Artist Statement: 

My practice explores the intersections of queer identity, ecology, land, and storytelling through moving image, text, and sculptural forms. I am interested in how bodies — human and non-human — relate to one another beyond fixed binaries, and how dominant narratives around nature, gender, ownership, and belonging can be unsettled and reimagined.

Working with print, film, project, and installation, I often use haptic, sensual, and performative approaches to examine kinship with landscape and place. My work resists anthropocentric perspectives, instead proposing queer ecologies in which bodies, environments, and histories are entangled and mutually shaping. I draw on ecosexual practices, folk traditions, and political histories of land enclosure and commoning to consider how intimacy, care, and desire might operate as tools for re-connection and resistance.

Colour, text, and material construction play an important role in my practice, with particular attention to symbolic languages drawn from queer histories and protest cultures. Whether working in natural sites, domestic spaces, or institutional settings, my work seeks to create spaces for re-seeing — inviting audiences to consider alternative relationships to land, body, and community grounded in fluidity, interdependence, and transformation

Exhibitions


Creative Work


Residencies

Education

BA Textile Design (First Class Honours) - University of the Arts London – Chelsea College of Arts (2017)

Foundation Diploma in Art & Design (Distinction) - University of Creative Arts, Farnham (2014)


Awards & Achievements


Collectives