Once more, let me say of the Lamb in the centre, that all seem to rally round him as a guard around a king. It is for the Lamb that the Father acts: he glorifies his Son. The Holy Spirit also glorifies Christ. All the divine purposes run that way. The chief work of God is to make Jesus the first-born among many brethren. This is the model to which the Creator works in fashioning the vessels of grace: he has made Jesus Alpha and Omega, the beginning and the end. All things ordained of the Father work towards Christ, as their centre; and so stand all the redeemed, and all the angels waiting about the Lord, as swelling his glory and manifesting his praise. If anything could enter the minds of heavenly beings that would contribute to lift Jesus higher, it would be their heaven to speed throughout space to carry it out. He dwelleth as a King in his central pavilion, and this is the joy of the host, that the King is in the midst of them.

III. Thirdly, our Lord is seen in heaven as the Lamb slain, and IN THIS CHARACTER HE EXHIBITS PECULIAR MARKS. None of those marks derogate from his glory as the sacrifice for sin; but they tend to instruct us therein.


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How is the time after the 6 th seal not the rapture? It is a time of terror on earth, but to the church it would be joyous to see the lamb when the sky rolls back and to then go to heaven. The church has faced persecution in one form or another for the last 2000 yrs. The persecution of the seals is for purification of the church. When we see his face we will be like him. We see his face when the sky rolls back like a scroll. So how do we know if the rapture is before the seals or at seal 6?

Standing on clouds at the center of the composition, Moses points toward the sunbeams shining down from the sky. Beneath him, Abraham and Isaac are accompanied by the sacrificial lamb. To the left of the composition, Saint Laurence and Saint Steven await the palm frond of martyrdom carried by angels; and to the right, we see the strong women of the Bible and King David.

Stachys byzantina, known as lamb's ears, is grown primarily for its thick, soft, velvety, silver-gray leaves which typically form a rapidly spreading mat approximately 4-6" off the ground. Leaves are evergreen in warm climates, but will depreciate considerably in harsh winters. Erect, small-leaved flowering stems with terminal spikes of insignificant, tiny, purplish-pink flowers appear in summer rising above the foliage to 10-15" tall. Many gardeners remove the flowering stems to enhance the ground cover effect. Dense rosettes of woolly, tongue-shaped, gray-green leaves (to 4" long) spread by runners. Leaf shape and texture resemble a lamb's ear, hence the common name.


Genus name comes from the Greek stacys meaning ear of corn in probable reference to the inflorescence of a related plant.


Specific epithet means of classical Byzantium (Istanbul, Turkey).


Several cultivars of this species, the best of which is 'Helene Von Stein', have the advantages over the species of having better summer foliage and rarely producing flowering stems. 17dc91bb1f

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