when i need an escape i often look for funny memes about whats going on whether it be getting older or anxiety sometimes i help to find something funny almost making fun of it so i stay in contrlol and not the anxiety.
Memes have become an important part of our daily life. Every morning we pull out our phones and scroll through them and we see many memes. Life without memes is quite hard to imagine nowadays. One of the most popular in trending section is the iPhone vs Android memes. At Woahtech I saw the 40 funniest Android vs Iphone Memes collection to make your day!
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I am preparing slides for a short (10min) talk at the group meeting. The talk is about a fairly serious piece of (pure) mathematics, and it so happens that there is a very relevant one-panel webcomic. A thought appeared to me, and got some support from my fellow PhD students, that it would be cool to include this comic, perhaps at the final thank-you-for-your-attention slide.
Human cognition is a strange thing, and I won't pretend I know it well enough to give you a guide, but I will suggest that you simply consider your audience and how you want them to move through the information.
Adding levity in the form of a joke or humor, if the joke is very relevant to the talk, can actually increase retention, as long as it isn't too much of a distraction. Placing it appropriately is key, though, and I wouldn't do it at the end, because that's what people will remember. The last few sentences should be a quick summary of the talk and should be memorable.
Placing it in the middle, during a transition - for instance between the problem statement and the methodology - could be good, and allow a release of tension if the problem statement was pretty densely packed.
I don't object to have fun, but I would object to have fun when you need to be serious. Because when the audience need you to be serious to your talk, then a funny picture will disrupt the thinking and they will be anxious.
If your talk in short, then I suggest you to put the comic at the end of the talk. If your talk is long, then I think putting it in the middle of the talk is fine, as long as the picture appears when no thinking is required, e.g. the transition between two sections. Not from section 2.1 to 2.2, but from 2 to 3.
A big part of making an effective presentation is understanding your audience. You are going to be the best judge of how a funny slide will be received, since you know your group better than any of us do.
If you do use a funny slide, do it for a reason - but that should be true of all your slides. Every slide should have a clear purpose and be designed to communicate something to your audience (preferably one thing per slide). Funny "thank you" slides are no different. Decide what the purpose of your "thank you" slide is, and whether this comic will communicate that purpose to your particular audience, and then you will have your answer.
Whether you should include funny pictures in your slides has already been adequately answered by others, but I wanted to give you some more practical considerations to keep in mind when making this decision.
when using art from 3rd party artists, whether they are webcomic authors, paper comic authors, artists in classic media (paint, crayon, charcoal, firstborn blood) or another medium entirely, it is important to A) get their permission and B) have proper attribution. Both of these ensure that people who found the image interesting and want to see more can do so in a way that supports the content creator, on top of the more academic reasons for proper permission and attribution.
Some people in comments have said to slightly crop the picture to remove the bit about tenure. DO NOT DO THIS WITHOUT AUTHOR PERMISSION! The work is copyrighted and while there is a fair-use exemption for educational use of copyrighted material, the line about tenure is part of what makes this funny, especially for non-combinational theorists (although I doubt those will be present at your presentation). Without this punchline, the joke kinda falls flat because it is just another completely wrong definition of a scientific term, and there are plenty of those already.
There is a message or several messages you want to get across in your talk. If the cartoon helps to get the message you want to make at a given point in your presentation across (probably not, in the specific case), the cartoon can be useful. Otherwise, the cartoon is noise and dilutes your message. A cartoon will get the attention of your audience- but not necessarily to the message you want to get across.
Panda, I dunno that yours is funny.... I'd say the guy was probably one of society's major failures, worst of the worst, and has reformed. That is good he'd be 1 in a million. Naturally, I mean the guy on the left
So I better post a pic not just whinge
(proper use of You're and Your. Obviously not one of the kitetrolls on seabreeze.com.au....)
