I took out my 50mm f/1.4 lens for the 1st time in a few months. The great thing about shooting primes is how it changes your perspective and gives you all new images to see and shoot in the same places you have been. The trick to getting used to shooting primes is stick to one lens for a week or two and learn to 'see' at that focal length.
As I mentioned, my Leica M9 and Leica Monochrom have finally met their maker, quite literally since I traded them back in at Leica Ginza. Those cameras have treated me extremely well over the past 7 and 5 years, respectively, and will be missed. I've been shooting with the Leica M10 for a few weeks now. The short answer: I love it.
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This is the final post with my Leica M Monochrom. This camera has served me well for the past 5 years. It has traveled the world with me. But, I'm really enjoying shooting the Leica M10 and ready to move on. I'll start posting some M10 images soon. More on why I'm changing in my last post.
I've been noticing a lot of spots on my images when I am shooting at f/11+. I could really notice it when I am looking at the images large. I brought in both my Leica Monochrom and my Leica M9-P to Leica Ginza to have the sensors cleaned. My long time Leica customer service rep Naoki came out looking a bit concerned.
WhereToShoot is the web's most comprehensive directory of shooting ranges. Managed by the National Shooting Sports Foundation (NSSF), the trade association for the firearms industry, the site is updated frequently with range information in every state. If you own a shooting range or if you've recently changed locations, NSSF encourages you to enter or update your range information free of charge.
"I could stand in the middle of Fifth Avenue and shoot somebody, and I wouldn't lose any voters, OK?" Trump remarked at a campaign stop at Dordt College in Sioux Center, Iowa. "It's, like, incredible."
I've had my T5i since September 2015 and I would like to know how do I shoot in grayscale/black & white straight from the camera insteaad of later going into Photoshop to change from color to grayscale/black & white.
N(6)-Methyladenosine (m(6)A) represents the most prevalent internal modification on mRNA and requires a multicomponent m(6)A methyltransferase complex in mammals. How their plant counterparts determine the global m(6)A modification landscape and its molecular link to plant development remain unknown. Here we show that FKBP12 INTERACTING PROTEIN 37 KD (FIP37) is a core component of the m(6)A methyltransferase complex, which underlies control of shoot stem cell fate in Arabidopsis. The mutants lacking FIP37 exhibit massive overproliferation of shoot meristems and a transcriptome-wide loss of m(6)A RNA modifications. We further demonstrate that FIP37 mediates m(6)A RNA modification on key shoot meristem genes inversely correlated with their mRNA stability, thus confining their transcript levels to prevent shoot meristem overproliferation. Our results suggest an indispensable role of FIP37 in mediating m(6)A mRNA modification, which is required for maintaining the shoot meristem as a renewable source for continuously producing all aerial organs in plants.
A shoot in professional wrestling is any unplanned, unscripted, or real-life occurrence within a wrestling event. It is a carny term shortened from "straight shooting", which originally referred to a gun in a carnival target shooting game that did not have its sights misaligned. Terminology such as this reflects the professional wrestling industry's roots in traveling carnivals.[1]
Initially, the term referred to practice or ability in catch wrestling as a legitimate sport. It has since come to mean any legit attack or fight in professional wrestling regardless of the combat system employed, and its meaning has broadened to include unscripted events in general. The opposite of a shoot is a work or kayfabe. 'Shoot' may also refer to legitimate 'shooting' for a takedown, as in interscholastic, amateur, and Olympic wrestling. With professional wrestling's history of 'shooters' and 'hookers', wrestlers with elite grappling skills, and the recent rise of shoot style wrestling and mixed martial arts, this use of the term is growing.[citation needed]
Professional wrestling is staged entertainment rather than a sports competition. As such, virtually everything in it is worked (part of the show), and shoots rarely occur. Shoots in general are against the nature of the business, similar to an actor ad-libbing or dropping character during a performance. Performers who shoot during a wrestling event are often punished (often by lower pay or relegation to opening bouts) or even fired, since they cannot be relied on to act according to the bookers' wishes. Shoots can also occur when wrestlers stop cooperating in a match. This may occur to teach one of the wrestlers "a lesson" for whatever reason, or if a wrestler has an issue with the promoter and intentionally makes the match look bad.
