Friday the 13th: The Series is a television series that ran for three seasons, from October 3, 1987, to May 26, 1990, in first-run syndication. The series follows Micki and Ryan, cousins who inherit an antiques store; after selling all the antiques, they learn from Jack Marshak that the items are cursed. The trio then work together to recover the objects and return them to the safety of the shop's vault.
Originally, the series was to be titled The 13th Hour, but producer Frank Mancuso Jr. thought this would turn away viewers and instead took the name Friday the 13th to deliberately draw in audiences. Despite this title and the fact that it is officially considered a part of the franchise, the series has no story connections to the film series of the same title, as Jason Voorhees does not make an appearance, nor does any character connected to the films.
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Lewis Vendredi made a deal with the devil to sell cursed antiques. But he broke the pact, and it cost him his soul. Now, his niece Micki, and her cousin Ryan have inherited the store... and with it, the curse. Now they must get everything back, or the real terror begins.
An antique dealer named Lewis Vendredi (played by R. G. Armstrong; "Vendredi" means "Friday" in French) has made a deal with the Devil to sell cursed antiques out of his shop, "Vendredi's Antiques", in exchange for wealth, magic powers, and immortality. In the show's first episode ("The Inheritance"), tired of being merely an obedient puppet for the Devil, Lewis rebels against the Devil and breaks the deal, thus being killed and having his soul claimed by the Devil for it.
After Lewis' death, his shop is inherited by his niece, Micki Foster (played by Louise Robey, credited without her first name, as "Robey") and her cousin by marriage, Ryan Dallion (played by John D. LeMay). They decide not to keep the store, and sell off many of the cursed antiques before being stopped by Jack Marshak (played by Chris Wiggins). Jack was Lewis's friend, a retired world-traveller and occultist who originally collected many of the antiques for Vendredi before they became cursed.
The series follows the protagonists as they hunt down the cursed antiques, which are usually in the possession of people who have discovered their magic powers and are unwilling to give them up. In some cases the object is in the possession of the one who originally discovers its magic power ("The Inheritance", "What a Mother Wouldn't Do"), while in others (e. g. "Tales of the Undead", "A Cup of Time", "Vanity's Mirror", "Read My Lips", "The Mephisto Ring", "The Prisoner") another person has learned of the object's power and obtained it before the object is recovered. Since the cursed antiques are completely indestructible, they must be locked away in a vault beneath "Curious Goods" (the rechristened antique store) that is designed to magically render the objects inert. A manifest, written by Lewis, holds the records of all the cursed objects sold by him.
Most of the stories in the series deal with people using the cursed objects' magic for personal gain or for revenge. To use the objects' magic powers, a human sacrifice is required, and the victim must be killed by the object itself or in some particular manner related to the object's history. In many episodes, the benefits are only temporary and owner is forced to keep using the object to regain or retain them ("A Cup of Time", "Master of Disguise", "Spirit of Television", "Face of Evil", "Better Off Dead", "The Sweetest Sting"). In some cases, attempting to abandon the object subjects the owner to some unendurable or fatal affliction ("Stick It in Your Ear", "Read My Lips"). Some objects are sentient and intelligent, such as the doll ("The Inheritance") and the radio ("And Now the News"). Others do not actually speak but demonstrate intelligence and awareness in other ways ("Spirit of Television", "The Playhouse") or confer intelligence on other inanimate things ("Read My Lips", "Double Exposure", "Wax Magic"), or summon intelligent, malevolent entities ("The Pirate's Promise", "Femme Fatale", "Shadow Boxer", "Demon Hunter"). Still others function without intelligence, mechanically dispensing a certain benefit in response to human sacrifice ("Root of All Evil", "The Mephisto Ring", "The Prisoner", "Brain Drain"). Occasionally, there would be an object-free episode in which the trio would confront their uncle's spirit or some other Satanic evildoer ("The Prophecy", "Hellowe'en", "Wedding in Black").
Like other sci-fi/horror shows in syndication in the late 1980s (such as War of the Worlds and Freddy's Nightmares), Friday the 13th: The Series pushed the limits of "acceptable content", featuring violence on par with that of the R-rated horror movies of the time. Certain episodes such as "Night Prey" also depicted a level of sexuality that was taboo for network television.
The second season saw the introduction of Johnny Ventura (played by Steve Monarque). He helps recover the relics and eventually replaces Ryan permanently in the third season. A romantic interest between Johnny and Micki is hinted at, but not realized.
