Obviously every TVC, movie or music video is different so a rough guide is the best you can offer your client without seeing the footage. These examples are based on average budget projects. Hollywood movies and big TVCs will always take longer.
TV drama is most impacted by the number of cuts in the show. Often the DP or director will be shooting while you are grading so are unable to attend the grading. Looks for each location will be set before in an initial grading session, maybe on show 1 of the series or the pilot. This means grading alone then doing a producer screening when the grade is finished.
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Let's talk about Z grade movies and what treasures they can be. While I am sure we all have a boatload of them let's only post one at a time so we can focus our "appreciation". (Although feel free to post more than once with different movies.)
This is probably the best low budget or no budget movies I've seen. There's a little something in the way of good cheap effects and almost nothing as far as zombie makeup other than a little black around the eyes. It's funny at times. The acting is all over the place as its one of those cast your friends, family, neighbors ventures and there're at least a couple of spots that for reasons of timing and delivery, to say the least, go clunk to the point of cringe. Also there is full frontal nudity and probably not the kind you'd enjoy (not sure if that's included in this youtube post or not.) At the end of the day however this film manages to tell a meaningful story provided the viewer has payed sufficient attention to read between the lines.
I have a question about film designations. I've heard certain films, such as Kodak Gold 100, and they are referred to as "consumer grade." And other films, such as Kodak Ektar 100, and it is referred to as "professional grade." What is the difference? Does it mean that consumer grade film is made more cheaply, with cheaper chemicals; or that it doesn't last as long after it's developed? If that's the case, then by default, wouldn't it stand to reason that professional grade film is made with better chemicals and holds up longer throughout the years? If this isn't what is meant by these two terms, then what is meant? When I hear those two terms, "consumer grade" and "professional grade," it makes me think that consumer grade is somehow lesser in quality than professional grade by inference. If that's what is actually meant, then to apply these terms to other products, wouldn't most food be considered lesser quality because it is for consumers? I'm just trying to wrap my mind around these two terms because I always liked Kodak Gold 100, a consumer film, better than Kodak Ektar 100, a professional film.
11:12AM, 14 October 2019 PDT(permalink)
I'm not sure if emulsions are any different but professional grade film stock base is thicker and does not curl up after developing. If you don't develop your own film it should not make any differnce to you. I process all my own film and don't buy anything but pro-grade. T-Max bw and extar color.
55 months ago(permalink)
Marketing.
Yes, there's a significant amount of money thrown at the professional grade stocks research and development, but a good chunk of it is also marketing. The whole "You're not a professional unless you use X item" kind of thing.
But that's also my opinion on the matter too. Don't get me wrong, I'm sure designing the Kodak Portra line-up at Kodak probably drove more than a few people to drink while doing the R&D, but in the end I think it's the marketing that completes it.
There's also times a certain person is shooting professional film stock because their mentor or person(s) of inspiration also shoot that (or those) stocks so therefore that must be the film of choice for the paid professional. I'm totally guilty of this personally. In particular when it comes to Jonathan Canlas's works.
Originally posted 55 months ago. (permalink)
Hachi Gatsu (a group admin) edited this topic 55 months ago.
Eighth Grade is a 2018 American independent coming-of-age comedy-drama film written and directed by Bo Burnham in his feature-length directorial debut. It stars Elsie Fisher as Kayla, a teenager attending middle school who struggles with anxiety but strives to gain social acceptance from her peers during their final week of eighth grade. She copes by publishing vlogs as a self-styled motivational guru but spends much of her time obsessing over social media, frustrating her otherwise supportive father Mark (Josh Hamilton), whom she alienates despite his wish to be present in her life as her sole parent.
Eighth grader Kayla Day is in her final week at Miles Grove Middle School, a public school in a small New York town. She posts motivational vlogs on YouTube about confidence and self-image that receive few to no views. Timid and struggling to make friends at school, she is voted "Most Quiet" by her classmates. Meanwhile, her single father Mark struggles to connect with her and break her reliance on social media. Kayla is invited to popular classmate Kennedy's pool party by Kennedy's mother. At the party, she has a panic attack in the bathroom but eventually goes outside to swim, where she meets Kennedy's nerdy cousin Gabe. After trying to leave early, she has an awkward encounter with her crush Aiden, who encourages her to stay. She overcomes her anxiety and volunteers to sing karaoke.
While Olivia's friend Riley is giving Kayla a ride home, he initiates an awkward game of truth or dare in which he asks about her sexual experience and takes off his shirt before encouraging her to remove hers. When she refuses, he angrily claims he was just trying to help her gain some experience. Kayla breaks down at home and is comforted by Mark. She makes a video announcing that she intends to stop making videos, as she is not the motivational guru she pretends to be and feels unfit to give advice. She opens a time capsule she created for herself in sixth grade and watches a video in which her past self asks about her current friends and love life. After enlisting Mark's help in burning the time capsule, she asks if she makes him sad. He tells Kayla she fills him with pride and he could never be sad about her, prompting her to hug him.
As a touring comedian, Bo Burnham suffered from panic attacks related to his performances since 2013. While his main intention was to write a story about anxiety, he chose the setting of eighth grade because of his perspective that "anxiety makes me feel like a terrified thirteen-year-old."[25] He also reflected on his notion that eighth grade is a crucial year for forming self-awareness:[26]
I wanted to talk about anxiety and what it feels like to be alive right now, and what it is to be unsure and nervous. That felt more like middle school than high school to me. I think the country and the culture is going through an eighth-grade moment right now.[27]
Burnham was also inspired by observing a girl in a mall taking selfies while alone; he believed she was concerned about her appearance.[28] Given his career started with producing YouTube videos, he also wanted to explore the life of a character whose videos have very small audiences.[29] Work on the screenplay began in March 2014.[30] Kayla was not the sole protagonist in an initial draft of the screenplay, but Burnham decided to focus on her because her voice felt the most true of the characters.[25] He decided his protagonist would be female after watching YouTube, saying, "the boys talk about Minecraft and the girls talk about their souls ... probably half because girls are just actually maturing more quickly and half because culture asks way deeper questions of young women earlier than men".[26] He also liked the idea of a female protagonist to avoid "projecting" his personal memories of eighth grade as a male.[29] The film's working title was The Coolest Girl in the World.[31]
Actual teachers and students at Suffern Middle School in New York were used as extras, with principal Brian Fox saying five to ten students were cast.[43] During the audition process for the real-life eighth graders, one student claimed having eczema was her "special talent" and another auditioned by "eating a bell pepper like an apple." Burnham accepted this as a qualification.[44] Band teacher Dave Yarrington said Burnham cast him because he "liked my look".[43]
This is why most documentary films are color corrected for accuracy, but not color graded for stylization. As a documentary filmmaker, you want your audience to believe you are presenting a non-distorted picture of reality. It has to be objective.
Historically, high contrast grades are often paired with action films, thrillers, gritty dramas, or other movies with a similar emotional intensity. By pitting heavy shadows against bright highlights, a natural tension is created that sends a psychological cue to the viewer.
Low contrast grades have the exact opposite effect, and are often used to create a softer, dream-like presence in everything from romantic comedies to art house dramas. They diffuse tension rather than create tension, by adding a layer of separation between the viewer and the visuals. Much like how a photo-realistic painting can look like a photo, but will always feel dreamier.
This is starting to change though, as many modern films (shot on cameras with extremely high dynamic range) have a softer natural contrast than the 35mm films from yesteryear. I would assume that as the years go on, we will collectively stop associating low contrast images with old movies, since many new movies are now low-contrast by design. 0852c4b9a8
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