So I've been trying to figure out how to be a good descendant, how to honor my enslaved ancestors' legacies. And I met my land kin, Mina Wilson, who was doing the same kind of work. She was telling me about how she was going to host a family reunion at Somerset Plantation, where both of our ancestors were enslaved. But Mina wasn't just reuniting with her living family. She was hoping to visit with those who had passed. She was introduced to the Slave Dwelling Project. They set it up so that descendants of the enslaved of these plantations can sleep where their ancestors slept, and it's gotten a lot of traction. They eat meals from that time, some dress of that time, some who have slept there have infamously worn chains to bed, which was considered a bridge too far by some of the participants.
Yet dance scholar Thomas DeFrantz has issued the warning that the potentiality of even the most efficacious of world-making gestures can fall flat in the face of the world that is.5 Reading the black social dances of Childish Gambino's "This is America" video as a thwarted gesture, DeFrantz asserts that black social dance loses its world-making potential when it is consumed by those not called to dance themselves. Black social dance, he says, is shifty and fugitive and fun, but above all its dancer risks failure. When simply available for consumption without the commensurate risk of participation, it fails to change the terms of encounter. The essays in this special issue have taken up these and other considerations in posing their own questions about worldmaking. What kind of world do we envision as ideal? Who is included and on what terms? What is utopia founded on or in? What is its purpose and duration? And, perhaps above all, how do we move on from a world's (in)evitable end?
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The border crossing referenced by One Flew Over the Void is nothing new, of course. From the traders and the crusaders of the Medieval era, to the conquistadors and slavers of the Middle Passage, to the Chinese and Irish laborers who facilitated American manifest destiny, to flows of money and weapons that constituted the Iran-Contra Affair, the global circuity of people, technology, capital, and ideologies has been a constant. Nevertheless, borders do define the contemporary moment in profound and rapidly shifting ways. Europe has seen an upsurge in nationalist sentiment in a number of countries, and the growth of parties that demonize "foreigners" (many of whom were born in the nation in question) for the "erosion" of national cultures. In the United States and Israel, politicians have erected walls against real and rhetorical enemies, even as the militarized forces they unleash (and, at times, the allies they support) commit terrorist acts in the name of the state. During the global pandemic beginning in 2019, the President of the United States banned travel from China to the United States in the face of real and rhetorical threats of viral contagion, and Americans found themselves turned back from the border of "our closest neighbor," Canada. And the precarity of citizenship for Black, Latinx, Asian, and Arab-appearing subjects has been highlighted in the face of various political contingencies. With the increased contentiousness of the border, can one still reside in the borderlands of Gloria Anzaldua's formative Borderlands/La Frontera, or do we need new paradigms for residing in liminal space?
@Luis,
I got this same or well similar email too. I replied and then this was their answer which is why I thought something was strange.
Hello
Thanks for the response and interest, this is a special offer, This email explain more details.The whole shoot will be within the 09th of MAY. 2009 ,the taken pictures will be used for the magazine cover of Glamour Magazine, (www.glamourmagazine.co.uk) Glamour Magazine is a united kingdom based magazine company and has branches in some countries around the world. .The shoot is just for 2days and you will be paid $4,800 for the whole project,the Job is Urgent so you are to get back to me as soon as possible so that i can arrange on how to get you the part payment.You will be paid $800 as your part payment The date for the shooting is not yet fixed,i will have to make arrangement for that ahead from now,there is a company financing this whole project,i will email you the exact date for the shooting as soon as the arrangement is completed with our client. As part of our working policy and ethics,we give part payment to our clients before we proceed with any job and balance immediately after the work, your accommodation, transportation and feeding we be free cause we will make provision for it .The payment will be mailed out to you as soon as you send your Full Name and Contact Address in this format below:
Name to be written on check :
Complete Mailing address,
city,
state,
zip code :
Cell/Phone number :
As i told you earlier there is a company financing this whole project they will be taking care of your payment as well as the Modelling agent Fees, the payment would be mailed directly to you alongside the Modelling fee. Immediately you have it,you will take out your $800 and send the remaining to the Modelling agent in Nc. so that the models can get ready. Then you will be paid the balance of $4000 immediately after the shooting, I hope i am able to make things clear to you. Please I will like you to check your email on a regular basis, i might have updates for you.
Thanks and God bless,
JOHN
And I am always a bit upset when encountering a Civ 4 strategy guide or LP, and witnessing the careful and elaborate way in which min-maxers have determined precisely how to get the maximum benefit of killing your own people to complete construction projects more quickly. Especially as the underlying assumptions-that slavery offered a competitive advantage in the actual world-seem to unreflectingly be taken as a given by some of those same people. Historians (and economists, if you believe them) continue to debate and contest that idea. No doubt slavery does grant advantages if you insist on ignoring its costs when computing your equations. 589ccfa754
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