The song received mixed reviews from music critics. Stephen Thomas Erlewine from AllMusic called it "an effective ballad" and picked it one of the best songs of the album, alongside "He Wasn't Man Enough" and "Just Be a Man About It".[2] CD Universe was largely positive, writing that "the appropriately titled 'Spanish Guitar' marks an interruption of the other songs' predominantly electronic textures while remaining consistent with the sensuous, romantic mood."[3] Barry Walters wrote favorably for Rolling Stone, stating that "Braxton's supple alto rests easily within mainstream R&B's smooove sonic furniture, her croons displaying husky quirks as the track goes through the multiplatinum motions on 'Spanish Guitar,' a Latin-conscious 'Un-Break My Heart' clone."[4]
The music video for "Spanish Guitar" opens with Braxton floating on top of the water. The scene quickly changes to a crowded cafe and centers on a man (portrayed by Kamar de los Reyes) playing the guitar. The scene changes to a modern white and red room where Braxton, wearing a red dress, sings her longing to be in his arms. There are several shots of him playing the guitar with the guitar morphing into Braxton in his arms. Towards the end, he and Braxton have a dance scene together. The video ends into a fade-out of Braxton in bed, with a guitar. The video was directed by Billie Woodruff, who also directed the videos for "Un-Break My Heart", "He Wasn't Man Enough", and "Just Be a Man About It".
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Hey, bit of a strange request today. I prefer to keep the musical style for recurring villains, NPCs, or areas consistent, from the ambient music right on through to the battle music. This is honestly more for me than for my players, since music helps me visualize a scene and keep track of how each area of a game is supposed to feel, if that makes sense.
For battle music I have a few songs from Mobile Suit Gundam: Iron-Blooded Orphans as well as the few good battle tracks from Ace Combat Zero like The Round Table and of course Zero which I consider the musical centerpiece for the whole campaign, even if I haven't used it yet.
I was able to handle the most recent arc in the swamp just fine, since The Witcher 3 had a bunch of stuff to work with from Velen, but going into the next few arcs, where I want this type of sound to take center stage...I only have a few tracks here and there. I'm missing sort of the "meat" of the soundtrack. Travel music that isn't sad. Town music. Battle music that I can use to mix things up instead of just using the three that I linked. I want it to all have the same sort of feel, but I want more of it and I've kind of reached a dead end in my search. Ace Combat only has one or two battle tracks that fit, and I want to tend more towards that than the stuff in Mobile Suit Gundam.
As you can see (hear ?), I welcome all types, from the epic sounding to the most relaxing and chill ones. So I was hoping everyone can help me find more great classical guitar soundtracks like these.
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All the music listed here is AVAILABLE for immediate shipment (E&OE). HINT: Use the BROWSE menus to explore the diverse world of classical guitar music on its own or playing with others. Avoid words such as "guitar" in searches-all of our stock is for guitar! Home of Garden Music(David Burden) & Jacaranda Music (Stephen Kenyon) editions - see below.
The soundboard of a guitar has to withstand a formidable amount of string tension while also being able to vibrate freely. Most guitars made before the mid- to late eighteenth century had no bracing on the soundboard below the bridge, and at this time some makers attempted to produce louder instruments by making the top of the guitar thinner and adding braces on the inside. This period also saw the addition of a sixth course, and instruments became wider, making internal bracing all the more necessary. The earliest guitar with fan bracing is thought to have been made in Seville by Francesco Sanguino in 1759. The guitar makers of Cdiz also made regular use of fan bracing. An early example of this is an instrument by Joseph Benedid of Cdiz (1992.1.2), made in 1787. The luthiers in Cdiz at this time demonstrated a clear understanding of the importance of fan bracing on the soundboard of these larger, six-course instruments.
To an even greater extent than Fernando Sor in the nineteenth century, Andrs Segovia was actively involved in guitar design and development, meeting with guitar makers of the highest quality, including Ramrez and Hernndez. In the 1920s, he encountered the German guitar maker Hermann Hauser, about whom he observed:
I examined [his instruments] and immediately foresaw the potential of this superb artisan if only his mastery might be applied to the construction of the guitar in the Spanish pattern as immutably fixed by Torres and Ramrez as the violin had been fixed by Stradivarius and Guarnerius. (Romanillos 1987, p. 56)
Hauser later approached Segovia and presented him with a guitar (1986.353.1). Through his own ingenuity and ability to recognize the genius of the Spanish traditions in the work of Torres and Ramrez, Hauser is now recognized among them as one of the great makers of the Spanish guitar.
