George F. Flaherty and Adele Nelson, “Dialogues on Afterlives and Different Futures for Latin American Art,” Latin American and Latinx Visual Culture 4, no. 2 (April 2022), 59-106 

George F. Flaherty and Andrea Giunta, “Redes latinoamericanas: sincronicidades, contactos y divergencias / Latin American Networks: Synchronicities, Contacts, and Divergences,” Artelogie 15 (May 2020) 

Andrea Giunta and George F. Flaherty, “Las exhibiciones como campo de comparación / Exhibitions as Fields of Comparison,” Caiana: Revista de Historia del Arte y Cultura Visual del Centro Argentino de Investigadores de Arte 11 (December 2017), 94-269 

George F. Flaherty, “‘Anxious Desires’: Hyperbolic Beautification and Affective Infrastructure under Mexico’s National Border Program, 1961-1971,” Social Text 40, no. 4, “Reading for Infrastructure: Worlds Made and Broken” (December 2022), 69-95 

George F. Flaherty and Adele Nelson, “Latin American Art by and for Whom? Questioning and Unresolvability at the Austin Symposium (1975),” Latin American and Latinx Visual Culture 4, no. 2, “Afterlives and Different Futures for Latin American Art” (April 2022), 64-75 

Andrea Giunta, and George F. Flaherty, “Latin American Art History: An Historiographic Turn,” Art in Translation 9, no. 1 (April 2017), 121-142 

George F. Flaherty, “Responsive Eyes: Urban Logistics and Kinetic Environments for the 1968 Mexico City Olympics,” Journal of the Society of Architectural Historians 73, no. 3 (September 2014), 372-397 

George F. Flaherty, “Golden Halo, Cosmic Rays: Félix Candela, the ’68 Movement, and Techno-Politics in Atomic Mexico,” in Félix Candela from Mexico City to Chicago: Rise and Fall of Experimentation in Concrete, edited by Alexander Eisenschmidt (Barcelona: Actar, 2024), 118-133

George F. Flaherty, “Chicano Over Asphalt: Street Photography in Global Los Angeles,” in La Raza, edited by Colin Gunkel (Los Angeles: Chicano Studies Research Center, University of California / Seattle: University of Washington Press, 2020), 48-59  

George F. Flaherty, “Border Architecture: Territories, Commons, and Breathing-Spaces,” in The Routledge Companion to Critical Approaches to Contemporary Architecture, edited by Swati Chattopadhyay and Jeremy White (New York: Routledge, 2019), 175-186

George F. Flaherty, “All Eyes on Mexico: Revolution and Speculation,” in Mexico Modern: Art, Commerce, and Cultural Exchange, 1920-1945, edited by Donald Albrecht and Thomas Mellins (Austin: Harry Ransom Center / Munich: Hirmer Verlag, 2017), 18-26 

George F. Flaherty, “Inframundos: Nonoalco-Tlatelolco y la Plaza de la Tres Culturas,” in Genealogías del arte contemporáneo en México, 1952-1967, edited by Rita Eder (Mexico City: Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México, 2015), 192-205

George F. Flaherty, “Tlatelolco inquietante, yuxtaposiciones incómodas / Uncanny Tlatelolco, Uncomfortable Juxtapositions,” in Desafío de la estabilidad: procesos artísticos en México, 1952-1967 / Defying Stability: Artistic Processes in Mexico, 1952-1967, edited by Rita Eder (Mexico City: Museo Universitario de Arte Contemporáneo, 2014), 400-417

George F. Flaherty, “Mario Pani’s Hospitality: Latin America through Arquitectura/México,” in Latin American Modern Architectures: Ambiguous Territories, edited by Patricio del Real and Helen Gyger (New York: Routledge, 2012), 251-269

George F. Flaherty, “Retrofitting the Third Culture at Tlatelolco: Architecture and Memory in Narrations of October 2, 1968,” in (1968) Episode of Culture in Contest, edited by Cathy Crane and Nicholas Muellner (Newcastle upon Tyne: Cambridge Scholars Publishing, 2008), 16-30