Just an update regarding ghost touching issue on my iphone 5. I tried updating to the latest 10.3.2 software and it helped. Ghost touching is gone but sometimes screen is unresponsive after clicking once (example: either by typing a letter, punching a number in the calculator, scrolling on instagram). I have to lock and unlock the phone and everything goes to normal again. If i do not perform the lock unlock then the touch screen will not respond anymore even when tapping repeatedly.

Initially, my iPad was exhibiting automatic ghost touch behavior, where the screen would respond to touches or gestures without any physical input. To address this, I had the screen replaced at a local market in Bangladesh. However, after just 2 months, the ghost touch issue has resurfaced.


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Pepper's ghost is an illusion technique, used in the theatre, cinema, amusement parks, museums, television, and concerts, in which an image of an object off-stage is projected so that it appears to be in front of the audience.[1]

The illusion is widely used for entertainment and publicity purposes. These include the Girl-to-Gorilla trick found in old carnival sideshows[3] and the appearance of "ghosts" at the Haunted Mansion and the "Blue Fairy" in Pinocchio's Daring Journey, both at Disneyland in California. Teleprompters are a modern implementation of Pepper's ghost. The technique was used to display a life-size illusion of Kate Moss at the 2006 runway show for the Alexander McQueen collection The Widows of Culloden.[4]

The core illusion involves a stage specially arranged into two rooms or areas, one into which audience members can see, and a second (sometimes referred to as the "blue room") that is hidden to the side. A plate of glass (or Plexiglas or plastic film) is placed somewhere in the main room at an angle that reflects the view of the blue room towards the audience. Generally, this is arranged with the blue room to one side of the stage, and the plate on the stage rotated around its vertical axis at 45 degrees.[3] Care must be taken to make the glass as invisible as possible, normally hiding the lower edge in patterning on the floor and ensuring lights do not reflect off it. The plate catches a reflection from a brightly lit actor in an area hidden from the audience. Not noticing the glass screen, the audience mistakenly perceive this reflection as a ghostly figure located among the actors on the main stage. The lighting of the actor in the hidden area can be gradually brightened or dimmed to make the ghost image fade in and out of visibility.[citation needed]

Many effects can be produced via Pepper's Ghost. Since glass screens are less reflective than mirrors, they do not reflect matte black objects in the area hidden from the audience. Thus Pepper's Ghost showmen sometimes used an invisible black-clad actor in the hidden area to manipulate brightly lit, light-coloured objects, which can thus appear to float in air. Pepper's very first public ghost show used a seated skeleton in a white shroud which was being manipulated by an unseen actor in black velvet robes.[16] Hidden actors, whose heads were powdered white for reflection but whose clothes were matte black, could appear as disembodied heads when strongly lit and reflected by the angled glass screen.[17]

Pepper's Ghost can be adapted to make performers apparently materialise from nowhere or disappear into empty space. Pepper would sometimes greet an audience by suddenly materialising in the middle of the stage. The illusion can also apparently transform one object or person into another. For instance, Pepper sometimes suspended on stage a basket of oranges which then 'transformed' into jars of marmalade.[18]

Henry Dircks was an English engineer and practical inventor who from 1858 strove to find theatres which would implement his vision of a sensational new genre of drama featuring apparitions which interacted with actors on stage.[26] He constructed a peepshow-like model which demonstrated how reflections on a glass screen could produce convincing illusions.[27] He also outlined a series of plays featuring ghost effects, which his apparatus could enable, and worked out how complex illusions, like image transformations, could be achieved through the technique.[28] But in terms of applying the effect in theatres, Dircks seemed unable to think beyond remodelling theatres to resemble his peepshow model. He produced a design for theatres which required costly, impractical rebuilding of an auditorium to host the illusion.[29] The theatres, which he approached, were not interested. In another bid to attract interest, he advertised his models for sale and in late 1862 the models' manufacturer invited John Henry Pepper to view one.[30]

Short plays using the new ghost illusion swiftly became sensationally popular. Pepper staged many dramatic and profitable demonstrations, notably in the lecture theatre of London's Royal Polytechnic.[39] By late 1863, the illusion's fame had spread extensively with ghost-centred plays performed at multiple London venues, Manchester, Glasgow, Paris, and New York.[40] Royalty attended.[41] There was even a shortage of plate glass because of demand from theatres for glass screens.[42] A popular song from 1863 celebrated the 'Patent Ghost':[41]

