However, one of the first phrases that springs to mind when Wayne and weed are involved is not his at all: It's Future's hook on "Love Me," which, even by the standards of Future hooks, is incredibly memorable. It goes: "I'm on that good kush and alcohol / I got some down bitches I could call / I don't know what I would do without y'all / I'ma ball 'til the day I fall." There's also the Drake post-hook that gives the song its name, but, by my unscientific estimates, if you were to ask 100 people about this song, 95 of them would sing Future's hook instead of Drake's. The lesson here is that kush > bitches every time, which is a statement that contains a second lesson about degrading attitudes toward women. But anyway.
Yet if there is a silver lining here, it's that this hook was one of several that elevated Future from regional star to rap radio staple, his own no-worries attitude a counterpoint to Wayne's more toxic one. Once again, proof that kush > bitches. Focus on the Mary Jane, not the misogyny.
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The thing is: I tricked my brain or rather conditioned it to only have fun making music when in that state of mind. Which is a really bad thing imho. It is limiting af for me and I have to really convince me to make music when not high.
long time weed smoker here ! i live in Washington WA and its been legal here for a while but i have clutched onto weed for music productivity for a long time and tho it helps alot with sound design and exploration I noticed it just put me in jam mode all the time and i would jam the same pattern for a long time and just mess with FX but i stopped smoking it for a bit now and am working on finishing tracks rather than starting 100 new ones when im stoned. but one thing ive noticed with exercise is when i skateboard all day i am super pumped up to write music after im done at the skate park, exercise seems to help the brain get motivated if your a long time weed smoker ! and now that i dont smoke and just take a weed gummie every so often i find myself remembering things more !
I love pot, but under its effects, we do not perceive reality. It helps us take another look at reality, so we may come back and see it more clearly.
I think it is good to spend time sober and high!
I think it is important also, to find a strain that you like.
I used to not believe the hype surrounding the subtle differences in wine and marijuana, but I learned that humans are capable of dividing and categorizing and differentiating down to the molecular level.
I always tell the budtender that I want a strain to play music, keep focused, and not feel anxious.
When I find a strain that works, I get it again.
The first time I got giddily high I watched clouds flee across the moon and admired the eerie glow spread across the neighborhood. The music we listened to had spatial dimensions; a rock on the porch turned into a skull. When I closed my eyes, Miresque scribblings danced across the insides of my eyelids. It was fun.
Stoned, we watched the clouds flee across the full moon and admired the eerie glow spread across the neighborhood. The music we were listening to took on spatial dimensions, and a rock on the porch suddenly turned into a skull. Whenever I closed my eyes, Miresque scribblings danced across the insides of my eyelids. It was fun, but clean lungs were still important to me. I smoked pot a couple of times a year at parties for the next few years and never did any other drugs.
Although there is debate as to exactly how long it takes the body to rid itself of THC and related compounds, the process is lengthy compared with the rapid elimination of alcohol and other water-soluble drugs. Less than 10 per cent of alcohol is released through the lungs and kidneys, while 90 per cent is metabolized at the rate of 5 to 10 milliliters per hour. One drink of alcohol should be eliminated within six hours. A single dose of THC has an estimated half-life of five days to a week, and its complete elimination may take up to a month, 80 per cent via the intestine and 20 per cent via the kidneys. According to a current theory, a regular user will accumulate THC at a faster rate than he will get rid of it, and accumulation will be much more rapid from smoking 15 per cent THC pot than from the old 2 per cent pot.
In addition to sleep disturbances, potheads who quit may experience irritability, appetite and weight loss, sweating, nausea, diarrhea, tremors, and depression. The intensity of withdrawal symptoms from pot are not as marked as those from alcohol, barbiturates, or opiates. But physical withdrawal from those drugs is usually over in a week. Pot withdrawal lasts and lasts and lasts. After several months, I had serious doubts as to whether my mind could ever be retrieved; I wondered whether I would be sweeping floors or stacking boxes for the rest of my life.
You can catch BRELAND touring across the US with his new album. He will also be performing at Big As Texas Fest in May and at Bourbon and Beyond in September. He is currently working on new music and hopes to have new songs released this year.
So last time I photographed you, you were opening for Shania Twain at Geodis. You were technically the first musical performance at the new soccer stadium. What was the highlight of that tour for you?
"We talk about this all the time on tour. Because none of us really drink (my bandmates will each have a beer or so, I usually don't drink at all besides a tequila shot for special occasions) we are always frustrated by the amount of our hospitality budget that goes into alcohol. More than anything we just want a nice, healthy meal and some Reese's peanut butter cups. Some venues offer meal vouchers for local restaurants and that is ideal! If I had a dollar for every drink ticket I've never used I would have like, $10,000."
Lil Wayne in the hip hop music song Good Kush & Alcohol featuring rappers Future and Drake. This song, which is produced by Mike Will Made It, is expected to appear on the Lil Wayne album I Am Not A Human Being II.
Anyone who practices, rehearses or performs instrumental or vocal music has the potential to suffer injury related to that activity. Instrumental musicians are at risk for repetitive motion injuries. Sizable percentages of them develop physical problems related to playing their instruments; and if they are also computer users, their risks are compounded. Instrumental injuries often include carpal tunnel syndrome, tendinitis, and bursitis. Incorrect posture, non-ergonomic technique, excessive force, overuse, stress, and insufficient rest contribute to chronic injuries that can cause great pain, disability, and the end of careers.
Most viruses cannot live on hard surfaces for a prolonged period of time. Some die simply with exposure to air. However, certain groups are quite hardy. Therefore, musicians must be concerned with instrument hygiene. Users of school owned and rented musical equipment might be more susceptible to infections from instruments that are not cleaned and maintained properly.
If the cleaning process is thorough, however, musical instruments will be antiseptically clean. Just as with the utensils you eat with, soap and water can clean off anything harmful. Antibacterial soaps will kill certain germs but all soaps will carry away the germs that stick to dirt and oils while they clean. No germs/no threat.
Sharing musical instruments is a widespread, accepted practice in the profession. However, recent discussion in the profession has included concern regarding shared musical instruments and infectious disease, especially HIV.
The Centers for Disease Control (CDC), has confirmed that there is no risk of transmission of HIV (the virus that causes AIDS), or Hepatitis B (HBV) through shared musical instruments. The reasons for this are that these diseases are passed via a blood-to-blood, sexual fluid or mucous membrane contact. There has been no case of saliva transmission of HIV (the virus that causes AIDS), or Hepatitis B (HBV).
While the possibility of transmission of the above bacteria and viruses is not a real consideration, it is apparent that there should be a protocol with regard to shared musical instruments. Sharing of instruments is routine in music schools, where students practice and perform on borrowed instruments throughout the year. In our discussion with our consultants, certain basic considerations and recommendations for standard operating procedures regarding shared instruments were recommended as follows:
The mouthpiece (flute headjoint), English horn and bassoon bocal, and saxophone neck crook) are essential parts of wind instruments. As the only parts of these instruments placed either in or close to the musician's mouth, research has concluded that these parts (and reeds) harbor the greatest quantities of bacteria. 0852c4b9a8
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