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"Get Ready" is a Motown song written by Smokey Robinson, which resulted in two hit records for the label: a U.S. No. 29 version by The Temptations in 1966, and a U.S. No. 4 version by Rare Earth in 1970. It is significant for being the last song Robinson wrote and produced for the Temptations, due to a deal Berry Gordy made with Norman Whitfield, that if "Get Ready" did not meet with the expected degree of success, then Whitfield's song, "Ain't Too Proud to Beg", would get the next release, which resulted in Whitfield more or less replacing Robinson as the group's producer.

The original Temptations version of "Get Ready", produced by Smokey Robinson, was designed as an answer to the latest dance craze, "The Duck". The Temptations' falsetto Eddie Kendricks sings lead on the song, which Robinson produced as an up-tempo dance number with a prominent rhythm provided by Motown drummer Benny Benjamin. The song made it to No. 1 on the U.S. R&B singles chart, while peaking at No. 29 on the pop charts.[1]

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The group's previous singles since "My Girl" had all landed in the U.S. Pop charts (and R&B charts) Top 20. However, although it hit No. 1 on the R&B charts (their first since "My Girl"), "Get Ready" was only a Top 30 hit (missing the Top 20 by nine positions), while "Fading Away" missed all U.S. national charts. As was promised, the next single released would have Norman Whitfield's song on it. When Whitfield's "Ain't Too Proud to Beg" (also a No. 1 R&B hit) made it to thirteen on the pop charts, Motown chief Berry Gordy assigned him to be the Temptations' new main producer. Ironically, the song did eventually become a Top 10 pop hit, but not by the Temptations, but by the Motown rock band Rare Earth. (The Temptations' version eventually reached No. 10 in the UK in 1969).

Until the group recorded "Please Return Your Love to Me" in 1968, this was their last song to feature lead vocals solely by Kendricks, as David Ruffin (who was with the group at the time), and later, Dennis Edwards, would be placed in that role in later songs.

The Temptations re-recorded the song as part of a series of promos for American television network CBS during the 1990-91 TV season. At the time, the network had been using the "Get Ready for CBS" tagline since 1988, and the song's lyrics were modified to incorporate the tagline.

The rock band Rare Earth regularly played "Get Ready" in concert, where it was a popular staple of their live performances, and recorded a version for their 1968 Verve release, Dreams/Answers.[5] After signing with Motown, executive Barney Ales asked the band to re-record the song for their first release on Motown's then-unnamed rock subsidiary, due to the audience response to the band's cover.[5] After recording a version which was scrapped, the band themselves set up their own recording equipment and recorded a 21-minute version, which later had audience applause dubbed in.[5] The new recording of "Get Ready" was edited down to 2:46 for a single, which was given a Tamla Motown release in the UK, the only release by the band to appear on Motown itself, and unlike the Temptations' version, Rare Earth's recording was a success on the pop chart.[5] The single peaked at #4 on the Billboard Hot 100 chart in 1970.[6] The Rare Earth version of the song also peaked at number twenty on the R&B chart.[7]

Rare Earth's version of "Get Ready" was routinely used by hip hop artist DJ Kool Herc in turntablism performances.[8] Pioneering hip hop journalist Steven Hager wrote that Rare Earth's recording "was a favorite in the Bronx because it lasted over twenty-one minutes, which was long enough for the serious dancers to get into the beat. They loved to wait for the song's two-minute drum solo to show their most spectacular moves."[9]

The album reminds me of Black is King and Lemonade, in that it makes so many references and homages so densely packed that unless you study it closely with a guide, it just washes over you. So many song credits to so many people! To me it like a 21st century aural equivalent of some Renaissance altar piece, where unless you know all the references, all the attributes of each saint and the symbolism buried in a simple thing like a crumbling wall with plants growing out of it, its just a nice painting.

While fans were celebrating the surprise release of "...Ready For It?," the vibe of the new single caught some listeners off guard. Not only does the three-minute track show the former country singer rapping about a relationship, but it also begins with over 10 seconds of loud, heavy beats which continue to drop throughout the song.

Fans already found many possible references to Kanye West in Swift's first new single, "Look What You Made Me Do," and its accompanying video. And then there's Swift's merchandise for her new album that eerily looks like a clone of West's Yeezy clothing line.

Often, artists are able to demo a song at home but need someone to give them the extra 20% a song needs to make it radio ready. Even if you have a robust production workflow, an extra set of ears can show you new creative ideas to make your track stand out.