Why in Cyber/ITSEC, especially the companies that actually do provide consultancy and pen testing always use silly stock images of a balaclava-wearing person in a dark room with binary/matrix style background? I think we all know here that proper hackers would not need a balaclava, they just stick tape to their webcam
I have to agree with this posting, because several times I have had my work completely ruined just because Ive tried to post images into the llibre office word document and insert captions, I have been devastated, the document becomes a mess of overlayered images that cannot be moved without some disappearing, captions flying around on their own , it really truly is a sad joke!
I admit very easily that getting predictable, reliable and reproducible placement of images (or more generally frames) is one of the most daunting tasks in Writer. This is the price to pay for the power (e.g. automatic reallocation of frames when you edit text) and versatility.
You must accept Writer is not based on common (rather not fully rigorously specified) principles and has chosen another path. Writer is style based. Styles are ubiquitous. In particular, images are inserted as frames and frames are controlled by frame styles. However, I repeat, taming frame styles is not immediate.
I have often wished that I had some funny picture to illustrate a presentation, a website, a post, an email, or something else. Google image search and stock photo services have hardly ever helped me, although that may be because I'm doing something wrong.
Jeff Atwood seems to have no problem to find funny pictures for his codinghorror and stackoverflow blogs, as well as for the error messages on the trilogy sites. One of my favorites was this elephant. Other bloggers also seem to be quite good at it.
I'm wondering if I simply lack the creativity or if there's sources or methods I don't know about. I could think of the following ways to get pictures, but I'm not sure whether this is really "how they do it".
The best method: sign up with StumbleUpon.com and install the toolbar. Set your preference to humor related categories. SU is the best when it comes to finding the quality content of your taste.But beware, it's very very addictive.
All that said, let me warn you. Looking for funny pictures on the internet can lead to long-term addiction, trust me, I know. You'll be hopping from one site to the next, and share them with your buddy on aim, Skype, Twitter etc. Eventually, you'll start your own Tumblr to meta-blog these even further.... and next thing you know, you're going to bed at 4 am every night.
Nobody mentioned b3ta yet? OK, so it's not for everyone, but I think that there is something for everyone. Ranging from the smug, the in-joke and the pure silly, to the clever, hilarious, satirical, daring, ... It's frequently NSFW, or NSFanything, and the quality can vary. But it is often a source of what you're looking for, and it's users/contributors have been responsible for plenty of those "have you seen this yet?" internet buzzes.
In this sweet and funny tale, Little Luvvie is always willing to lend a helping hand! Even if it means bending a few rules. Little Luvvie decides to assist her mother with cooking dinner. However, her real motivation is to have her favorite dish, Jollof rice. When she discovers that her mother isn't making it, she takes it upon herself to make it for everyone instead! What could possibly go wrong?
"PEOPLE tell me I'm good at visual puns. I guess that's true," says photographer Elliot Erwitt on the opening page of Personal Exposures, and he undoutedly has an eye for humor. But at the same time, Erwitt is a master in capturing the subtle tragedy in everyday life. His book is a comprehensive overview of his development, published to coincide with the world tour of an exhibition of black and white photographs.
The son of Russian immigrants to France, Erwitt was born Elio Romano Erwitz in 1928 and moved to Italy at an early age. In 1938, his family was forced to leave the country because of Mussolini's fascist policies. Three years later, Erwitt and his father settled in southern California, where he bought his first camera, an antique glass plate.
"Shyness helped to make me a photographer. In high school I discovered that a camera gets you into situations where you don't really belong. Then, it was proms; now, it's the White House or the back rooms of the Kremlin." Erwitt has gained access to such figures as the president and Soviet party leaders as a freelance photographer for Magnum, a photographic agency, headed by Robert Capa.
AS a freelancer documenting world events Erwitt's work is necessarily documentary in nature. Erwitt created vignettes of everyday life in cities as diverse as San Miguel de Allende, Mexico, and Tehran, Iran.
And he is right about that. One of his funniest photographs is of a soaking wet dog, standing outside an open door of a shop in Stockbridge, Massachusetts. The dog yearns to be invited in, a weary traveler seeking shelter from the rain. The way in which Erwitt photographs this dog is both amusing and poignant. 152ee80cbc
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