Margaret Nolan, a British actress, model, and visual artist, holds a unique place in cinematic history, particularly for her memorable roles in the James Bond series and the Carry On films. Her journey from a glamour model to a versatile actress and respected visual artist represents both triumphs and challenges. This article dives deep into her contributions to British entertainment, providing an insightful analysis of her multifaceted career.
Born in London on October 29, 1943, Margaret Nolan was the daughter of Jack Nolan, an Army clerk, and Molly Nolan, a psychiatric nurse. Her early years were shaped by the tumult of World War II, as her family relocated to Waterford, Ireland, during the war before returning to London in 1946. Nolan initially trained to become a teacher, but her life took a dramatic turn when she met actor Tom Kempinski. Encouraged by Kempinski, Nolan pursued a career in acting, marking the beginning of her rise in British cinema.
Her acting career took off when she landed a role in Goldfinger (1964), where she portrayed Dink, a small but iconic role in the James Bond franchise. Although her screen time was brief, her gold-painted image in the opening credits left an indelible mark, establishing her as one of the quintessential Bond girls of the 1960s. This role catapulted her into the limelight, making her an instant sex symbol of the era.
Before her breakthrough in acting, Nolan gained recognition as a glamour model under the pseudonym Vicky Kennedy. In the early 1960s, she appeared in various publications, including Playboy, where she was featured in the "James Bond's Girls" issue in November 1965. This modeling phase played a crucial role in shaping her public image, opening doors to further opportunities in film and television.
Her transition from modeling to acting was seamless, and she quickly became a fixture in British cinema. While she was known for her beauty, Nolan proved that she had more to offer than her looks. Her foray into acting allowed her to showcase her versatility, mixing glamour with humor, especially in her work in the Carry On series.
Margaret Nolan's contribution to British comedy cannot be overlooked, particularly through her appearances in six Carry On films. Starting with Carry On Cowboy (1965), she became a regular in the franchise, embodying characters that mixed comedy with sex appeal. She had standout performances in films like Carry On Girls and Carry On Matron, where her comic timing and ability to blend humor with glamour solidified her status as a beloved figure in British entertainment.
What made Nolan's roles in these films so memorable was her ability to subvert the typical expectations of the "glamour girl" archetype. While her characters were often outwardly beautiful, Nolan imbued them with depth and humor, ensuring they left a lasting impression on audiences. Her work in the Carry On series remains a testament to her comedic talent and the ability to transcend typecasting.
Margaret Nolan's career was further distinguished by her collaborations with some of the most iconic figures in the entertainment industry, including Sean Connery and The Beatles. Her role as Dink in Goldfinger allowed her to share the screen with Connery, cementing her place in the James Bond legacy. The gold-painted opening credits of the film became one of the most recognizable images in cinematic history, forever associating her with the franchise.
In addition to her work in Goldfinger, Nolan had the opportunity to appear in A Hard Day’s Night (1964), a film featuring The Beatles. Although her role was small, it added another notable collaboration to her resume, connecting her to yet another cultural phenomenon of the 1960s.
Despite her success in films and television, Nolan faced significant challenges in being taken seriously as an actress. Like many women in Hollywood, she struggled to break free from the image of the "Bond girl" and the limitations imposed on actresses based on their appearance. This frustration led her to seek out roles that allowed her to demonstrate her range, often opting for television and theater projects that provided more substantial material.
Nolan also explored visual art as an outlet for her creativity. In the 1990s, she transitioned into the world of art, focusing on graphic photo-montages that explored themes of identity and femininity. Her art challenged traditional depictions of women, often using her own image to explore how society views the female form. These works were exhibited at places like the Brick Lane Gallery and The Misty Moon Gallery, further cementing her as a multifaceted artist who refused to be confined by societal expectations.
Nolan’s acting career extended beyond the silver screen, as she found success in both television and theater. Her television credits include roles in popular series like The Saint and Brideshead Revisited. In The Saint, she portrayed Daisy in the episode "Iris," demonstrating her ability to tackle different types of characters with ease. Her role in Brideshead Revisited as Effie, though more serious, highlighted her dramatic range and solidified her as a versatile actress.
In the theater, Nolan excelled in productions that blended comedy with political commentary. One of her standout performances was in She’s Done It Again at the Garrick Theatre in London in 1969. Her physical comedy and knack for satire received praise, proving that her talents extended far beyond the glamorous roles she had once been associated with.
Margaret Nolan's personal life played a significant role in shaping her career and artistic pursuits. Her marriage to actor Tom Kempinski in 1967, though brief, had a profound impact on her. Kempinski, a National Theatre actor, encouraged her to take her acting career seriously, which led to many of her subsequent successes. However, their marriage ended in divorce in 1972, and Nolan focused on raising her two sons, Deeks and Luke, as a single mother.
Balancing motherhood with her career proved challenging, but it also gave her the freedom to explore new artistic directions. Her experiences as a mother and a single parent heavily influenced her later work, both as an actress and an artist. These personal struggles and triumphs added depth to her performances and her visual art, enriching her legacy as a multidimensional figure in British entertainment.
Although Nolan had largely stepped away from acting by the late 1980s, she made a triumphant return in 2011 with her role as Dame Margaret in The Power of Three. This comeback showcased her enduring talent and ability to connect with audiences, even after years away from the spotlight.
Her final film role came in Last Night in Soho (2021), a psychological horror film set in 1960s London. In this film, she portrayed Sage Barmaid, offering a nostalgic nod to the era that had first made her famous. Released shortly before her death in 2020, this film served as a fitting bookend to a remarkable career that had spanned over five decades.
Margaret Nolan impact on British cinema, television, and visual art cannot be overstated. From her iconic role in Goldfinger to her performances in the Carry On series, she became a beloved figure in British entertainment. Her ability to blend glamour with humor, coupled with her later work as a visual artist, showcased her depth and versatility. Despite the challenges she faced in being taken seriously as an actress, Nolan persevered, leaving behind a legacy that continues to inspire future generations.