Iqbal is a 2005 Indian Hindi-language coming-of-age sports drama film directed and co-written by Nagesh Kukunoor.[2] Produced by Subhash Ghai, under "Mukta Searchlight Films", the story follows a cricket-obsessed deaf and mute boy from a remote Indian village as he aims to overcomes difficulties to become a cricketer and fulfill his dream of playing for the Indian national cricket team. The film received the National Film Award for Best Film on Other Social Issues.[3]
The film was screened retrospective on 18 August 2016 at the Independence Day Film Festival jointly presented by the Indian Directorate of Film Festivals and Ministry of Defense, commemorating 70th Indian Independence Day.[4]
Free Download Songs Of Film Iqbal
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Iqbal was well received by critics and audiences alike. The success of the film ensured its director Nagesh Kukunoor the commercial recognition.[5] The film was voted amongst the Ten Hindi Films that is ideal for Training and Motivational material.[2]
His first credit was for composing music for the film Panchayat (1958), and subsequent films included Bindiya (1960), Love in Simla (1960), Banarsi Thug (1962) and then Yeh Dil Kisko Doon (1963). His compositions have included music for songs sung by Mohammed Rafi, Mukesh, Mahendra Kapoor, and three Mangeshkar sisters; Lata, Asha and Usha. His music has provided the sound to lyrics by Makhdoom Mohiuddin, Neeraj and Kaifi Azmi. Actors including Helen, Joy Mukherjee, Sadhana, Manoj Kumar and Shashi Kapoor have performed to his tunes.
Iqbal Qureshi was born on 12 May 1930 in Aurangabad (now in Maharashtra), and later moved to Hyderabad.[1][2] As a child he performed for All India Radio.[3] Prior to entering the film industry, he sang at private gatherings and was friends with the poet Makhdoom Mohiuddin and actor/director Chandrashekhar.[2][4] When he subsequently moved to Mumbai (then known as Bombay), he became involved in directing dramas for the Indian People's Theatre Association.[1][3] He was taller than six feet and had long hair.[2]
He composed music for 10 songs in the 1958 film Panchayat, in which he combined folk and classical music and promoted the use of the been and the kanch tarang glass instrument in the song "Tha Thaiya Karke Aana".[2][3][8] The duet was sung by Lata Mangeshkar and Geeta Dutt.[8]
In 1960, he composed music for two films; Bindiya and Love in Simla,[9] both with songs written by Rajendra Krishan and sung by Mohammed Rafi.[2][8] The tunes to two of these songs, "Main Apne Aap Se Ghabra Gaya Hoon" and "Yoon zindagi ke raaste sanwaarte chale gaye" showed how Rafi could reach high pitched notes.[2][3] Qureshi's "Gaal Gulabi Kiske Hain" in Love in Simla, sung by Rafi and starring the then new actor Joy Mukherjee, was hummed for years to come.[3][7]
The following year he composed music for the film Umar Qaid, which included the sad ghazal "Mujhe raat din ye khayaal hai, woh nazar se mujhko gira na dein", written by Hasrat and sung by Mukesh.[2]
He composed and directed the music for Chandrashekhar's 1964 film Cha Cha Cha, which featured Helen in her first leading role.[11] The film included the song "Subah Na Aayi Shaam Na Aayi", written by the then new songwriter Neeraj, and sung by Rafi.[8][7][12] From that film, he became best known for composing the music to Makhdoom Mohiuddin's poem "Chara Gar", depicted in the song "Ek Chameli Ke Mandve Tale", which tells the story of two lovers who can never be together.[2][6] The music was described by Indian film music historian Manek Premchand as Qureshi's "best efforts".[2]
After 1964, the films he contributed to were not as successful.[2] He composed the music in Alam Ara (1973), the remake of the first Indian talkie film Alam Ara (1931).[3] By 1986, he had directed the music for 25 Hindi films.[5][8]
An established classical singer, Bano had achieved fame and acclaim by the 1950s. At this point she debuted in modern film music. Her soundtracks appeared in films such as Qatil (1955), Sarfarosh (1956), Nagin (1959), Inteqaam (1972), and Gumnaam (1983).
The song 'Ulfat Ki Nai Manzil' was written by poet Qateel Shifai and the music for the track was composed by Inayat Husain for the Pakistani Lollywood film Qatil in 1955. This song was sung by Bano and she sang this song in a classical thumri style. Thumri is a common genre of semi-classical Indian music.
Sitaraon Tum To So Jao is sung by Iqbal Bano. Like all the other participants in this film, the woman many consider to be the best female ghazal singer Pakistan has ever produced was at the beginning of her career. She had emigrated to Pakistan from Delhi just five years earlier, and had only recently come to the attention of the music world when she scored a big hit with Ulfat ki Nai Manzil ko Chala (Qatil, 1955). Bano had her first official ghazal recital in the same year as she sang in Ishq-e-Laila. Though the diva sang in more than 70 films as her career developed, she focused almost entirely on non-film ghazal work.
