The choir was founded on August 22, 1847, twenty-nine days after the Mormon pioneers entered the Salt Lake Valley. Prospective singers must be church members who are eligible for a temple recommend, between 25 and 55 years of age at the start of choir service, and live within 100 miles (160 km) of Temple Square.

On October 5, 2018, the choir retired the name "The Mormon Tabernacle Choir" and adopted the name "The Tabernacle Choir at Temple Square" in order to align with the direction of LDS Church leadership regarding the use of terms "Mormon" and "LDS" in referencing church members. The new name retains the reference to the historic Salt Lake Tabernacle, which has been the choir's home for over 150 years, and its location on Temple Square in Salt Lake City, Utah.[13]


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The Tabernacle Choir at Temple Square has performed for ten presidents of the United States beginning with William Howard Taft.[9] The choir has also performed at the inaugurations of United States presidents Lyndon B. Johnson (1965), Richard M. Nixon (1969), Ronald Reagan (1981), George H. W. Bush (1989), George W. Bush (2001),[24] and Donald Trump (2017).[25]

The choir performs an annual Christmas concert in the Conference Center in Salt Lake City during the month of December. Typically, the concert consists of three performances: a Thursday dress rehearsal, followed by Friday and Saturday concerts. The combined audience for each concert series is approximately 63,000. Tickets to the concert are free, and are available on a first-come, first-served basis.[45] A live album (CD/DVD) is typically released, along with the concert being aired on PBS and BYUtv, during December of the following year. The concert traditionally concludes with a performance of "Angels, from the Realms of Glory".

Since its first recording in 1910, the choir has earned five gold albums (two in 1963: The Lord's Prayer and Handel's Messiah; one in 1979: The Joy of Christmas; and two in 1985: The Mormon Tabernacle Choir Sings Christmas Carols and Joy to the World) and two platinum albums (in 1991, Hallmark Christmas: Carols of Christmas and in 1992, Hallmark Christmas: Celebrate Christmas!). The choir has made over 200 recordings and continues to produce albums.[84] For some live performances and albums, the choir has collaborated with large orchestras such as the New York Philharmonic, the Philadelphia Orchestra, the Royal Philharmonic Orchestra of London, the Boston Pops Orchestra, and the Orchestra at Temple Square. The choir's own record label was formed in 2003.

Experience the world-famous Mormon Tabernacle Choir combined with our bestselling Salt Lake City Deluxe Tour. One of the largest and oldest choirs in the world, the Mormon Tabernacle Choir has won countless awards and performed at the inaugurations of six U.S. presidents.

The name change will be a big effort for the Utah-based faith that counts 16 million members worldwide. The renaming of the choir is the first step with many changes still to come. The church still uses Mormon in its Twitter handle.

The Tabernacle Choir has contributed to the Church in Europe in four dimensions: (1) the publicity and media associated with the tours, (2) the effect of the concerts, (3) the relationships built with church and community leaders, and (4) the experiences of sharing the gospel and strengthening Church members. [4] Prior to discussing the four dimensions mentioned, I will give a short general description of the choir tours. [5]

The first European concert tour lasted seven weeks as the choir toured several countries in 1955. In addition to their scheduled concerts, President David O. McKay invited the choir to provide music for the groundbreaking of the London Temple and the dedication of the Swiss Temple. This tour was significant because it was the first international tour and through it many Europeans were introduced to the Tabernacle Choir and its sponsoring organization, The Church of Jesus Christ of Latter-day Saints. Almost all the concerts were performed to capacity crowds, and all received favorable reviews in the media. [11] Since the first European tour, the choir has continued to fill concert halls with appreciative audiences throughout Europe.

Before the Tabernacle Choir goes on a concert tour, advance publicity about the choir and the Church goes out to the communities to be visited. This is accompanied by newspaper articles or radio and television features occurring at the time of the visit. Over the years, media attention has increased for the concert tours. [15] When the choir first traveled to Europe in 1955, the Church wasnot well-known, nor was the choir. Herold L. Gregory, president of the Berlin Mission at the time, stated that the missionaries andChurch members tried to publicize the concerts but with limited success. [16] In recent years, however, the publicity for the choir concertsand subsequently for the Church has increased many times over. For example, the media played a significant role in the 1991 eastern European tour as described by Michael Otterson, the Churchs Public Affairs Department director of U.S. and International Development:

Each of the European tours has facilitated the development of good relations between the Church and the communities the choir visits Choir concerts and receptions for civic and church leaders provide opportunities to mingle with Church and choir personnel promoting greater understanding. Two particular examples are the 1982 northern European tour and the 1991 eastern European tour Diese tours had interesting challenges and opportunities in helping the Church become more well known and accepted in the countries visited.

