ATypI Tech Talks is an event devoted to advances and innovation in technology, engineering, standards, formats, experimentation, tools, and other essential subjects related to type design, typography, font production, font formats, browsers, apps, web development, multiscript design, type education, type business, and more. ATypI Tech Talks will feature three days filled with presentations, panel discussions, workshops, and conversation.

Archive of typography related magazines and other graphic design resources. The Letterform Archive is a non-profit library, museum, and educational institution dedicated to serving existing and potential practitioners, students, and admirers of the letter arts. Founded in 2014 and opened to the public in 2015, the San Francisco-based organization holds an extensive collection of 30,000 items ranging in age over 2,000 years.


Globotipo Font Family Download


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The bespoke type family DR Publik is designed to strengthen legibility and ensure visual consistency on all platforms for millions of users. DR Publik will be used on TV channels, streaming platforms, news services, radio channels, websites, apps, concert hall, symphony orchestra, big band, choirs etc.

The TYPO San Francisco live streams (by Jen Bilik, Tash Wong, Chip Kidd, Sarah Hyndman, Erik Marinovich and Daniel Gjde) can still be watched online. Other talks are online accessible for participants of the event.

Webfonts allow you to embed the font into a webpage using the @font-face rule, so paragraphs and headings of text can be styled as the webfont. You will be serving the webfont kit for your own site and linking it in the CSS.

Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web design agencies or hosting providers, may not share a single webfont license across multiple websites.

An Electronic Doc license is based on the number of publications in which the font is used. Each issue counts as a separate publication. Regional or format variations don't count as separate publications.

We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. This kit may be shared with third parties who are working on your behalf to produce the ad creatives, however you are wholly responsible for it.

Digital advertisements also have different usage patterns compared to websites. Most websites generally have consistent pageviews month-to-month whereas advertising impressions can vary wildly month-to-month. Prices reflect this, making it much less expensive to use a Digital Ad license.

If you know the number of impressions the campaign requires, that amount can be ordered before the campaign begins. For campaigns where number impressions is unknown until the end of the campaign, you can true up at the end of each calendar month.

Ethos Nova is a minimalist neo-geometric sans-serif typeface family of 12 fonts featuring the finest design inspired by the simple and clean design approach of the modern era. The typeface is made with a special focus on minimalism and simplicity in typography, this typeface can transform your design projects to another level of visual appeal.

Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 312 glyphs are included.

Ethos Nova is a perfect choice for graphic design, text presentation, web design, print and display use. The typeface can be an amazing option for branding, logo / logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes, as shown in promo images here.

Our services show a thorough work, with real impact. Whether in retail or custom fonts, or in the refinement of logotypes, every detail contributes to a single purpose: to enhance the strength of the brand.

He built his career as a type designer at Dalton Maag, one of the largest typographic studios in the world, where he had the chance to work for 5 of the most valuable brands in the world. It was also there that he had the opportunity to create the typeface for the Rio 2016 Olympic Games.

And among the letters, the numbers also have their turn: 8 medals in the Brazil Design Award; 7 projects selected at the 13th Brazilian Graphic Design Biennial; 1st and 2nd place in the Typography category, in one of the editions of the Bornancini Award; and countless mentions and references of his work in specialized international magazines.

The secret of corporate typeface design, according to Fabio, is to understand that a corporate typeface is at the service of a brand strategy, it is part of a larger identity system, composed of intricate gears, like a watch.

Henrique prefers to design friendly typefaces, he likes the heavier styles. His first great pride, Garibaldi, was selected for the 2014 Tipos Latinos Biennial and was the little push he needed to start his own foundry, Harbor Type.

His full-time dedication to typeface design earned him awards at the ADG Biennial, Hiii Typography and Typographica. With the same dedication he learned programming language and believes that the beauty of typography is the balance between art and technology.

Ana draws typefaces for text with personality. Between Porto Alegre and Buenos Aires, her luggage brings a specialization in Typeface Design and extensive experience in branding and editorial design, from studios in both cities.

Awarded at the 2018 Tipos Latinos with Gigio, a slab serif for text, this passion that crosses countries also led her to the selection for the 13th Brazilian Graphic Design Biennial with the Kiperman family.

Founding partner of Coletivo Plomo71, she likes to rethink concepts and exchange experiences with designers. Even with a studio in Porto Alegre, Ana has what she needs in any corner of the world, she was a nomad long before the quarantine.

The hobby was even named: Ninfa, his first commercial typeface, created in 2008. But it took a few years for the self-taught Eduilson to leave his graphic design agency behind to, in 2012, bet the farm on the typeface design market with dooType.

In the Type Design specialization at Cooper Union in New York, Eduilson studied from calligraphic practice to digital letterform design. And he has already developed more than 30 families for the retail market, plus custom projects, 6 of which have already been selected for the Tipos Latinos biennial.

Graduated in Architecture in Brazil at UFRGS, and in Digital Typeface Design in Chile at UC, Sofia reinterprets her experiences and culture without borders in designing fonts with personality. Inspiration can come from the aroma of an espresso, tropical wildlife, or even personal experiences from her childhood.

The most beautiful handwriting here is not the one of a designer, but can be found in our Administrative and Finance department. Luciana graduated in Pedagogy and writes down everything on paper, highlighting and abusing the colors of text markers. For 20 years in education, she has also explored the world of manual crafts and now organizes our Administrative and Finance area with such care and detail that no typeface designer can dream of doing. 152ee80cbc

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