CHINEN: A genre beyond genre category. We've actually seen a boom in artists who are mixing jazz with all kinds of other genres and styles. These people don't neatly fit into existing categories. You know, I'm actually reminded of that moment just over 20 years ago when the Grammys introduced the Best Urban/Alternative Performance category. And that was, you know, at a time when neo soul was ascendant, and it felt very much like a response to that movement.

CHINEN: Louis Cole really combines this kind of otherworldly, extravagant technical facility with a pure irreverence for any kind of decorum. You know, that's a combination that you hear all over his album.


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CARMICHAEL: OK, so the Recording Academy's decision to create this Grammy category is embarrassingly late, but it's also oddly kind of right on time, especially from an industry perspective. I mean, there's been this undeniable explosion in the popularity of music coming from the African continent, especially in recent years. And when I say popular, I mean popular across the globe but especially right here in the U.S. From Afrobeats to amapiano, Nigeria to South Africa, I mean, these sounds and artists have been bubbling up the mainstream Billboard charts here in the U.S. and influencing the sound of hip-hop and R&B just as much as they've been influenced by African American music. 0852c4b9a8

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