Friday the 13th: The Series was created by Frank Mancuso Jr. and Larry B. Williams originally under the title of The 13th Hour; the series ran for 72 episodes. Mancuso Jr. never intended to link the television show directly to the Friday the 13th film series, but utilize "the idea of Friday the 13th, which is that it symbolizes bad luck and curses". The creators wanted to tie-in Jason's trademark hockey mask to the series, but the idea was discarded so that the show could have a chance to exist on its own. Mancuso Jr. was afraid that mentioning any events from the films would take the audience away from "the new world that we were trying to create". The decision to name the show Friday the 13th, over the original title, was made because Mancuso Jr. believed a "Friday the 13th" moniker would better help to sell the show to networks. Filming took place in Toronto, Ontario, Canada.[2] Friday the 13th: The Series aired in first-run syndication, initially in a late-night spot; the success of the series as a late-night show prompted some broadcasting stations to move it to prime time. Produced on a budget estimated below $500,000 per episode, the first season placed second in the male 18- to 49-year-old demographic, just behind Paramount's Star Trek: The Next Generation. In addition, the first season placed fifth in the female 18- to 49-year-old demographic.[3] The composer Fred Mollin wrote the music for the series. Friday The 13th The Series - Music From The Original Television Scores was released in 1989 by GNP Crescendo Records.[4]
The first two seasons had 26 episodes apiece. However the third season was cut short due to the abrupt decision to cancel the show. The cast and crew were informed about the ending of the series while they were filming the 20th episode of the third season, which ended up being the series finale. The cancellation was so sudden that they were unable to film more episodes or more scenes that would provide some kind of closure.
The series was broadcast on Tele 5 in Spain in 1991 under the title of Misterio para tres. In Greece, the series was broadcast on ANT1 and Makedonia TV under the title To mystirio tis Paraskevis (The mystery of Friday) and in Germany under the title Erben des Fluchs (Heirs to the Curse). It was also broadcast in Indonesia on TVRI from 1990 to 1991 every Thursday night and on RCTI from 1992 to 1996 every Friday night. In Finland, the series was known as Aaveita ja kummituksia (Ghosts and Ghoulies) and broadcast by MTV3.[5]
All three seasons have been issued on DVD in the US (CBS/Paramount, region 1, later repackaged and reissued as "The Complete Series"), Germany (CBS/Paramount, region 2) and Australia (Umbrella Entertainment, region 4). The first season has also been issued as a Spanish bootleg DVD set (Resen,[6] regions 1-6).
Friday the 13th: The Series was nominated for two Emmy Awards in 1988 and 1989 for Visual and Graphic Effects.[7] The series won two silver plaques in Chicago for the episodes Scarlet Cinema and The Sweetest Sting. In 1990 the series was nominated by the Academy of Science Fiction, Fantasy & Horror Films as Best Series. The series was nominated twelve times for writing, editing, directing, production design, acting, sound and music by the Gemini Awards in Canada.[8]
There is a popular rumor that the last episode was to unite the movie and television franchises by having the final item recovered be the hockey mask belonging to Jason Voorhees. This remains unfounded and while there was talk about having a hockey mask on one of the sets as an in-joke,[9] there was never any serious intention to mix the film series into the television series.[10]
The series, about a group of individuals rooting out evil supernatural occurrences, created a mold into which many later series fit. Buffy the Vampire Slayer, Angel, and The X-Files all have many episodes which revolve around the team recovering cursed artifacts. The 2009 Syfy original series Warehouse 13 has been accused of "borrowing" much from Friday the 13th: The Series.[11][12][13] The show stars two agents, Myka Bering (Joanne Kelly) and Peter Lattimer (Eddie McClintock), led by older, wiser Arthur "Artie" Nielsen (Saul Rubinek) as they collect artifacts, powerful items which are "imbued with human energy" and have supernatural powers. These artifacts are stored in the warehouse, safely hidden from both the public and those who would make use of the artifacts for evil or selfish purposes. However, the artifacts featured in the Warehouse 13 series are not evil by nature nor cursed, do not require a human sacrifice in order for them to function, and can be destroyed.
Frank Mancuso, Jr., a producer of the films, also developed the television show Friday the 13th: The Series after Paramount released Jason Lives. The television series was not connected to the franchise by any character or setting, but was created based on the idea of "bad luck and curses", which the film series symbolized.[1] While the franchise was owned by Paramount, four films were adapted into novels, with Friday the 13th Part III adapted by two separate authors. When the franchise was sold to New Line Cinema, Cunningham returned as a producer to oversee two additional films, in addition to a crossover film with character Freddy Krueger from A Nightmare on Elm Street film series. Under New Line Cinema, thirteen novellas and various comic book series featuring Jason were published. 152ee80cbc
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