Five best Indonesian documentary projects were presented to 300+ curated leading change makers at Good Pitch Indonesia 2019. Special foundations, NGOs, campaigners, academics, philanthropists, policymakers, brands, and individuals are invited to Good Pitch to consider meaningful contribution that can help selected films reach wider audience and create impact in the society. The offer can be monetary or in-kind; connections to a wider network or audience; expertise or service; or any other creative solutions; as long as it is effective and related to the need of each project in achieving its impact goals. 


Read what impact great documentaries can have.

In 2017, In-Docs hosted Good Pitch Southeast Asia that was attended by more than 400 organisations and individuals. The event forged more than 100 new partnerships and support for 4 selected documentary films. Find out more about Good Pitch achievements.


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Good Pitch Indonesia mencari delapan (8) proyek film untuk pengembangan strategi distribusi impact intensif di !mpact Lab. Bersama Changemaker, tim peserta akan membedah proyek mereka dari segi isu, rencana distribusi, hingga pemetaan sumber daya dan calon mitra.

Di Live Forum, empat (4) proyek film dari !mpact Lab berkesempatan untuk mempresentasikan film, serta visi dan rencana distribusi impact mereka di hadapan ratusan CHANGEMAKER untuk menjalin berbagai kolaborasi guna menciptakan perubahan melalui distribusi impact.

Good Pitch Indonesia 2024 mencari film dokumenter oleh FILMMAKER Indonesia yang menampilkan cerita resiliensi komunitas marjinal di Indonesia. Melalui film-film ini, kami berharap cerita tersebut dapat menyentuh empati penonton dan menggerakkan mereka untuk turut menciptakan perubahan.

Kami sering mendengar bagaimana pembuat film dokumenter di Indonesia berkarya atas keresahan atau keinginan untuk melakukan perubahan. Banyak karya baik lahir dari iktikad tersebut, namun banyak pula yang kesulitan merebut makna di ruang publik setelah filmnya selesai digarap.

!mpact menjawab tantangan tersebut dengan dinamika yang mengedepankan kolaborasi filmmaker-changemaker sejak tahap produksi hingga distribusi dokumenter. Kini pembuat film dan Changemaker bisa mempelajari distribusi !mpact hanya dalam sekali klik, kapan pun dan di mana pun.

The event will be presented like a gathering; it will also feature presentations [of selected film projects] and speakers who will discuss film investment schemes in Indonesia, film-based tourism and how brands can utilize film as a platform," said Akatara program director Alex Sihar on Monday.

Filmmakers who want to join the forum can start by creating an account on indonesianfilmfinancing.id. The website features a guide on what to submit, such as a detailed story idea, a synopsis, a storyboard, a production timeline, production budgeting, a portfolio and a maximum six-minute teaser. The submission deadline is Oct. 21.

Additionally, two out of the 40 film projects had been entered into a "feature lab" collaboration program between Bekraf and TorinoFilmLab, a Turin-based incubator that supports those working on their first and second fiction feature films.

Akatara also plans to feature large-scale film companies at the upcoming event, such as Multivision and Starvision, local and angel investors, brand managers or directors, philanthropies, agencies and local buyers. (kes)

The Pitch Wraith Terror is a "pitch" version of the Wraith Terror, it has a dark skeletal body with a transparent membrane around the bones. Its eyes are purple neon and blink occasionally. Also, its arms are very large with spikes coming out, and it is missing its back legs.

Every week I work with entrepreneurs and executives as they prepare pitches and presentations. So often they get so buried under their own mountains of facts, details and bullet points that they kill their audiences. A slow, suffocating Death by Powerpoint. What they forget is that stories are what we remember. Not bullet points. Stories are what we emotionally connect with. Not facts and statistics. Stories. Strong stories.

Players were resting on the pitch after the defeat while the result sank in, according to video metadata. They then walked across the field from the west stand to greet waiting fans in the east stand at 10:17 pm, pictures and video metadata showed.

According to footage, at about 10:25 pm, police fired tear gas for the first time into the east and west stands. Supporters responded by throwing items at officers and some entered the pitch to do so.

Pitch Perfect 2 is a 2015 American musical comedy film directed and produced by Elizabeth Banks (in her feature directorial debut) and written by Kay Cannon. It is a sequel to the 2012 film Pitch Perfect and the second installment in the Pitch Perfect film series. The film centers on the fictional Barden University Bellas, an all-female a cappella singing group, who try to beat out a competing German musical group in a world singing championship. The film features Anna Kendrick, Rebel Wilson, Brittany Snow, Skylar Astin, Adam DeVine, Anna Camp, Ben Platt, Hana Mae Lee, Alexis Knapp, Ester Dean, Kelly Jakle, Shelley Regner, John Michael Higgins, and Banks all reprising their roles from the previous film, now joined by Hailee Steinfeld, Katey Sagal, Birgitte Hjort Srensen, and Flula Borg.

