His second album, Konvicted (2006) was met with continued success as it received a Grammy Award nomination for Best Contemporary R&B Album, while its lead singles: "I Wanna Love You" (featuring Snoop Dogg) and "Smack That" (featuring Eminem) each received nominations for Best Rap/Sung Collaboration. Both songs peaked at numbers one and two respectively on the Billboard Hot 100, likewise with his singles released the following year: "Don't Matter" and his guest performance on Gwen Stefani's "The Sweet Escape"; this made Akon the first solo artist to simultaneously hold the top two spots on the Billboard Hot 100 charts twice.[4][5] His third album, Freedom (2008) was supported by the Hot 100 top-ten lead single, "Right Now (Na Na Na)". His fourth album, El Negreeto (2019) explored reggaeton and Latin music.
Akon's solo debut album, Trouble, was released on June 29, 2004. It spawned the singles "Locked Up", "Lonely", "Belly Dancer (Bananza)", "Pot of Gold" and "Ghetto". "Locked Up" reached the number 8 position in the US and number 5 in the UK. "Ghetto" became a radio hit when it was remixed by DJ Green Lantern to include verses from rappers 2Pac and The Notorious B.I.G. The album is a hybrid of Akon's silky, West African-styled vocals mixed with East Coast and Southern beats. Most of Akon's songs begin with the sound of the clank of a jail cell's door with him uttering the word "Konvict".[3]
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His early songs detailed a lavish, high-flying life of cars, crime, money and complicated relationships, whilst more recently his songs have taken a more euphoric and spiritual turn, documenting the relatable inner struggles of life.
These are the songs, including two of his own, that have shaped the life of a man who has gone on to build an empire from his musical achievements, that reveal times of struggle, times of insecurity but ultimately joy.
A lot of these songs come from my childhood. Coming from Africa, I loved great music, but there was never a specific genre that held me to what I listened to. I just liked good music regardless of what it was.
He makes radio-friendly pop songs disguised as house music (or is it house music disguised as pop songs?), and his formula -- dance beat + guest vocalists/rappers = profit!! -- is both adored and despised by music fans and critics across the globe. I'd lump him into the same category as The Black Eyed Peas and Pitbull: talented musicians who have "sold out," making crap music in order to make non-crappy millions of dollars.
In any case, after watching "Play Hard" for the first time, I was baffled and confused. Was this "one of the best videos of all time!" (sorry Beyonce & Taylor), or, as a Mexican-American, should I be offended by what I just saw? There are so many "What the Fuck" moments in this video, I had to play it five times in order to count them all.
Akon often provides vocals as a featured artist and is currently credited with over 300 guest appearances and more than 35 Billboard Hot 100 songs, resulting in five Grammy Award nominations. He is the first solo artist to hold both the number one and two spots simultaneously on the Billboard Hot 100 charts twice. Akon has had four songs certified as 3 platinum, three songs certified as 2 platinum, more than ten songs certified as 1 platinum and more than ten songs certified as gold by the RIAA. He was listed by Guinness World Records as the number-one selling artist for master ringtones in the world.
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These three tracks make up the backbone of Guetta's latest album, One Love, which topped the charts in 17 countries. It recently earned a Grammy nomination for best dance electronic album of the year, while When Love Takes Over picked up nods for best dance recording and best remixed recording.
A bubbly Guetta is still stunned by his latest accomplishments. He's been a big name in Europe for years -- even throwing his own celebrity-studded parties in Ibiza -- but in the U.S., he was best known for a remix of Deep Dish's Flashdance. He didn't expect to break down mainstream America's resistance to dance music with One Love -- he simply wanted to make his own uplifting blend of urban and house with the help of R&B, hip-hop and pop artists.
"We've got some really big, big songs, so I'm really happy. It's really impressive to see how the success of I Gotta Feeling and my album is being very influential to the urban scene -- so many people want to take that direction. "
He's trying to expand his sphere of influence -- into video games. He's the European ambassador for DJ Hero, the club scene's equivalent of Guitar Hero. Players try to match the beats of two songs or scratch in time to the rhythm to earn points.