While the term technically applies only to wrestling performers, crowds also cause shoots by interfering in events, usually by assaulting or attempting to assault a wrestler. Fan interference and violence was prevalent in the northeastern and southern United States from the mid to late 20th century, where many wrestling territories became known for offering violent action to a rabid, fiercely loyal audience which largely believed in what it was seeing.
Worked shoot is the term for any occurrence that is scripted by the creative team to come off as unscripted and therefore appear as though it were a real-life happening but is, in fact, still part of the show. This can be seen as an example of the writers breaking the fourth wall and attempting to court the fans who are interested in shoots (i.e., events outside the traditional in-ring wrestling matchups). Notable characteristics of a worked-shoot include the mentioning of terms and information generally known only to industry insiders and "smart" fans. This community of "smart" pro-wrestling fans are sometimes referred to as "smarks".
A major example of a worked shoot occurred on the June 27, 2011, Raw Roulette, where CM Punk delivered a promo popularly known as a "pipebomb" promo. In it, Punk aired his grievances with WWE at the time and announced he would leave the promotion three weeks after his promo with the WWE Championship (Punk would sign a new contract during the time period); the promo was not cut off until Punk attempted to mention bullying issues within the company. In order to provide an air of legitimacy, Punk received a kayfabe suspension from the company following the promo.[5]
A "shoot interview" is generally conducted and released by someone other than a wrestling promotion. They are conducted out of character with a wrestler, promoter, manager, or other insider generally being interviewed about their career and asked to give their opinion on wrestlers, promotions, or specific events in their past. While some wrestlers used these as an opportunity to insult people or promotions they dislike, many are more pleasant. These shoots are often released on DVD, end up on YouTube or other video sharing websites, or as a part of a wrestling podcast.
Drawing from this related term, a shooter or shoot-fighter is not a wrestler with a reputation for being uncooperative but one who has legit hooking skills in their repertoire. These wrestlers often gain their skills from martial arts (Ken Shamrock or Josh Barnett), catch wrestling (Lou Thesz or Billy Robinson) or amateur wrestling (Kurt Angle or Brock Lesnar). These kinds of shooters are sometimes referred to as stretchers (from their ability to use legitimate holds on their opponents to stretch them).
Despite the worked nature of the spectacle, shooters have been around since the beginning. Originally, the National Wrestling Alliance's World Champion was typically a shooter or "hooker" in an effort to keep regional champions and other contenders from attempting to shoot on them and win the title when they were not scheduled to do so.
The use of the term "shoot" to describe a single or double-leg takedown attempt (in legit fighting situations such as mixed martial arts) is inspired by early professional wrestling shooters, who would often utilize these basic wrestling moves when shooting on an opponent (as opposed to the flashier takedowns used in worked matches, such as suplexes).
An example of shoot fighting happened on the November 4, 2004, episode of SmackDown!, taped in St. Louis, Missouri. During an unscripted segment of Tough Enough, Kurt Angle, a former American amateur wrestler and 1996 Olympic gold medalist, challenged the finalists to a squat thrust competition.[7][8] Chris Nawrocki won the competition, and the prize Nawrocki won was a match against Angle.[9] Angle quickly took Nawrocki down with a guillotine choke, but Nawrocki managed to make it to the ropes, forcing Angle to break the hold. Angle then took Nawrocki down with a double leg takedown, breaking his ribs.[9] Angle locked another guillotine choke on Nawrocki, pinning him in the process. After Angle defeated Nawrocki, Angle challenged the other finalists.[9] Daniel Puder, an American professional mixed martial artist, accepted Angle's challenge.[9] Angle and Puder wrestled for position, with Angle taking Puder down; however, in the process, Puder locked Angle in a kimura lock.[8][9][10] With Puder on his back and Angle's arm locked in the kimura, Angle pushed Puder's shoulders down, pinning him. One of the two referees in the ring, Jim Korderas, quickly counted three to end the bout,[8][9][10] despite the fact that Puder's shoulders were not fully down on the mat, bridging up at two.[8][9] Puder later claimed he would have snapped Angle's arm on national television if Korderas had not ended the match.[9] Dave Meltzer and Dave Scherer gave these following comments:
The term is also often used by wrestling fans, in another definition (in this case, also known as shoot wrestling) to refer to mixed martial arts competitions, which, while superficially similar to wrestling matches, are actual athletic competition rather than sports entertainment. 589ccfa754
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