It was released in the United States on May 15, 2015 by Universal Pictures. The film received generally positive reviews from critics and grossed over $287 million worldwide. It surpassed the total gross of the original film ($115.4 million) in five days, and also became the highest-grossing music comedy film of all-time, overtaking School of Rock ($131.3 million).[5] A sequel, Pitch Perfect 3, was released on December 22, 2017.[6][7]

In December 2012, Skylar Astin revealed that he and Rebel Wilson had had meetings with Universal Studios about the potential sequel.[8] In April 2013, it was confirmed that a sequel would be released in 2015.[9] Elizabeth Banks directed the sequel, and Kay Cannon returned as screenwriter.[10] Paul Brooks produced for Gold Circle Films with Banks and Max Handelman producing for Brownstone Productions.[10] Deke Sharon returned as vocal producer, and has a brief cameo as a German reporter.[11] As in the first movie, they ran a month of "a cappella boot camp" before filming.[12]

Anna Kendrick and Wilson returned to the cast early in 2014 to play the characters they originated in the first film.[13] Brittany Snow reprised her character.[14] On April 24, Chrissie Fit was added to the cast.[15] On May 1, Hailee Steinfeld was added to the cast, playing a new member of the Barden Bellas.[16] On May 5, Adam DeVine was reported to return in the film.[17] On May 14, Katey Sagal was added to the cast, playing Steinfeld's character's mother.[18] On May 29, Flula Borg was added to the cast,[19] playing the leader of Das Sound Machine.[20] It was confirmed on June 18, 2014 that Christopher Shepard was added to the cast.[21] It was confirmed on June 19, 2014 that Pentatonix would play the role of a rival group to the Barden Bellas.[22] It was later confirmed that The Filharmonic from season 4 of The Sing Off would make a cameo appearance as a rival group from the Philippines.[23] On August 24, 2014 it was announced that Penn Masala,[24] the all-male Hindi a cappella group from director Elizabeth Banks' and producer Max Handelman's alma mater The University of Pennsylvania, would be featured as a team from Southeast Asia.[25] On June 25, Birgitte Hjort Srensen was added to the cast.[26]

On December 3, 2014, Mark Mothersbaugh was hired to compose the music for the film.[28] The official soundtrack was released on May 12, 2015.[29] The special edition soundtrack was later released on August 8, 2015.[30]

A still from the rehearsals for the film was revealed on May 16, 2014.[33] The poster was released on November 18, 2014 and the trailer came out the following day. A second trailer was aired during Super Bowl XLIX on February 1, 2015.[34]

Director Elizabeth Banks stated an additional performance by the Treblemakers was filmed specifically for the DVD release. Also included on the DVD will be deleted scenes.[35] On May 20, 2015, it was announced that FX Networks had acquired U.S. television broadcasting rights to the film.[36]

Pitch Perfect 2 grossed $184.2 million in the United States and Canada, and $103.2 million in other territories, for a worldwide total of $287.5 million, against a production budget of around $29 million.[4] In its first five days, the film surpassed the total gross of the original ($115.4 million), and also overtook School of Rock ($131.3 million) for the highest grossing musical-comedy of all-time and the third greatest musical debut ever (behind Beauty and the Beast's $174.8 million in 2017 and The Lorax's $70.4 million in 2012).[5] Deadline Hollywood calculated the net profit of the film to be $139.6 million, when factoring together all expenses and revenues for the film.[40]

In the United States and Canada, Pitch Perfect 2 grossed $4.6 million from Thursday night showings and $27.8 million on its opening day, increasing the opening weekend projections from $40 million to $64 million.[41] In its opening weekend, the film grossed $69.2 million, finishing first at the box office.[42] The opening weekend gross was more than the entire North American total gross of the first film ($65 million), is the third biggest PG-13 comedy opening of all-time (behind The Simpsons Movie's $74 million in 2007 and Austin Powers in Goldmember's $73 million in 2002) and the highest grossing opening ever for a musical.[43] The opening weekend audience was 75% female.[44]

Leslie Felperin of The Hollywood Reporter wrote: "Reprising the kind of musical performances, campus hijinks, stinging humor and sassy sisterhood put in place by its eminently likeable predecessor, Pitch Perfect 2 remixes the elements and comes up with something even slicker and sharper."[49]Guy Lodge of Variety called it an "ebulliently entertaining, arguably superior sequel to the 2012 musical comedy hit."[50] Lodge added, "Kay Cannon's script is even lighter on narrative than its predecessor, but fills any resulting void with a concentrated supply of riotous gags, and a renewed emphasis on the virtues of female collaboration and independence."[50] Peter Travers of Rolling Stone gave the film 3 out of 4 stars.[51] Travers welcomed the addition of Steinfeld, praised Wilson for her continued scene stealing, and said the scenes with Keegan-Michael Key were gold.[51] He reserved his highest praise for Banks, for both her acting and her feature debut as director, praising her for "bringing fizz to the tiredest clichs and reveling in a screen full of musical girl power."[51] be457b7860

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