Now this line, "Summer sky dripped in rhinestones, Turn your party lights on," I'm just guessing at, but I think he's talking about turning the headlights to your truck on since we're partying in the outdoors.
"Get Your Shine On" is a song recorded by American country music duo Florida Georgia Line. It was released in January 2013 as the second single from their album Here's to the Good Times. The song was written by group members Brian Kelley and Tyler Hubbard with Rodney Clawson and Chris Tompkins.[1]
Get Your Shine On Free Music Download
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Okay, I totally agree with everything you said here, except one thing. There is NO way that you can actually include Little Big Town on the same page as Florida-Georgia Line. They are actually talented, their music as substance, nothing like Lady Antebellum or Florida George Line.
The next chapter of Coach's storytelling grounded in the Courage to Be Real, its mission focused on inspiring audiences to express themselves authentically, "Wear Your Shine" positions fashion as a tool not only for personal expression, but for personal empowerment, too. Directed by Lope Serrano and photographed by Joshua Woods, with choreography by Emma Portner, the campaign is an inspiring message about overcoming self-doubt to shine brightly in fashion and in life, introduced with a series of films in which the cast face their inner critics, imagined as doubles who voice their self-doubts. Confronted as they are about to step out in the Coach Shine collection, the cast duel with themselves through playful, dream-like dance sequences and emerge ready to step out and shine.
Coach will additionally bring the campaign to life through experiences around the world, including immersive pop-ups that invite audiences to explore multi-sensory worlds inspired by the "Wear Your Shine" campaign, and digital storytelling, including a content series where creators in the Coach community share how they get dressed to step out and shine.
*This is important -- I have two more songs ready to go, but they don't have videos yet. The videos always slow me way down. Writing, recording and transcribing a song is a huge project by itself! But then if I have to do a video, it's an additional huge project. So I'm asking you: Are the videos important to you? Or would you just rather get the music faster? Comment below -- I can't answer you directly on this thread, but I'll be thankful for your feedback.
"Chris and I wrote that with Brian and Tyler," Clawson tells Roughstock. "I think Brian and Tyler came in with that idea, wanting to write that song ... using 'shine' where people could think of it as moonshine, and they could think of it as when people go through the work day and go to a party or a bar or a party after work and start drinking ... they just kind of lighten up and get to smiling and having a good time. It could be that, too. We tried to write it in both of those, where you can take it either way.
If you place a record on a MAJOR LABEL using the sample(s), you will split the publishing with Mario Luciano fairly & Co-Production credit + fair split on up-front producer fee (where applicable) If you plan to release independently or upload the beat/song to all DSPs, youtube, Soundcloud or any other form of streaming you will still need to clear the sample(s) (CONTACT: Polyphonicmusiclibrary@gmail.com if this is the case). NO sample clearing hassles at all.
However, you cannot let those people, or things, bring you down. You cannot allow your shine to dim. You have to keep pushing. I know it is hard, but it is either you push yourself, or you let yourself hit rock bottom.
Now, trust me rock bottom is not a place you would like to be in. It is full of pain, misery, and regrets. So, here are ten songs that will help remind you that, you cannot let them take away your shine because honey, you got it.
These lyrics were born over a period of time, and the song could have been fourteen minutes long instead of seven. In a sense, "Shine" is reminiscent of that old Sunday School song about letting your light shine. I heard the words of the chorus first, but I didn't know what the song was going to be about.
A music studio where everyone is not only welcomed but accepted, validated, and celebrated for exactly who they are. We use music as a tool for building confidence, so that every one of our students has the potential to believe in their own thoughts and ideas inside and outside of the studio.
Using kindness, musical knowledge, and intentionally keeping an open mind, we guarantee that when our students practice with dedication and consistency, they will leave each week feeling more confident in their ideas and in themselves.
That's because it's practically impossible to hear the 'Get Your Shine On' lyrics without getting them stuck in your head. They're infectious. And because the song was born in a writing session with four good friends, there's no wondering how they got on the topic of hot girls and "rockin'" summer nights.
FGL met up with Clawson and Tompkins for a writing session around Christmastime last year. Dreaming of summer's laziest days, the guys started putting together lyrics like "Don't stop girl, you know I love it when you get your shine on / 'Cause you and me be rocking all night long."
You know you have a great hit on your hands when your fans immediately know every word to a song by heart. 'Get Your Shine On' has been on the Hot Country Songs chart for 31 weeks, and it looks like it's not going anywhere anytime soon.
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Boss Lady: A swinging tune that makes me dance in my chair.
You've got my number
me: Well, you know, these musicians played a night club in Kansas City for many years straight
And by night club I kind of mean ... dance floor under a bordello
So they knew how to get the masses moving
But these recordings: not done in Kansas City
Nov. 1936
Boss Lady: I can hear that from the hiss in the recording.
Boss Lady: The opening theme is so charming....there's a little trip, a little slip-up that makes it sound like a kid skipping down the street, or at least jumping up and clicking his heels every so often.
me: Well aren't you little miss poet today--
You mean that bouncing quality to it?
Boss Lady: Yes, and the little ornament in the piano that sounds almost like a mistake...
me: Sort of like approximating a bent note, right?
Boss Lady: Yes. But I don't think it was a mistake. It sounds to me like he wanted that effect
me: Basie knew how to play a piano
And that left hand just bounds, right?
Boss Lady: What I love about this is the rough and tumble sensibility
me: No kidding
And in fact, it was the very first recording of one of the players
I'll give you three guesses
Boss Lady: I'm supposed to be able to tell? ... umm. Give me a hint
me: Trick question -- the guy making his studio debut recording is the guy who sounds the most awesome
Boss Lady: I'm going to assume it's not Count Basie on piano that's making a recording for the first time?
me: No, he'd been at it in KC for some time, and now he was taking his band on the road
He was moving across the country to New York with the whole big band, but for this recording in Chicago, he just brought a small combo along
He made sure to bring along one of his star saxophonists -- fella named Lester Young
Boss Lady: The musicians all seem to have a knowing wink when they play their solos
me: What tells you that?
Boss Lady: It's like they're so good they're lackadaisical about it; so everything has a spirited ease to it.
I also enjoy the texture ... it's one soloist handing off to the other and everybody else is tripping along in the background.
me: Well, that rhythm section of Jo Jones and Walter Page (drums and bass respectively) make it so easy to float on
That was one of the greatest timekeeping units of all time -- they swing like mad
And then there's that saxophone solo, :45 in
He just seems to float forward so fluidly, right?
Boss Lady: He also seems to be pushing them a bit, like he's ahead and out in front
No lack of confidence there
me: Nobody had ever done it quite like Lester Young before
He was so imitated that his nickname was Pres -- and another musician was actually nicknamed Vice-Pres!
He helps himself to two whole choruses, right?
Boss Lady: I guess he's got his elbows out and everybody's getting out of his way
me: Well, he's also a team player
Hear him trading off with Basie and the trumpeter at the end
Boss Lady: Unlike some people around here
me: Hey, just because I play for my own team doesn't mean I'm not a team player 0852c4b9a8
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