"We asked for two weeks, sat together at home and composed the songs. Sahir (Ludhianvi) was contacted to write the songs, but he was not able to fit himself into the schedule. So, after a lot of consideration, Javed Akhtar was taken on. It was his first assignment as a film (lyric) writer."

It is Lata's habit to leave immediately after her recording. Her days are so busy, she cannot but do so. And anyway, over the years, she has sung and recorded enough songs to know that it has gone just right.


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Though great songs were produced, there was also a lot of riff-raff. With a large number of violent and repetitive storylines, many films did not offer scope for good music. Towards the end of this period, though, the arrival of Anand-Milind, Nadeem-Shravan and Jatin-Lalit marked a return of melody. (As with the previous lists, this one is ordered chronologically.)

The combination of music director RD Burman and lyricist Gulzar had produced some great work since Parichay in 1972. In Ijaazat, Asha Bhosle rendered some wonderful songs. Mera Kuch Saaman, filmed on Anuradha Patel and Naseeruddin Shah, was known for its unusual, free-flowing lyrics. 0852c4b9a8

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