I have observed that the combinations of music directors like A R Rahman and Shankar-Ehsaan-Loy with Gulzar/Javed Akhtar/Prasoon Joshi produce one or two songs in their films which can compete with the songs of the golden era of HIndi film music.

Vashu Bhagnani is synonymous with larger-than-life entertainers. Glamorous stars, foreign locales and lavishly-filmed songs are mandatory in his movies. With RANGREZZ, he delves into the realistic world for the first time. Ditto for Priyadarshan, who returns to hard-hitting, gritty cinema that you appreciated and applauded in his earlier films, especially GARDISH. Of course, RANGREZZ is not as hard-hitting as those films, but it takes the realistic route like those fares. The terrain, once again, is a crowded basti of Mumbai, which has been explored over and over again.

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