This is FRESH AIR. I'm Terry Gross. We're going to celebrate Christmas by listening back to Questlove playing songs from the Christmas playlist he put together for us last year. In addition to his many credits, Questlove is perhaps the most famous, popular and in-demand DJs. He even DJed a party for Obama. Last year, Questlove won an Oscar for his documentary "Summer Of Soul," in which he featured film performances from the overlooked 1969 Harlem Cultural Festival, which was nicknamed the Black Woodstock and featured performers like Stevie Wonder, Sly and the Family Stone, Gladys Knight & the Pips, Nina Simone and Mahalia Jackson. "Summer Of Soul" won a Grammy for best music film. In 2021, Questlove was the music director for the Oscars ceremony. He co-founded the band the Roots, which, among other things, is the house band for "The Tonight Show With Jimmy Fallon." He was a producer of the original cast recording of "Hamilton." He's also written several books related to music.
QUESTLOVE: Yeah. Like, we would often have Christmases in very unusual places. Probably one of the best places ever - there was a resort in San Juan, Puerto Rico, called the Dupont Plaza. And my father would do a residency down there. And, I believe, like, back in the '82, one of my favorite Christmases ever - like, it was real tropical. And that was the first tropical Christmas I had. Like, I spent two weeks with my family, although they were going for, like, four months. I would fly down there occasionally. And this is the year that Michael Jackson's "Thriller" came out. So, you know, it was a simpler time, where buying Ahmir one record was, like, the entire world to him. You know, now I have to buy, like, an entire library's jazz collection from, like, some university. But back in '82, you could just give me a "Thriller" record, and that was, like, everything to me.
QUESTLOVE: My dad, I believe, once - my dad had a voice very similar to Nat King Cole. So I do remember once in 1980 when I was 9 years old, kind of as an encore - like, he would normally do, like, either "Unforgettable" or something like that. But he actually did "The Christmas Song," and that stuck with me so good that I remember that the Roots had to fill in for a missing guest on "The Tonight Show," and with only, like, two hours to plan it, I kind of dared Black Thought to put on his best Nat King Cole. And he actually did it - like, one of our best performances. And, you know, I know people thought it was, like, an ironic thing. Like, wait, is this a comedy bit? Like, why are the Roots performing Nat King Cole in these Christmas sweaters? And we totally played it straight. Like, you know, people were expecting, like, a hip-hop version or something like that. But, yeah, I wanted to do it, just as a memory of performing when I was a kid.
And James Brown has a voice similar to my grandmother's. So - and she's a very - (laughter) she's a very animated woman. So, you know, as a baby, I thought that was Grandmom singing all the songs because, like, James Brown really belts like a female gospel singer - you know what I mean? - like, with his high notes and his yelling. So when I hear this very, very depressing song about misfortune, like, this is the Murphy's Law of Christmas songs. I don't know. I think my 3-year-old self just thought that Grandmom was performing, like, a comedy skit or something like that.
So I added that song for the ironic reasons. Like, I think this is one of the most hilarious songs ever because James Brown is overselling the - he's really overselling the woe-is-me character of the song. So...
GROSS: That's a Marvin Gaye track without Marvin Gaye singing. And that's one of the Christmas songs - it's called "Christmas In The City" - chosen for us by Questlove. So let's get to Stevie Wonder. I know you love Stevie Wonder, and he's in your...
QUESTLOVE: I - yeah, I mean, Stevie Wonder came from - Stevie Wonder not only came from, like, the first generation of Motown, but he also came from the first generation of a professional Black record company that had to cross every T and dot every I. So, you know, not only did you have to release your single, you had to make a mono version of it, a stereo version of it. And then, some of these songs, you took time out to sing the Spanish versions of them, you took time out to sing the Italian version. Like, I have a collection of Stevie Wonder singles in other languages. It's just maximizing on your appeal. And Stevie Wonder had the means and the technology to just knock this all out. So, you know, I can imagine that this level of creativity was his bread and butter. 0852c4b9a8
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