I bring my own sound system and have many years of experience playing background music. Having dealt with so many situations, you can rest assured I can take care of the ambiance and free you to enjoy your event.
Plucked-string specialist Timothy Burris will bring a program of 19th-century music for classical guitar to Freeport Community Library. The program will include works of Spanish guitarist/composers from Julian Arcas to Francisco Trrega (from the region of Almera) to several composers from Catalua (Jos Ferrer, Jos Vias, Jaume Bosch i Renard, and the best known, Miguel Llobet).
The Spanish guitar, also known as the classical guitar, boasts a rich history that traces back centuries. Born from the lute-like vihuela in the heart of Spain, it was refined over generations, its design and tonal qualities tweaked and perfected.
From the court musicians of the Renaissance to the guitar maestros of today, the Spanish guitar has undergone a fascinating evolution, emerging as a quintessential instrument in both classical and modern music.
Distinctive in its construction and tonal qualities, the Spanish guitar produces a sound that is uniquely its own. Its nylon strings, wider neck, and larger body give it a warm, resonant tone, perfect for the expressive melodies and intricate fingerpicking techniques synonymous with Spanish and Latin music.
Jazz guitarists like Django Reinhardt and Wes Montgomery have often turned to the Spanish guitar for its melodic versatility and rich tonal qualities, using it to explore new realms of improvisation. Their innovative playing styles, drawing on flamenco and classical guitar techniques, have left an indelible mark on the jazz world.
Music has the power to transcend borders and cultural barriers, and the Spanish guitar exemplifies this. Its unique sound and emotive melodies resonate with listeners worldwide, making it a beloved instrument across cultures and genres. Whether in a small Spanish tablao or on a grand concert stage, the Spanish guitar speaks a universal language that touches the human spirit.
The Spanish guitar, often referred to as the classical guitar, is unique in its construction and sound. Its nylon strings, wider neck, and larger body give it a warm, resonant tone that sets it apart from other guitars. Additionally, its use of traditional fingerpicking techniques contributes to its distinctive sound.
The Spanish guitar has had a significant influence on various modern music genres, from pop and rock to jazz and country. Its rich, resonant sound and rhythmic versatility have enabled it to blend seamlessly into diverse musical styles, enriching compositions and introducing audiences to new sonic experiences.
The future of the Spanish guitar in modern music looks promising. With the rising popularity of Latin music, the increasing interest in guitar education, and the growing fusion of musical styles, the Spanish guitar is set to continue influencing the global music scene in significant ways.
Starting to learn Spanish guitar involves a few key steps. First, invest in a good quality Spanish (classical) guitar. Second, seek out instruction, either through a local music school, private tutor, or online resources. Many websites and apps offer comprehensive lessons on Spanish guitar, catering to different skill levels. Remember, mastering the Spanish guitar takes time and patience, so practice regularly and enjoy the learning process.
I have a 4 months old hawaiian guitar. I do not like playing the Hawaiian guitar, and I want to change instruments. I have a standard bengali Hawaiian guitar with all its accessories and I want to play spanish acoustic guitar. How do I convert it into spanish guitar?
It looks like your guitar has ball end steel strings. By the look of the photo, all you need to do is buy a set of nylon strings and secure them to the wooden bridge using the traditional loop knot. The metal trapeze tailpiece can be removed. If this is difficult, just place a little bit of padding between it and the guitar top. Your photo doesn't show the headstock, but it's likely you have smaller diameter steel capstans on the tuning machines, rather than the larger diameter plastic ones fitted to classical/spanish guitars. They will work fine; just attach the strings to the capstans as normal. BTW, I love the cross culturality suggested by, 'standard bengali Hawaiian guitar'.
Polaris has a deep, longing vibe that could fit perfectly with an intimate or emotional montage. Whether you need royalty-free music for a wedding video or a commercial project, this might just be it.
Featuring a twirling classical guitar, Love Me Under The Stars is a powerful, emotional piece. With its romantic and sweet tone, it might just fit perfectly as the backdrop to an equally as powerful scene. 17dc91bb1f
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