Jabu Hlongwane and Mthunzi Namba. The 3 have over the years collectively revolutionized the music industry and the gospel genre in particular. Initially inspired by South Africa's peaceful transition to democracy, they established this Gospel Music Concept (later to be named Joyous Celebration), and according to Lindelani Mkhize "with the purpose of seeking and unearthing talent, training, shaping and nurturing it and then putting it on the biggest stage for any artist in South Africa, and some moving on to become household names, after carving their own careers in the industry".
Over the years, Joyous Celebration group has made indelible footprint across the borders of South Africa, touching numerous countries, to a point where the name Joyous Celebration, has not only become synonymous with gospel music in South Africa and beyond its borders, but the brand has transcended the "religious" sphere to become a lifestyle brand that is the biggest and longest standing production of its kind in South Africa, inspiring new ways, especially in a country whose vision is to be a nation its people and the world will draw inspiration from; inspiration to find new paths, new solutions, new possibilities, new experiences, new ideas and the will to make it happen.
20 years on the trio have built the most successful musical group in the history of democratic South Africa and proudly celebrate 20 years of bringing gospel music to people of all ages, race and creed, with 20 albums under their belt to-date (selling over 6 million CD's and DVD's), countless of awards and accolades (including winning the Best Gospel Event of the Year Award at the African Gospel Music Awards in London for their album Joyous 16).
Brand South Africa "honours this truly and uniquely South African brand for their 20 years of existence and excellence and the contribution and impact they have had on the South African arts landscape and music scene".
The three-time GRAMMY Award-winning ensemble will open the show with South African freedom songs and then move into music of the Civil Rights Movement, including works by artists James Brown, Otis Redding, Curtis Mayfield and Aretha Franklin.
The Soweto Gospel Choir celebrates African gospel music and brings more than 50 artists from churches in and around Soweto, South Africa, together on stages across the world. The Choir is known around the world with its powerful blend of African gospel, freedom songs and international classics.
Under the direction of the notable choirmaster David Mulovhedzi, the Soweto Gospel Choir, draws on the best talent from the many churches and communities in and around Soweto. Since the Choir began touring internationally in early 2003 they have performed to nightly standing ovations, sold-out houses and rave reviews.
South African gospel music is indeed unique. It has strong roots in traditional music and conveys a powerful spiritual message. The Soweto Gospel Choir carries forward this rich heritage, celebrating the spirit of South Africa.
The Soweto Gospel Choir commenced its first tour to the United States in January 2005 to great acclaim. This follows a two month tour of Germany and Spain. Future appearances in Europe, North and South America and Asia are planned during 2005 and 2006.
The group has enjoyed multiplatinum sales of their CDs and DVDs and picked up numerous accolades at major South African music awards including the SA Music Awards (SAMA), MetroFM Music Awards and Crown Gospel Music Awards.
Sipho Dlamini, CEO, Universal Music Group, South Africa & Sub Saharan Africa said: MTN Joyous Celebration has enjoyed unparalleled success over the last 25 years, in which they have entertained and inspired South Africans, Africans and the world with their take of gospel and inspirational music.
This was an exciting opportunity to be involved in the next phase of their incredible journey, as they continue to grow, inspire, spread culture and positivity and reach new audiences around the world.
This milestone album is special to us, 25 years is not a short time. We are particularly pleased that this partnership is an opening us up to new territories, new things, new outlook, we needed the change.
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century.[1]
Hymns and sacred songs were often performed in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.[2] The first published use of the term "gospel song" appeared in 1874.
The original gospel songs were written and composed by authors such as George F. Root, Philip Bliss, Charles H. Gabriel, William Howard Doane, and Fanny Crosby.[3] Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music. Following World War II, gospel music moved into major auditoriums, and gospel music concerts became quite elaborate.[4]
Black and Southern gospel music are largely responsible for gospel's continued presence in contemporary Christian music, with soul music by far the best-known popular music variant.[5] The styles emerged from the African-American music and American folk music traditions and have evolved in various ways over the years, continuing to form the basis of Black church worship even today. It has also come to be used in churches of various other cultural traditions (especially within Pentecostalism) and, via the gospel choir phenomenon spearheaded by Thomas Dorsey, has become a form of musical devotion worldwide.[6] Southern used all-male, tenor-lead-baritone-bass quartets. Progressive Southern gospel has grown out of Southern gospel over the past couple of decades. Christian country music, sometimes referred to as country gospel music, is a subgenre of gospel music with a country flair. It peaked in popularity in the mid-1990s. Bluegrass gospel music is rooted in American mountain music. Celtic gospel music infuses gospel music with a Celtic flair, and is quite popular in countries such as Ireland. British black gospel refers to Gospel music of the African diaspora produced in the United Kingdom.
Moreover, the genre arose during a time when literacy was not a guarantee, utilizing a great deal of repetition (which, unlike more traditional hymns, allowed those who could not read the opportunity to participate).[citation needed]
Perhaps the most famous gospel-based hymns were composed in the 1760s and 1770s by English writers John Newton ("Amazing Grace") and Augustus Toplady ("Rock of Ages"), members of the Anglican Church. Starting out as lyrics only, it took decades for standardized tunes to be added to them. Although not directly connected with African-American gospel music, they were adopted by African-Americans as well as white Americans, and Newton's connection with the abolition movement provided cross-fertilization.
The first published use of the term "Gospel song" probably appeared in 1874 when Philip Bliss released a songbook entitled Gospel Songs. A Choice Collection of Hymns and Tunes. It was used to describe a new style of church music, songs that were easy to grasp and more easily singable than the traditional church hymns, which came out of the mass revival movement starting with Dwight L. Moody, whose musician was Ira D. Sankey, as well as the Holiness-Pentecostal movement.[3] Prior to the meeting of Moody and Sankey in 1870, there was an American rural/frontier history of revival and camp meeting songs, but the gospel hymn was of a different character, and it served the needs of mass revivals in the great cities.[9] 152ee80cbc
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