The film was launched on 18 December 2008, with its principal photography being completed by late 2009, which was followed by a lengthy post-production phase. It ran into difficulties as the regional censor board in Chennai raised objection against the film, giving it an adult rating besides demanding 52 cuts.[3] After screening and becoming approved by the Tribunal in Delhi, the film was released worldwide on 10 June 2011,[6] where it received critical acclaim from critics, but underperformed at box-office. Despite its failure, it gained recognition over the years, and is now regarded as a cult film in Tamil and Indian cinema.

After completion, the film was screened to the regional censor board in Chennai, who declined to clear it.[3] The committee had demanded 52 cuts and several consequential sub-cuts, particularly due to profanity and excessive violence, before permitting a theatrical release.[3] Kumararaja, who admitted that he had expected difficulties in the censorship, disapproved of the board's demands as he wanted to present the film uncompromisingly to the audiences.[29] He claimed that the usage of "bad language" was "part of developing the characters" in his story, while he also disagreed with bleeping out the "objectionable" words since he felt "it throws audiences off the film's narrative".[29] Producer Charan voiced the same opinion, citing that he had made the film for a "mature audience", took the film to the Central Tribunal at Delhi.[30]


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Aaranya Kaandam opened to strong critical acclaim. The India Daily lauded the director and the producer for making a "strikingly different film that is raw, realistic and is just like watching angry men up close", further adding that "picturizing crude realities of life so real needs amazing guts".[31] The leading actors, particularly Jackie Shroff and Sampath, were appreciated for their performances, being labelled as "perfect", while film score and cinematography were praised as well, citing that "Yuvan Shankar Raja deserves all accolades for a fantastic re-recording" and that "Vinod's lens captures the darker sides of city life well".[31] Rediff's Pavithra Srinivasan gave the film 3 out of 5, claiming that film "bypasses gangster clichs".[32] The reviewer also spoke in high terms of the cast and crew, pointing out Guru Somasundaram's performance whose "gleeful cackles at the rooster fight, pathetic rumblings to his son and wide-eyed act in the Lodge are wonderful to behold" and Yuvan Shankar Raja's score, described as "easily [one of] the movie's biggest strengths".[32] Behindwoods claimed the film to be an "intelligently made gangster flick", giving it 3.5 out of 5.[33] Director Kumararaja was praised for that having structured "every frame and character in his film with brilliant dexterity", adding that the manner of narration and screen play was "commendable", while also acknowledging aspects such as dialogues, music and cinematography.[33] Sify's reviewer appreciated Kumararaja for "taking the road less travelled", however criticised the large amount of violence in the film, terming it the "most violent and bloody film ever to get through Chennai regional censors".[4] In regard to the performances of the cast, he cited that the best performance came from Sampath, who "just smirks throughout the film", while claiming that Yasmin was "fantastic in her dbut role".[4] be457b7860

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