This sound effect can be found on Just Birds & Animals I Sound Effects Library, which is made by Sound Ideas. It is included in ANIMAL, CHIMPANZEE - HAPPY THUMPING, HOOTING, GRUNTS, APE, MONKEY from Wild World of Animals Sound Effects Library.

Available in stereo and surround and covering all times of day, African Rainforest not only features lengthy ambient recordings but also includes a number of close-up vocalisations of two kinds of great ape: chimpanzee and mountain gorilla, recorded on location in their natural habitat.


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AudioHero's Animals collection features 200 professionally recorded sound effects, ready for use in your productions. This library includes wildcats, snakes, birds, bears, baboons, wolves, horses, cats, dolphins, zebras, pigs, whales, elephants and much more! These sounds are all hand-picked from Sound Ideas Wild World of Animals and General HD collections as well as the Hollywood Edge Animal Trax libraries.

Fun Animals Voices is a fun and one of a kind animal sound library. Perfect for comedy or cartoon type projects. It contains a massive 1212 sound effects and consists of both studio recordings (Animal Impersonations) and on location nature recordings.

This collection features 200 monkey and primate sound effects. It includes gorillas, howler monkeys, chimps, gibbons, orangutans and much more! These effects have been hand picked from the Sound Ideas General HD collections, Series 6000, L2, Just Birds & Animals and Wild World of Animals libraries, as well as the Digiffects Library and the Hollywood Edge Animal Trax, The Edge 1 & 2 and Animal Planet libraries.

The Audio Hero Primates and Bats collection features 99 professionally recorded sound effects, ready for use in your productions. Included in this library are chimpanzees, gibbons, gorillas, baboons, monkeys, lemurs and bats! These sounds are all hand-picked from the Hollywood Edge Animal Trax library.

The Rare Animals library from Pro Sound Effects is a collection of unique animal sounds from field recordings around the world. They have been meticulously edited and mastered for cross-industry sound design usage from games to mobile/interactive and traditional film/broadcast.

With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.

A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.

Restarting my vr headset did not work. I have restarted at least 3 or 4 times today and nothing happened it mightve made it worse cause now i cant hear anyone and i cant hear any sound effects in game. I need help to solve this issue please.

Your professional customers looking for industrial solutions may want to consider a combination of soundproof wall panels and acoustic ceiling tiles to improve the acoustics of large rooms such as gymnasiums or theatres. Alternatively, professional music studios will require studio foam and sound dampening panels to ensure that the recordings they capture are crystal clear.

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Several studies have demonstrated that auditory enrichment can reduce stereotypic behaviors in captive animals. The purpose of this study was to determine the relative effectiveness of three different types of auditory enrichment-naturalistic sounds, classical music, and rock music-in reducing stereotypic behavior displayed by Western lowland gorillas (Gorilla gorilla gorilla). Three gorillas (one adult male, two adult females) were observed at the Buffalo Zoo for a total of 24 hr per music trial. A control observation period, during which no sounds were presented, was also included. Each music trial consisted of a total of three weeks with a 1-week control period in between each music type. The results reveal a decrease in stereotypic behaviors from the control period to naturalistic sounds. The naturalistic sounds also affected patterns of several other behaviors including locomotion. In contrast, stereotypy increased in the presence of classical and rock music. These results suggest that auditory enrichment, which is not commonly used in zoos in a systematic way, can be easily utilized by keepers to help decrease stereotypic behavior, but the nature of the stimulus, as well as the differential responses of individual animals, need to be considered.

Gorillas are very much like us. They can make an enormous variation of sounds. Gorillas can easily make themselves heard. There are also many subtle sounds and gestures within a troop.

Immortalised by the movies, the chest beat is what almost everybody on a gorilla trek wants to experience. Note that they make this sound using open hands, not clenched fists as the movies suggest.

Yes, gorilla laugh and chuckle just like us. Like humans, this playful sound is most commonly made by the younger members of a troop. The gorilla chuckle is a little more complex, as it is both a laugh and an invitation for another to join them.

The sounds detailed above are those perceptible to researchers. Gorillas have many other forms of communication, including sounds that are only known or used within the specific troop.

These are used for the same reasons we as humans make sounds. Gorillas communicate about food, make noises related to mating, give out discipline and show support, or express their own problems.

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A collection of 1,000 general sound effects (1.54 GB; 2+ hours)! All of the sounds are formatted at 44.1kHz 16-bit stereo WAV files and are compatible with the Universal Category System (UCS).

The Goodman also programmed many ancillary events, from lecturesand symposia to discussions and community forums, and so I sat happilyensconced among those who had stayed after a matinee performance to hearGraney (along with Greg Allen, director of Strange Interlude) talk about hisapproach to directing The Hairy Ape. That was when these seriously engaged(and somewhat irritated) audience members started in on a topic they wouldreturn to with relentless curiosity for the better part of an hour, a topicthey dubbed "the monkey problem." Like detectives returning overand over to the scene of a crime, they wondered aloud, in a chorus ofconsidered voices, at the curious choices Graney had made, the most audaciousof which was to cut the infamous gorilla (and his chorus of chattering zoocompanions) from the final scene of O'Neill's drama. As if tohighlight the severity of this omission, the decapitated head of a primate(which appeared as a grisly death mask mounted on a pike) lurked upstage atthe play's ending, an effigy of the exiled gorilla that said more aboutthe political implications of Graney's choice than his own explanationof the scene's practical difficulties, which challenge directors tograpple with the risks (significant) and rewards (elusive) of what one mightcall "species performance"--that peculiar kind of display thattakes us beyond the habits of thought and action associated with our ownspecies and catapults us into the kingdoms and cultures of other animals.

When Yank finally stops his frenzied shovelling to noticeMildred's arrival, he finds her bathed in a circle of light. Daring toreach out and touch her hand, he immediately becomes engrossed by her,examining her clothes as if she were a rare specimen, an item of fascinationor even worship. The scene is reminiscent of King Kong's rapt curiosityat first sight of Anne Darrow. But the difference here is that the seafaringYank has obviously seen many types of women before--even of Mildred'sstation--whereas Kong is mainly fascinated by the novelty of Anne's raceand the cultural differences between her and the native inhabitants of hisisland. In O'Neill, Mildred's spectral qualities derive primarilyfrom her unexpected and incongruous presence in the stokehole, and the vivid,alienating contrasts they produce. Moreover, it is she who experiences theastonishment of first contact, as Yank beats his chest"gorilla-like" and snarls and growls ferociously (O'Neill, Ape137). Once Mildred flees, Yank retrieves her doll, which is left behind inthe conflagration and quickly transforms from accessory to fetish. Hisobsession with this miniature Mildred, which he mysteriously straps to hisarm for the remainder of the play (see fig. 4), is a fabrication peculiar toGraney's production, and, though Yank's attachment to her effigy isprovocative, it ultimately diminishes Mildred's symbolic power byliteralizing it. In O'Neill's drama, Mildred's disappearanceprefigures Yank's intellectual debut. He quickly realizes that her powerderives from her father's capital, which is obtained by the manufactureof steel, and moves on to higher objectives. 2351a5e196

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