如何做假伊拉克护照,【telegram:十852 55367074】（whatsApp:+852 55367074）『真实办护照，可根据客户样本制版印刷』可加急 ,【telegram:+852 55367074】【WHATSApp:+852 55367074】『办理驾驶证、身份证id、居留证、各种证明，发货速度快。』 联系我们【飞机\whatsapp 同号:+852 55367074】如何做假伊拉克护照,如何做假伊拉克护照,如何做假伊拉克护照 The news was learned that from March 26 to April 23, 2021, "Celebrating the 100th Anniversary of the Founding of the Communist Party of China Series - Shenjiang Plumbing - An Exhibition of Socialist Construction Themed Works from the Collection of the Shanghai Chinese Painting Academy" was held at the Shanghai Chinese Painting Academy Art Museum.The exhibition reviews the artistic creations carried out by artists around the construction of socialism after the establishment of the Shanghai Chinese Painting Academy in 1960.In 1956, the Preparatory Committee of the Shanghai Chinese Painting Academy was established.In 1960, the Shanghai Chinese Painting Academy was formally established, recruiting a large number of famous Chinese painting, calligraphy, and seal cutting artists who were active in the region.Since then, their artistic creation has been closely centered around socialist construction and has gained a new look that is different from the past.Collaborative painting among painters is an important method of artistic creation in Shanghai Chinese Painting Academy.This is not only an effective way to mobilize everyone's efforts to draw a grand and magnificent system of the new country, but also demonstrates the spiritual power of collectivism."The New Look of the Coil Workshop" by Ying Yeping, Zhu Meicun, Jiang Dazhong, Yu Wenhua, Cheng Shifa, color on paper, 1960, 68脳178cm, "The New Look of the Coil Workshop" is a collaboration between Ying Yeping, Zhu Meicun, Jiang Dazhong, Yu Wenhua and Cheng Shifa.This painting was created in 1960, during the period of comprehensive construction of socialism. It depicts the vigorous work of workshop workers during the development period of New China. Both men and women in the painting are filled with the vitality and vitality of workers, and they are producing coils in an orderly manner.People and machines are arranged in two rows, staggered one after another.There is a lot of content in the picture. The painters arranged the five workers, four machines and the coils on the ground in a reasonable and orderly manner. They focused the depiction on the machines, mainly using lines, using uniform lines to outline the details of the machine equipment, and using colors such as ocher and cyan to lightly smudge. In contrast, the depiction of the characters is more concise, simply outlining the appearance of the characters, and depicting the faces with only a few strokes. The painters accurately captured this moment of labor and recorded the busy scene of the production workers with their brushes."Fan Gua Nong" Shen Maishi Wu Lifu Color on paper 1965 90脳71cm "Fan Gua Nong" was created in 1965, during the period of comprehensive construction of socialism.Located on the north bank of the Suzhou River, Fangua Lane is Shanghai's first new workers' village with five-story buildings.This is consistent with the background of the era of comprehensively building socialism at that time, and reflects the determination to comprehensively build socialism and the new style of comprehensively building socialism.This work is a collaborative work between Wu Lifu and Shen Maishi.Different from the scattered composition of traditional Chinese paintings, the picture adopts a perspective composition method.In the picture, we can find that the community at this time has been greened. In the center of the picture, we can see two rows of students queuing up, representing the hope of socialist construction, and at the same time giving the picture a certain sense of depth.In the lower right corner of the picture, there is a worker watering the flowers, which also indicates the careful cultivation of the flowers of the motherland.The three words "Fangguanong" in the lower left corner of the screen represent Fanguanong Workers' New Village.The inscription at the top of the picture reflects the combination of poetry and painting.The creation of "Fangua Lane" expresses the painters' ardent expectations for the comprehensive construction of socialism and their patriotic feelings of hoping that the country will build better and better."A Thousand Miles Ahead" by Cheng Yajun, Xie Zhiguang, and Tang Yun Colors on paper "A Thousand Miles Ahead" was jointly created by Cheng Yajun, Xie Zhiguang, and Tang Yun in 1965. The words "A Thousand Miles Ahead, Spring Festival of 1965, Jun Guangyun collaborated with the Chinese Painting Academy" are clearly visible.In 1959, in order to speed up the pace of construction in Xinjiang and narrow the gap between urban and rural areas, there was an upsurge of