During the next two decades, performances using the illusion spread to several countries. In 1877 a patent was registered for the United States.[46] In Britain, theatre productions using Pepper's Ghost toured far outside major cities. The performers travelled with their own glass screens and became known as "spectral opera companies".[10] Around a dozen such specialist theatre companies existed in Britain. A typical performance would comprise a substantial play where apparitions were central to the plot, like an adaption of Dickens' A Christmas Carol, followed by a short comic piece which also used ghost effects. One company, for instance, 'The Original Pepper's Ghost and Spectral Opera Company' had 11 ghost-themed plays in its repertoire.[10] Another such company during a single year, 1877, performed at 30 different places in Britain, usually for a week but sometimes for as long as six weeks.[10] By the 1890s, however, novelty had faded and the vogue for such theatre was in steep decline.[10] Pepper's Ghost remained in use however at sensational entertainments comparable to 'dark rides' or 'ghost trains' at modern funfairs and amusement parks: a detailed account survives of audience participation in two macabre entertainments, which both used Pepper's Ghost, within a 'Tavern of the Dead' show which visited Paris and New York in the 1890s.[47]

Several proprietary systems[clarification needed] produce modern Pepper's ghost effects. The "Musion Eyeliner" uses thin metalized film placed across the front of the stage at an angle of 45 degrees towards the audience; recessed below the screen is a bright image supplied by an LED screen or powerful projector. When viewed from the audience's perspective, the reflected images appear to be on the stage. The "Cheoptics360" displays revolving 3D animations or special video sequences inside a four-sided transparent pyramid.[49] This system is often used for retail environments and exhibitions.[50]

The Curse at Alton Manor, an attraction at the Alton Towers theme park in Staffordshire, England, uses multiple Pepper's ghost effects. These include the ride's preshow, where characters are projected inside an empty doll's house before disappearing as the room is bathed in ultraviolet light, and a scene where Emily Alton, the attraction's central antagonist, appears in a corporeal form before vanishing, in a similar fashion to effects used at the Disney parks. The effect was also used in the ride's previous iterations, The Haunted House and Duel: The Haunted House Strikes Back; where Emily Alton and her cat Snowy could be seen as small corporeal ghosts inside a doll's house in the attraction's queue, similar to the preshow in the current iteration of the attraction.

At the 2006 Grammy Awards, the Pepper's ghost technique was used to project Madonna with the virtual members of the band Gorillaz onto the stage in a "live" performance. This type of system consists of a projector (usually DLP) or LED screen, with a resolution of 12801024 or higher and brightness of at least 5,000 lumens, a high-definition video player, a stretched film between the audience and the acting area, a 3D set/drawing that encloses three sides, plus lighting, audio, and show control.[56]

Swedish supergroup ABBA returned to the stage in May 2022, as digital avatars performing much-loved hits.[68] The technology used for this show is wrongly assumed to be a pepper's ghost effect. The technology used is a huge opaque seamless flat led-screen, with careful integration of show effects inside the theatre to create a layered dynamic experience that creates a realistic illusion of depth, as described by the show's director Baillie Walsh.

I tried it with a blank field, with the root password, and with the password of the superuser I set up: no dice. I tried running the restart as root and as superuser. I have tried every Linux trick I can think of. Same error every time. At one point, I considered shouting SUDO at the screen because it seemed as likely to work as anything else. I did not set a password for ghost-mgr but it seems to have set itself one and refuses to tell me what it is.

If you're experiencing Surface touchscreen issues such as touch not responding on part or all of the screen, multi-touch gestures not working or your Surface Pen not inking, touch behaving inaccurately, your Surface experiencing "phantom" or "ghost" touches, touch being slow to respond, or not knowing how to disable touch on Surface, here are some solutions you can try.

I have been getting bad ghost images doing things like web browsing and leaving static elements on screen for as little as 1-2 minutes. The longer something is static on screen the more prominent and visible the ghost image is and the longer it takes to go away. The ghost images usually are there for a few minutes before they go away. Not quite sure why this is happening or if it's a hardware thing or if it's software related. (The screen is an LED/LCD screen) 2351a5e196

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