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CATALOGUE FORMAT: Film and video reviews are provided when possible by university faculty and staff members, and by other scholars in the field. If a film is reviewed, the reviewer's initials are indicated in brackets after the text. A key to reviewers is provided at the back of the guide. A description not followed by brackets indicates that the distributor's or director's summary has been used.
The following format is used to indicate further information about the film:
DREAMS OF HIND AND CAMILIA -- Title
1989 - Year
115 min. - Running Time
2" - Format (2" and 3/4" are videotape formats; 16 mm is film)
Color - Color
Arabic w/English subtitles - Language of film
M,H,U,G - Recommended audience (Middle School, High School, Undergraduate, Graduate)
Al-NAKBA: THE PALESTINIAN CATASTROPHE:
1948, 1998, 56 min., 2", Color.
A description of this film is not yet available.
ALTALENA:
1994, 54 min, 2", Color, B/W, Some Hebrew w/English subtitles H,U,G
The startling story of the ship which nearly caused a civil war in the newborn state of Israel. The Altalena sailed in June 1948 from France, carrying over 900 refugees from WWII along with a large amount of arms and ammunition. The arrival of the ship during an Israeli initiated cease-fire in the war of 1948 with neighboring Arab countries posed serious problems: its landing would be a breach of the new government's international commitment and the munitions on board that Israel needed were considered a threat by the opposition for a possible coup d'etat. Directed by Ilana Tsur.
ARABS AND THE WEST: (Part V of The Arab World):
1991, 30 min., 2", Color, U,G.
Bill Moyers hosts a post-Gulf War interview with noted scholar Charles Issawi, who is professor emeritus of Near Eastern Studies at Princeton and past officer of the Egyptian Ministry of Finance and the United Nations. Despite the video's title, most of Moyers' questions deal with Islam and Muslims. He asks the standard issue questions, i.e. What do fundamentalists want? Which is the stronger unifying force: being Arab or being Muslim? and so on. Issawi's answers dispel basic false assumptions about Arabs and Muslims, such as the myth that pan-Arabism or pan-Islamism are anti-Western forces sweeping across the Middle East. Overall, however, much is left undiscussed and Moyers' questions are oddly ahistorical . [AGF] Produced by Public Affairs Television.
BUDRUS
2009, 82 min., Color, Arabic, Hebrew & English w/English subtitles.
Budrus is an award-winning feature documentary film about a Palestinian community organizer, Ayed Morrar, who unites local Fatah and Hamas members along with Israeli supporters in an unarmed movement to save his village of Budrus from destruction by Israel's Separation Barrier. Success eludes them until his 15-year-old daughter, Iltezam, launches a women's contingent that quickly moves to the front lines. Struggling side by side, father and daughter unleash an inspiring, yet little-known, movement in the Occupied Palestinian Territories that is still gaining ground today. In an action-filled documentary chronicling this movement from its infancy, Budrus shines a light on people who choose nonviolence to confront a threat.
CAMERA d'ARABE - The Young Arab Cinema:
1987, 60 min., 2", Color, B/W, In English w/some subtitled Arabic, U,G.
Camera d'Arabe relates the story of auteur Arab cinema existence, from the 1950s through the early 1980s. Using a series of interviews with major filmmakers (including Egyptian director Youssef Chahine), lengthy film clips, and informative narration, Boughedir has created a superb introduction to new Arab cinema. He traces its genesis from liberation themes linked with independence movements of the 1950s and early 1960s, through the flowering of a variety of topics including women's position in society, injustice and occupation; and finally self-examination and despair prompted by the post-1967 situation in the Arab world. He stresses the primary nature of politics in the Arab filmmaker's conscience, and touches on crucial economic dimensions of filmmaking, such as the difficulty of establishing a distribution network to compete with readily available foreign films. [AGF] Directed by Farid Boughedir.
CANTICLES OF THE STONE:
1990, 110 min., 2", Color.
A description of this film is not yet available.
CELEBRATING THE PROPHET IN THE REMEMBRANCE OF GOD: SUFI DHIKR IN EGYPT:
1997, 39 min., 2", Color, U,G.
