Padmaraj Nair of Screen felt the film had a "nostalgic feel to it, what with the effect of watching social drama from the good ol' 60s." He added that the film was "fairly interesting in the first half, with its slick screenplay, But the director does seem to lose his grip towards the end, as the film climaxes rather tamely. It seems as if he developed cold feet as far as justifying the grey role of Sunil Shetty is concerned, and ends up portraying him on a positive note." He felt, performance-wise, Shetty "scores over the rest", while adding, "Shilpa gets the best role of her career and doesn't disappoint. Akshay Kumar, in the role of the cool-headed husband, is impressive." On other departments of the film, he concluded writing, "Nadeem-Shravan's music is the very lifeline of the film, and all the tracks are melodious and situational. Cinematography by W. B. Rao is outstanding."[10]
Dharmesh Darshan is ready to come out of his self-imposed sabbatical after 17 years, and he is ready to do it by revisiting his cult classic, Dhadkan (2000). The filmmaker reveals that he has been having meetings with the producers to revive the film, but is yet to give a final go ahead.
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