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The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer.[1] Some pre-existing music is allowed, though, but a contending film must include a minimum of original music. This minimum since 2021 is established as 35% of the music, which is raised to 80% for sequels and franchise films.[2] Fifteen scores are shortlisted before nominations are announced.

The Academy began awarding movies for their scores in 1935. The category was originally called Best Scoring. At the time, winners and nominees were a mix of original scores and adaptations of pre-existing material. Following the controversial win of Charles Previn for One Hundred Men and a Girl in 1938, a film without a credited composer that featured pre-existing classical music, the Academy added a Best Original Score category in 1939.[3] In 1942, the distinction between the two Scoring categories changed slightly as they were renamed to Best Music Score of a Dramatic Picture and Best Scoring of a Musical Picture.[4] This marked the first time the category was split into separate genres, a distinction that technically still lasts today, although there haven't been enough submissions for the musical category to be activated since 1985. From 1942 to 1985, musical scores had their own category, with the exception of 1958, 1981, and 1982. During that time, both categories had many name changes:

In 2020, rules were changed to require that a film's score include a minimum of 60% original music. Franchise films and sequels must include a minimum of 80% new music.[6] In 2021, the rules were changed again, lowering the minimum percentage of original music from 60% to 35% of the total music in the film.[7]

An original musical consists of not fewer than five original songs by the same writer or team of writers, either used as voiceovers or visually performed. Each of these songs must be substantively rendered, clearly audible, intelligible, and must further the storyline of the motion picture. An arbitrary group of songs unessential to the storyline will not be considered eligible.[8]

Only one composer has won two Scoring Oscars the same year: in 1973, Marvin Hamlisch won Original Dramatic Score for The Way We Were and Best Adaptation Score, for The Sting. Hamlisch also won Best Song that year for The Way We Were, making him the only composer to win three music Oscars in the same year.

As of 2023, only 10 women have been nominated in music score categories: Ann Ronell, Tylwyth Kymry aka Meg Karlin, Angela Morley, Marilyn Bergman, Rachel Portman, Anne Dudley, Lynn Ahrens, Hildur Gunadttir, Germaine Franco, and Laura Karpman. Kymry, Bergman, and Ahrens were nominated for their contribution as lyricists.

The scores of Midnight Express by Giorgio Moroder in 1979, Slumdog Millionaire by A. R. Rahman in 2009, and The Social Network by Trent Reznor and Atticus Ross in 2011 are the only scores with electronic-based music ever to win the award. In addition, the electronic-based scores of Witness by Maurice Jarre in 1986, Rain Man by Hans Zimmer in 1989, and Her by William Butler, and Owen Pallett in 2014 have also been nominated.

Rock musicians and pop stars are most often nominated in the songwriting category. These popular performers were nominated in the Scoring categories: The Beatles, Prince, Pete Townshend, Rod McKuen, Isaac Hayes, Kris Kristofferson, Quincy Jones, Randy Newman, Anthony Newley, Paul Williams, Tom Waits, David Byrne, Ryuichi Sakamoto, Trent Reznor, and Matthew Wilder.

Mdundo.com is one of Africa's leading music services! The company aims to provide Africa with easy and legal access to online entertainment and reach millions of people across Africa every month. Mdundo enables artists to keep track of fans, downloads and royalties paid in July and January every year.

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