What better way to maintain our sanity, hope and effectively empathise with each other, than to listen to motivational songs (with powerful and empowering lyrics) that help in forming powerful social connections? Whether it is during the pandemic or when your team is not performing too well, music can always come to the rescue! Here is a list of 20 motivational Bollywood songs that inspire team work :
Let us start from the beginning. Iqbal Qureshi gives one of the greatest duets of Lata Mangeshkar and Geeta Dutt in his very first film. The beautiful song is enhanced by equally gorgeous dance by Shyama and Jabeen.
It is said that the makers of this film were so impressed by qawwalis in Barsaat Ki Raat (1960), composed by Roshan, that they wanted to make a full-fledged film on qawwali. Qawwali Ki Raat was nowhere near its inspiration, but Iqbal Qureshi composes this excellent qawwali muqabala.
2. There was another music director by the name of Iqbal. Often people mix up between the two. Since Iqbal could not get as much fame as Iqbal Qureshi, his songs were often erroneously credited to the latter. Arunji explains the difference between the two with his usual clarity and deep knowledge:
Iqbal never compromised on quality singers and used Rafi, Suman Kalyanpur, Asha Bhosle, Khan Mastana, Meena Kapoor, Madhubala Zaveri, Mubarak Begum, Mahendra Kapoor, Ismail Azad Qawwal, Talat Mahmood, S.Balbir, Minu Purushottam, Chandbala etc. His songs do not include, possibly, any Lata number.
AK Ji,
The post on a great favorite underrated composer Iqbal Qureshi has pleased me no end. His style of composing was very rhythm based, and very different from OP Naiyyar. Along with Usha Khanna, the they gave some of the most beautiful compositions in low budget films, with thoroughly enjoyable music.
Some of his great melodies, sung by the three Mangeshkar sisters are here
AK Ji, Not may songs are there by Iqbal Quereshi.You have already lifted the gems and the esteemed contributors have then filled-up the gaps,were there any. Two songs are coming to my mind which deserve a mention here.These were very popular in radio days and were aired almost daily:
1. Bindiya-Main Apne Aapse Ghabra Gaya Hoon-Rafi
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AK ji , Iqbal Qureshi was truly a well respected man . Entry into Filmalaya Production house itself was an achievement for him and he proved his worth as all the songs of Love in Simla were super hits . The same hold good for Usha Khanna who did excellent job for the same production house in Dil Deke Dekho .
Madhupati Sharma,
Thanks a lot for your appreciation. The three songs have already been mentioned by Arvinder Sharmaji and Rakesh Srivastava (#7, 16). That shows that theses songs are very popular as also some other songs added by the readers.
Mr.Jain, you cannot shift goal posts when talking about creativity, there is no context as far as creativity is concerned, unless you limit the definition of creativity and you seem to imply that creativity should be bounded only by Hindi film song. Even in such a case Khayyam gave many good songs after Kabhie Kabhie, Umrao Jaan, Bazaar, Razia Sultan, even in 2014 he composed songs for Bazaar e Husn and even though those seemed to have a faint Umrao Jaan hangover they were still good ghazals. Here is one song
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As for Salilda he was composing songs for both Bengali and Malayalam films, background music for films and television serials. A sample , the title music of Indus valley to Indira Gandhi this is a lovely piece.
_valley_title_music.mp3
Or if you want to stick to Hindi film song this one came in 1988 quite a complex song , it is worth watching the film for the background music too.
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This song has made my memories greener.The writer of this song MAKHDOOM MOHIUDDIN (not Moinuddin) was our family friend in the 50s and 60s till he died in 1969.
Our Hyderabad house was very big and my father had a beautiful garden where there was a big Chameli Mandav on which the Chameli vine was flowering in the seasons.There also was a big Zopala( a wellspread jhoola with cushions to seat 3 to 4 people).Whenever Makhdoom saab used to come,he preferred sitting under the Chameli Mandav on an easy chair.Actor,director and producer Chandrashekhar,who hailed from Hyderabad and knew Makhdoom saab well,requested for a song for his film and Makhdoomsab wrote the above song for him.But it came in the movie after a lapse of time only.
Makhdoom was a Poet,Dramatist,Teacher and in the last phase of life,a political leader with left inclinations.He was also an MLA.
His 3 more songs feature in films- 1) Jaanewale sipahi se poocho-Usne Kaha tha(1960) 2)Aapki yaad aati rahi-Gaman(1979),and Phir chhidi raat-Bazaar(1982
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You have certainly posted a riddle of Sphinx, which I presume has not been solved till date. Success or failure is a relative term. How can you assess the mental faculty of individuals. Brain also has an ageing process and the grey cells may stop churning out new tunes. Even great MDs like Naushad, C Ramchandra tend to make minor twists and bring out new songs. If you were to list out all their songs in chronological sequence you will be able to draw similarity between many among them. Ravi and Chitragupta have distinct styles and the minute the stylus is placed on 78 or 45 rpm you will be able to pinpoint them. I can ramble on and on to no purpose. 0852c4b9a8
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