On return visits to the Sierra Madre Mountains, he would join peyote ceremonies and learn the decorative beadwork of the Wixritari people (also known as the Huichol). Sosa now uses this precise patterning technique to create grim but alluring decorative skulls, which he began exhibiting five years ago to immediate acclaim. Last September, he made the move to Toronto, setting up his Revolucionario Design Co. in a Mirvish Village studio.
His human skulls, sourced through a medical supply store, are fabricated out of resin; his decorated animal skulls are the real deal. After coating one in beeswax and cranking up the music while it dries, he starts from the crown of the head and just goes for it.
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For available Prints, visit my Catalog. For Commissioned Work or interest in the following 3 pieces, email me at sosatheeartist@gmail.com or feel free to DM me on Instagram @sosatheartistÂ
Hosting an Open Studio at this gorgeous boutique hotel downtown Chicago has been an amazing experience. Engaging with Discoverers and leading a safe space to relax and let their creative expression roam, with seasonal themes and artwork they can take home to loved ones, has been a great way to connect and share passions.
This is a beautifully written article full of thoughtfulness; It lends great dignity to the death care of loved ones to acknowledge it to not be merely a duty, but the privilege it truly is --the last service of love. Thank you for writing this. I once lived and cared for a woman in her 90's. She went to almost every funeral in town. I asked her once why she went to so many funerals and she told me something similar to this article. Because it is the last kind thing we can do for the deceased---to be present for their widow/widower---that they never have to turn around and see no one bothered to come and acknowledge their loved one's life. Burials are for the dead. But funerals are for the living--who need the comfort of seeing people show up if for no other reason than to know their loved one's life MATTERED. She was old and couldn't do much, but she could still do THAT, she told me---and so she did, until her own time came. And it was indeed a great comfort to see the church filled for an old single woman who had never had a family of her own--but had been loved by so many...
High-school literature also brought a good dose of death, as if to make up for childhood years of innocence. In a large graveyard Hamlet walks with Horatio, looking on as gravediggers unearth bones; Hamlet is stunned when a gravedigger hands him a skull, all that remains of a childhood hero, Yorick.
Omar Sosa knows how to make an entrance. Wearing a white kaftan, matching skull cap, and adorned with a Santeria collare (collar) and bracelets on his wrists and ankles, he cleanses the room as the Cuban violinist, singer Yilian Caizares and the Venezuelan percussionist, Gustavo Ovalles join him onstage. After a moment of silence, the magic begins.
Marshall, H, Vitikainen, EIK, Mwanguhya, F, Businge, R, Kyabulima, S, Hares, MC, Inzani, E, Kalema-Zikusosa, G, Mwesige, K, Nichols, HJ, Sanderson, JL, Thompson, FJ and Cant, MA (2017)Lifetime fitness consequences of early-life ecological hardship in a wild mammal population. Ecology and Evolution, 7 (6). pp. 1712-1724. ISSN 2045-7758 0852c4b9a8
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