In several of the Eastern Bloc countries the Church had only recently received recognition and permission for proselyting missionaries. Elder Nelson accompanied the choir on the tour and was instrumental in creating understanding between the community leaders and the Church. [35] One significant way the choir was able to acquaint these countries with the Church was through receptions and dinners given for government officials and civic leaders. individuals because of their high standing in the community were able to gain favorable impressions of the Church through these events. For example, Iain McKay, representing Bonneville Communications during the planning stages of the tour, was assigned to two Russian State Television representatives, a husband and wife. As the tour unfolded, they became impressed and interested in the cnoir ana the Church, and they traveled to Utah to film a documentary about the Mormons. In May 1993, Brother McKay was able to watch as the wife was baptized by her husband in Moscow, a direct result of their contact with the choir. [36]

Herold L. Gregory, administrative assistant to the choir president, shares an interesting example of the strength the choir can bring to the members. At the time of the 1955 tour, he was the mission president of the East German Mission, headquartered in Berlin. The city of Berlin was the only link between the western world and eastern Europe. President Gregory asked the choir to travel to Berlin, knowing that many of the five thousand East German Saints couldcome to Berlin to hear the concert and might never have another opportunity to come in contact with the larger Church. [40]

But otherwise, they blended in with their fellow performers as choir conductors Mack Wilberg and Ryan Murphy led them through segments of songs to be performed at Monday night's concert, the fourth stop of the choir's 2018 Classic Coast Tour.

Wherever the tour takes the choir and the Orchestra at Temple Square, they look to rehearse with the choral community in the locations where they will perform. So it's logical they would reach out to the San Francisco Gay Men's Chorus.

The concert will open with a salute to the Mormon pioneers who settled the Salt Lake Valley. The concert repertoire will then feature a variety of music showcasing the versatility of both Miss Jenkins and the choir and orchestra, including songs from the Broadway stage and Hollywood screen, conducted by Mack Wilberg, music director of the choir. Interspersed with the musical numbers will be multimedia presentations of well-known personalities discussing the joy they find in music.

As the 360-member choir worked its way through a sprawling set that covered world music, folk songs, musical-theater selections and Latter-day Saint hymns, the choral group covered the emotional gamut with class, precision and expertise.

The Mormon Tabernacle Choir (1852-) is a religious choral group based in Salt Lake City, Utah.


At the dedication of the adobe tabernacle in 1852, the Mormon choral group which frequently sang at General Conferences of the Church of Jesus Christ of Latter-day Saints, adopted the name of their new home and became the Mormon Tabernacle Choir. The nucleus of this choir came from a group of eighty-five Welsh converts under the direction of John Parry, who came to the Salt Lake Valley in 1849. The choir continued to perform at ecclesiastical and civic functions throughout the nineteenth and twentieth centuries, including several national and international tours. In 1929, the choir began airing a weekly radio broadcast, which continues today as Music and the Spoken Word. The choir is currently led by music director Mack Wilberg (2008-). Previous directors included John Parry (1852-1854), Stephen Goddard (1854-1856), James Smithies (1856-1862), Chalres John Thomas (1862-1865), Robert Sands (1865-1869), George Careless (1869-1880), Ebenezer Beesley (1880-1889), Evan Stephens (1890-1916), Anthony C. Lund (1916-1935), J. Spencer Cornwall (1835-1957), Richard P. Condie (1957-1974), Jay E. Welch (1974), Jerold Ottley (1974-1999), and Craig Jessop (1999-2008).

Jan Chamberlin said she made her decision to resign from the choir after she "spent several sleepless nights and days in turmoil and agony" and "reflected carefully on both sides of the issue." Ultimately, Chamberlin said she realized she could "never look myself in the mirror again with self-respect" if she were to perform. "I only know I could never 'throw roses to Hitler.' And I certainly could never sing for him," Chamberlin said. On Facebook, she urged people to realize that "history is repeating itself; the same tactics are being used by Hitler." e24fc04721

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