urban educated youths going to rural areas and frontiers to reclaim wasteland.Educated youths from all over the country responded to the national call to support the construction of Xinjiang, intending to make great achievements in the vast world.Enthusiastic young people with great future in mind take Shanghai as their starting point and rush to Xinjiang, where the motherland needs it most.In this work, there are clusters of red flowers in the foreground, the brushwork is generous, and the layers are rich, highlighting the passionate youth of young people.The middle scene is a train from Shanghai to Xinjiang.On this train, a group of majestic educated youths waved flowers, their hearts were filled with excitement, and they embarked on a journey from Shanghai to Xinjiang to support construction with great hope, bringing knowledge and prosperity to the land of Xinjiang.This work uses contemporary painting media, combines tradition and innovation, closely follows the pulse of the times, pays high respect to the educated youth who support Xinjiang, and demonstrates its strong contemporary character."Shipbuilding Group Painting: Getting Ahead of Time" by Yan Guoji, color on paper, 1973, 135脳297cm. 1973 was during the Fourth Five-Year Plan. The plan called for concentrating on the development of steel, military industry, basic industry and transportation, vigorously developing new technologies, and catching up with the world's advanced level.Due to the characteristics of high targets, high speed, and impetuous advancement, it caused economic fluctuations and instability in society. Therefore, the Central Committee of the Communist Party of China revised the high targets of the "Fourth Five-Year Plan" twice this year, emphasizing economic benefits and adjusting strategies.Yan Guoji created this painting "Getting Ahead of Time" against this background.The picture depicts the scene where many workers in the shipyard are full of energy under the light of the lights, working hard at night, and striving to complete the goals of the Fourth Five-Year Plan.Although the overhead lights are in a swaying state, the figures in the picture form a triangle with each other, and the composition is stable, which seems to convey an unswerving spirit.The red color, which symbolizes New China, draws the viewer's attention to the main position of the picture. The overall color incorporates Western painting color techniques into Chinese painting, creating a fascinating visual effect.The three groups of workers on the left are smiling and relaxed, and their eyes are looking towards the upper left of the picture. This not only expresses the optimism and positivity of the workers, but also shows that they are full of confidence and expectations for the future of the motherland."Agricultural Harvest, Everything New on National Day" was a collective creation by the artists, coloring on paper, 1958, 124脳251cm, "Agricultural Harvest" was a collective creation by the painters of the Shanghai Chinese Painting Academy to celebrate the comprehensive harvest of agriculture, forestry, animal husbandry, sideline and fishery.The agricultural products in the painting are very large and the varieties are very complete, just like the poem in the lower right corner of the picture, "The New Year is full of joy, and people's wishes command the sky. The mountains offer forests and trees, and the Dragon King contributes seafood. The cattle and sheep are multiplied, and the millet is full of public fields. Fly our red flag, and the east wind spreads all over the world." In order to highlight the scene of the great harvest, painters subjectively processed the objects and exaggerated the objects.The nearby trolley and the agricultural products on board, as well as the fish and sheep in the distance, are outlined with ink lines and smudged with light ink. Most of the other objects, such as roosters, grapes, radishes and cotton, are drawn directly using the boneless method, with transparent colors.Although there are many objects in the picture, the overall picture is not crowded, the overall color is fresh and elegant, the relationship between the objects in the front and back is clear, and the distance of the space is obvious.In terms of the overall composition, the inscription in the lower left corner echoes the millet valley in the upper right corner in a diagonal line, which not only maintains the balance of the picture, but also highlights the main part in the middle.Other exhibited works "Ten Thousand Ton Hydraulic Press" Xie Zhiguang 1960s 157脳101cm "Comparing Speed with Rockets" Zhu Meicun 1958 164.5脳92cm "Water Happiness in Zhongshan Park" He Tianjian 1958 95脳68.5cm "Green City" Zhu Qizhan 1959 91脳51cm "Suzhou River Dawn"Wu Qingxia 1959 91脳51cm 卓扰肯亲纬驮诺燃啪可俅懦洞傲馅