Platforms like Notetracks let you work remotely with other musicians. You can give direction on how you want your song to sound. Share reference mixes, ideas, and get feedback on how you can take your song to the next level.

Typically, song stems are exported at the same bit rate and depth they were recorded. The two most popular recording formats are 16-bit/44.1khz and 24-bit/48khz files. These high-fidelity audio files deliver all the sonic information you captured during recording.

Mastering engineers take the time to ensure your song meets the standards of streaming and download platforms. Streaming services have different recommendations and requirements for song loudness and format. A mastering engineer keeps up to date with these guidelines and gives your song the final shine it needs for release.

As you write with other people, the portions of their contribution entitle them to a part of the songwriting royalties you earn from the track. In most cases, songwriters often split everything evenly to avoid disputes later on.

To keep everything organized, songwriters sign documents called split sheets during a writing session. These documents keep track of songwriters' names, contact information, and how much of the song they contributed to.

"Ready for the Bettys"Doof singing.Song by Dr. Doofenshmirtz (background chorus by The Bettys)Released:November 7, 2008Genre(s):Power pop, pop rockLength:0:07Dr. Doofenshmirtz & The Bettys chronologyPrevious:"Impress My Professor" (Dr. Doofenshmirtz)

"Ready for the Bettys" (The Bettys)Current:"Ready for the Bettys"Next:"Hail Doofania!" (Dr. Doofenshmirtz)Video"Ready for the Bettys" is a hit song by The Bettys that Candace and Stacy helped write and sing. In "Phineas and Ferb Musical Cliptastic Countdown", this song was the 10th favorite song chosen by Phineas and Ferb fans.

Get ready for the Bettys, ready for the Bettys

(Ready for the Bettys)

Get ready for the Bettys, ready for the Bettys

It's the best thing you can do! (Best thing you can do!)

Get ready for the Bettys 'cause the Bettys are ready for you!

Check out Free Fly's 30 second TV commercial, 'Breeze Collection: Adventure Ready Bottoms' from the Clothing industry. Keep an eye on this page to learn about the songs, characters, and celebrities appearing in this TV commercial. Share it with friends, then discover more great TV commercials on iSpot.tv

The champagne is popping and a sense of anticipation fills the air... your wedding day has arrived! A great playlist is key to creating a fun and lively atmosphere for getting ready with your bridesmaids, a mix of old favourites and more recent hits to get the party started. We asked Fine Art Curation member Entertainment Nation to share 60 fabulous songs to put a smile on your face and calm those pre-wedding nerves. Check out the full pre-wedding playlist below.

I Could Never Be (Ready)Artist(s)Composer(s)Rebecca SugarVocalist(s)Tom ScharplingTrack InformationAlbumSoundtrack: Volume 1Time1:08AudioAudio "I Could Never Be (Ready)" is a song featured in the episode, "Three Gems and a Baby". It is performed by Greg to tell Steven the story of his first winter and the struggles that may come ahead in raising him alone.

Speilberg's Ready Player One, based on the book of the same name by author Ernest Cline, follows a teenager in the year 2045 who hopes to change his life by winning a video game contest. The founder of this contest, James Halliday, grew up in the 1980s and, therefore, had a deep love for the media of that age. Though born well into the 21st century, Parzival and his friends developed an encyclopedic knowledge of this time, including popular songs and artists. Therefore, from Van Halen to Twisted Sister, the Ready Player One soundtrack includes many of the greats.

"Jump" by Van Halen - The opening scene of Ready Player One sees the camera pan over the trailer park (which is several towers of stacked up mobile homes and campers fittingly called "The Stacks") in which Wade Watts lives. While a voiceover from Wade introduces himself and explains his living situation, the song "Jump" by Van Halen plays over the scene.

"Everybody Wants To Rule the World" by Tears for Fears - As "Jump" phases out, the song "Everybody Wants to Rule the World," by Tears for Fears takes its place. This is when narrator Wade introduces James Halliday and Ready Player One's central Easter egg hunt, which he organized within the OASIS before his death. By no coincidence, Tears for Fears is noted to be one of Halliday's favorite bands in the Read Player One book.

"I Hate Myself for Loving You" by Joan Jett & The Blackhearts - The familiar sound of Joan Jett & The Blackhearts begins playing as narrator Wade introduces audiences to the evil employees of Innovative Online Industries, who are typically called "Sixers" in Ready Player One. The song continues into the start of the race for Halliday's first key, ending as the cars take off in hopes of finally crossing the finish line. 0852c4b9a8

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