It was initially reported that Gupta loosely based the film's story on the 2008 Noida double murder case and he was quoted as stating that "The case gives a classic premise for an Agatha Christie kind of murder mystery, which would keep the audience guessing and hooked. Plus, there's the emotional quotient of the parents being accused of murdering their only daughter, something that the Indian audience has always felt for."[6] Shooting for the film completed prior to the verdict announcement and Gupta stated that he was not using the film to "pass a verdict" on anyone involved with the case.[7] The production, along with two similar proposed films by different filmmakers, was met with some criticism by the Talwar family, who stated that they would seek legal recourse against any media adaptation of the murder case.[8][9] Gupta later responded to this by stating that the film was intended to be a complete work of fiction and that he did not use any of the real names of people involved with the murder.[9] He went on to say that the film would center upon a CBI investigator trying to uncover the truth of his daughter's murder and that he had never definitively stated that Rahasya would be based on the Aarushi murder case.[10][11]
Rahasya was issued a U/A certificate by the Censor Board in January 2014 and they deemed that the film was dissimilar to the murder case.[12][13] The Talwar family initially requested permission to screen Rahasya before it released to the general public and upon receiving no response from Gupta or the production company, filed a case against the film stating that they felt that it would potentially distort facts about their daughter's death.[14] The case was settled through the Bombay high court, where it was decided that one member of the Talwar family would screen the film but would not disclose to any outlet how the film ended.[14] After the screening an advocate for the Talwar family filed a request for a stay of the film's release, stating that although the censor board had deemed that the film and the murder case were not similar that there were "over 100 similarities" that were not listed on the affidavit.[13]
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The way Arushi murder case was dissected by the national media, it was only time when a filmmaker got inspired. Manish Gupta picks the skeleton of the real life case and then fleshes it with fictional elements. If you ignore the selfish intentions to milk a case which is still in the court, Manish proficiently blends what we know and what is in the domain of speculations and hearsay to come up with a cogent investigation.
Both the films tried to adapt the case according to the filmmakers' understanding of it. None of the two films, of course, could show a conclusion on screen. The open-ended films mostly tried to focus on the Talwars' ordeal and tried to recreate the situations that might have led a couple to take their own child's life.
Indeed, the film did make the viewer's sympathies tilt towards the parents of the murdered child, showing in meticulous and painstaking detail how the entire investigation was messed up from the word 'go'.
The less-famous Rahasya too received mixed-to-positive reviews upon release. The film was met with stiff criticism from Aarushi's parents Rajesh and Nupur Talwar, who were awaiting the verdict in the case back when Rahasya was announced. The shooting of Rahasya was completed before the verdict in the case arrived, and it could release only in January 2015, after the November 2013 CBI special court verdict was out.
"My film is a suspense drama about a father accused of a father murdering his daughter. The story is fictitious and follows a CBI investigator (Kay Kay Menon played the character) as he tries to discover who was actually responsible for it. I never said that it is based on the true Delhi incident," the filmmaker said in an interview.
While after many twists and turns, the Talwars were convicted by a special CBI court in 2013 for the twin murders and given life term, filmmaker Manish Gupta (of The Stoneman Murders fame) decided to make a movie inspired from this real life murder mystery.
The film has borrowed key events from the murder case -- the setting of the murder, the investigating authorities being periodically suspicious of the missing domestic help and the parents, among others. But it refrains from providing a commentary on the incident, instead choosing to incorporate cinematic liberties to take over where the inspired bits are restricted.
"The film 'Rahasya' is a work of fiction. The film has a disclaimer in the beginning that it is based on fiction and bears no resemblance to any person dead or alive," the affidavit filed by Sheetal Tandel, Assistant Regional Officer of Central Board of Film Certification (CBFC), Mumbai, said.
Senior counsel Birendra Saraf, appearing for the Talwars, today told the High Court that if as per the CBFC affidavit the movie is not based on the Aarushi case, then the Talwars do not have any problem. "We would still request the producers of the movie to arrange a private screening of the film for at least one member of the family," Saraf said.
Rahasya, which means mystery, was inspired by the infamous Aarushi murder case. The film revolves around the story of an 18-year-old girl, Ayesha Mahajan (Sakshi Sem), who is murdered in her own house. Her father Sachin Mahajan (played by Ashish Vidyarthi) is deemed the prime suspect for the murder. Chopra plays the role of the mother of the victim.
The hugely talented and versatile actor Kay Kay Menon plays the role of CBI Chief Sunil Paraskar who investigates the case. The film is a riveting story of a double murder, and the climax reveals the mother killed her own daughter.
When a writer- director team with a successful track record unite for a new venture promising that they are going to try something new, their loyal audience are bound to feel excited. However, the disappointment is doubled if the effort is not up to the mark. And that is what happened with the Malayalam film Rahasya Police directed by K Madhu and written by veteran S N Swamy (famous for the CBI series with Mammootty).
As far as theme goes, the writer-director duo has not tried anything new. The basic premise is a murder mystery but it begins with a mimicry film (that is the only newness we can talk of) with two rich men of the area Kaimal (Jagathy Sreekumar) and Parambathu Raju (K B Ganesh Kumar) fighting over a temple festival.
Sub Inspector Rajan (Jayaram) is the in-charge of the Police Station of the area. A girl in the area goes missing and her corpse found from the nearby abyss after a few days. Kaimal, who is a lawyer uses his brains and makes out Raju to be the main suspect. Raju, who is a political bigwig of that village, gets arrested. The second Jayaram lands as goonda Challamani claiming that he is sent there to save Raju from the case by his political bosses in the capital (even a novice can connect the reference to the title of the film here).
If your head is reeling reading the gist of the first part film, the effect is worse when you actually see it on the big screen with nearly two dozen characters vying for your attention without taking the story forward.
Jayaram tries to get into the Suresh Gopi territory by looking stern with stiffened facial muscles but does not come anywhere near the original Police hero. It even made someone in the audience comment that Jayaram should stick to family films. There is a long line of comedians in the film, starting with Jagathy Sreekumar and ending with Suraj Venjaramoodu. In between there are Mala Arvindan, Harisree Asokan and Indrans. They try to lighten up the proceedings by engaging in lowbrow humour with Venjaramoodu even mimicking none other than Bheeman Raghu as Challamani's stooge. be457b7860
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