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I found that its performance is more than a worthy competitor to the #Bose #QC25 and considering that the QC25 is only a hardwired headphone while phone manufacturers are getting rid of their headphone jacks, it makes this a much more desirable set. The noise cancellation worked remarkably well on my flights from #OklahomaCity to #Phoenix then to #SanFrancisco and back. One feature I love is the touchpad on the right earpiece. The touchpad responds well and allows you to adjust the volume level by swiping up and down, tapping it allows you to pause or play, and by swiping backwards or forwards, you can move to a previous or next track. There is also a button for answering and hanging up calls. That button if held can be used to activate #Siri or #GoogleAssistant.
People love to talk about the weekend when you could walk from the theater showing The Thing into a theater showing Blade Runner, and that certainly was a hell of a time. But imagine you\u2019re at a multiplex in 1981 and you\u2019re looking up at the marquee and you\u2019re trying to decide between For Your Eyes Only, Raiders of the Lost Ark, Stripes, Superman II, Blow Out, Arthur, The Great Muppet Caper, or Escape from New York. That was possible. That\u2019s what audiences had on their plate when they went to the theater on these final two weekends, and I honestly think this was one of those formative summers for me because it was a summer where I felt like I was teetering between childhood and my teenage years, hungry for new adult experience but still wide open to some really young things as well.
Star Wars was my formative moment, the sword I pulled from the stone, but that same year, I also saw movies like Smokey and the Bandit and The Spy Who Loved Me and The Many Adventures of Winnie The Pooh in the theater and fell in love with all of those as well. By 1981, I was trying to figure out \u201CMovies,\u201D not just individual films, and I was starting to devour film criticism. To be fair, it was a great time for critics, and along with Siskel and Ebert, my weekly TV buddies, I had Pauline Kael putting out these amazing books, leading me to track down her work in The New Yorker. I did not automatically like things they liked. Far from it. Part of why they were all so important to me was because I learned what I loved by the intensity of my reactions to their reactions.
Pauline Kael loved Brian De Palma. That was apparent from reading her work, and her reviews of Dressed to Kill and The Fury were important reviews for me. They led me to watch those films through her eyes, and I found myself pushed so far outside my comfort zone that I had to expand my own ideas about movies and what I considered \u201Cgood\u201D or \u201Cbad\u2019 in the first place. Blow Out was the first of De Palma\u2019s films that I actually managed to talk my way into seeing theatrically, and it was one of those experiences that landed on me so hard that it expanded my ideas about what movies were. I love that age, where you are constantly having your boundaries challenged, and this was a pivotal film for me in terms of my overall worldview. 5376163bf9
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