This video is useful for instructors wishing to give students some sense of the rituals of dhikr, the elaborate and prayerful recitation of God's names by Sufi Muslims C as performed in different settings with different participants in Egypt. It focuses specifically on two religious singers of contrasting types. The commentary stresses varying interpretations of the place of dhikr and of Sufism in Islamic practice, addressing disputes with some ulema, Islamic reformists, and radicals. The accompanying transcription is very useful, though the video's commentary is delivered in a monotone, and the color and photography are often poor. "Celebrating the Prophet" is probably best used in discussion groups to illustrate particular points. See I am a Sufi, I am a Muslim for dhikr as performed in Pakistan, Turkey, India, and Macedonia. [MG] Directed by Valerie J. Hoffman.
CHANGING LIVES: WOMEN OF THE MIDDLE EAST:
1993, 15 min., 2", Color, M,H,U.
Directed by Colleen Caden, an MA alumna in the Joint Program in Near Eastern Studies and Journalism, this polished, professional short film investigates the diversity of roles C traditional and nontraditional C that women choose in contemporary Middle Eastern society, and explores the rewards and repercussions of these choices. She interviews three women: a young, university-educated Muslim Irani continuing her studies at NYU; a former prima ballerina from Egypt teaching at NYU (also a Muslim); and an older Egyptian, Christian woman whose economic status goes undiscussed. The women ponder lifestyle choices and how their decisions were shaped by their views and experiences of women's roles in society, and by paternal relationships. [CNES] Directed by Colleen Caden. Produced by NYU's Journalism Dept.
CHARULATA: THE LONELY WIFE:
1964, 117 min., 2", B&W, Bengali w/English subtitles.
A description of this film is not yet available.
THE CITIES OF ISLAM: FEZ:
1987, 24 min., 2", Color, H,U.
This film goes further than its counterpart on Cairo in suggesting that Islamic cities are stuck in the Middle Ages, explaining that Fez houses a "medieval society living almost unchanged" since its founding in 808 AD. Though the film concentrates on Fez as a center of learning during the Middle Ages and emphasizes the exchange of ideas through traveling scholars, craftsmen, religious dignitaries and merchants; neither that exchange nor 43 years of French rule keep Fez from being described as a "living museum." Despite this major fault, the film is useful for its excellent footage of the architecture of the city (with special focus on the city's oldest mosque and school, founded by two women) and the detailed working of metal, leather and textiles. Also treats fairly accurately the importance of the family unit and women's roles. [AGF] Directed by John Dooley for Polonius Production.
THE CITIES OF ISLAM: ISTANBUL:
1988, 28 min., 2", Color, H,U.
The most comprehensive of the series of three, this film gives a useful historic overview for beginning students, describing the city's successive eras as Byzantium, Constantinople and finally Istanbul, and visiting monuments from each period. Includes visits to the Topkapi palace, Aya Sofia, Blue Mosque and Mosque of Suleiman with (at times overgeneralized) discussions of the architecture of mosques. Includes engaging street scenes illustrating the vitality of the city: a tea vendor serving a customer from his portable urn, men gathered in a shop to smoke hookahs, and wrestlers competing on Prince's Islands. Each of these three films would profit from pairing with The Islamic City. [AGF] Directed by John Dooley for Polonius Production.
CITIES OF SALT:
1992, 38 min., 2", Color, Arabic w/English subtitles and narration, H,U,G.
This fascinating profile of novelist Abd el-Rahman Munif and his series of five books, beginning with Cities of Salt, includes interviews with Munif, dramatizations and readings of his novels, and pre- and post-oil footage and photographs. Cities of Salt is the story of the destruction of a desert community by American oil men; successive books in the series follow the development of the surreal society left in its place. Munif's sharp criticism (he calls the oil industry "alien...unconnected to what surrounds it") misses neither the British who handed out oil concessions, the Americans who took them, nor the shortsighted Saudi rulers who allowed it all to happen. His critique provides a sharp contrast to the myth that oil has meant wealth and happiness for all Saudi Arabians. (Showing this title alongside ARAMCO AT FIFTY provides an opportunity for critical analysis for younger students.) Note: There is a two-minute space on the tape between parts I and II. [AGF] Directed by Christopher Spencer & Patrick Matthews. Produced by Tariq Ali.
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