Ambition is the second studio album by American rapper Wale. It was released on November 1, 2011, by Allido Records, Maybach Music Group and Warner Bros. Records.[1][2][3] This serves as the follow-up to his debut album, Attention Deficit, which was released in 2009. The production on the album was handled by multiple producers including Lex Luger, T-Minus, Tha Bizness, DJ Toomp and Diplo among others. The album also features guest appearances from Rick Ross, Lloyd, Ne-Yo, Big Sean, Miguel, Meek Mill, Kid Cudi, and Jeremih.
Ambition was supported by five official singles: "Chain Music", "Bait", Lotus Flower Bomb", "Focused" and "Sabotage". The album was also a commercial and critical success, receiving generally positive reviews from music critics. It debuted at number two on the US Billboard 200 chart, selling 164,000 copies in its first week.[4] In February 2016, the album was certified gold by the Recording Industry Association of America (RIAA).[5]
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The album's first promotional single, "Bad Girls Club" featuring J. Cole was released on June 15, 2011.[15] On November 1, 2011, the music video was released for "Bad Girls Club" featuring J. Cole.[16] The album's first single, "Chain Music" was released to digital retailers on September 2, 2011.[17] On December 15, 2011, the music video was released for "Chain Music".[18] The album's second single, "Bait" released to digital retailers on September 2, 2011.[19] On October 20, 2011, the music video was released for "Bait".[20] The album's third single, "Lotus Flower Bomb" featuring Miguel was released to digital retailers on October 11, 2011.[21] On November 15, 2011, the music video was released for "Lotus Flower Bomb" featuring Miguel.[22] The album's fourth single, "Focused", features vocals by Kid Cudi and was released to digital retailers on October 19, 2011.[23] "Sabotage" featuring singer Lloyd was released to US urban radio as the album's fifth single on January 31, 2012.[24] On March 20, 2012, the music video was released for "Sabotage" featuring Lloyd.[25] On February 19, 2012, the music video for "Slight Work" featuring Big Sean was released.[26] On March 13, 2012, the music video for "Ambition" featuring Meek Mill and Rick Ross was released.[27]
Ambition debuted at number two on the US Billboard 200 chart, selling 164,000 copies in its first week.[4] This became Wale's first US top-ten debut on the chart.[4] In its second week, the album dropped to number 15 on the chart, selling an additional 41,000 copies.[41] In its third week, the album dropped to number 18 on the chart, selling 29,000 copies.[42] In its fourth week, the album dropped to number 56 on the chart, selling 21,000 copies.[43] As of June 2013, the album has sold 482,000 copies in the US.[44] On February 1, 2016, the album was certified gold by the Recording Industry Association of America (RIAA) for combined sales and album-equivalent units of over 500,000 units in the United States.[5]
The record is a testament to the virtue in the album's title. Never say Wale doesn't learn from mistakes: Everything that dragged down Attention Deficit, from hipster-baiting to its bewildering guest roster, has been jettisoned, along with introspection and any lingering modicum of respect for women. On Ambition, Wale is reborn as an unrepentantly shallow strip-club rapper, and the production is a gleaming phalanx of freshly minted beats from Ross' MMG assembly line. The album is unmistakably a product of Planet Boss, the lurid neon kingdom of B-movie saxes and cartoon excess in which Rick Ross has built his empire. And Ambition provides a remarkably effective demonstration in how a shpritz of Planet Boss can jumpstart a flagging rapper's fortunes.
The production, however, from a cannily sourced collection of lesser-known beatmakers and big names, sounds uniformly incredible: Ambition is the first sign that Maybach Music Group has flowered into a full-blown production house. Mark Henry, who has produced some sledgehammer beats for Fat Joe, gives Wale the fleet-footed "Miami Nights", which pipes in some woolly sax from Ross' "Maybach Music II", and the window-fogging funk of "Double M Genius". Toomp chops up strings like early-millennium Just Blaze on "Legendary". MMG stalwart Tone P serves up, among others, the brain-rattling "Chain Music". The album will sound devastating pounding out of passing Escalades, and it is currently slated to pound out of many; early estimates peg Ambition's first-week sales at around 170,000.
Ambition is the second studio album by American rapper Wale. It was released on November 1, 2011, by Maybach Music Group, Allido Records and Warner Bros. Records. This serves as the follow-up to his debut album, Attention Deficit, which was released in 2009. The production on the album was handled by multiple producers including Lex Luger, T-Minus, Tha Bizness, DJ Toomp and Diplo among others. The album also features guest appearances from Rick Ross, Lloyd, Ne-Yo, Big Sean, Miguel, Meek Mill, Kid Cudi, and Jeremih.
Washington DC's Wale parted ways with Interscope after releasing his debut album Attention Deficit and linked up with Rick Ross's Maybach Music Group. In 2011 he released his second studio album Ambition. Released only digitally and on CD, Ambition is being issused for the first time on red colored vinyl.
It is difficult to pick out a few standout tracks on this album, but this is not a bad thing. Ambition is an album in the true sense of the word; it is not filled with radio-ready singles, nor is it a couple of pop-y songs surrounded by a bunch of average filler tracks. It is a collection of exceptional songs that gives listeners insight into the way Wale interprets life and his own experiences.
The thing all 3 covers have in common is the close up and emphasis of the artist. Colours also used, colours the artists are in, are also very basic and almost background colours, this again makes the artist stand out. All 3 albums are indiviually very significant to the artist themselves. For Drake, this was his second album which actually put him on the map reaching out to all kinds of audiences and recreating an image for himself by owning the rap game rather than his first album which introduced him to the rap game as fresh meat out of nowhere. Take Care infact wins Best Rap Album Grammy award 2013. So this need for the artist to be on the front cover is way of making new audienes familiar with Drake and his image. Audiences/listeners are able to put a face to the music which is key in terms of promotion.
Image: For a first album, the arist has little attention drawn to him in terms of image. The font on the page is actually bigger than the image, which perhaps suggest the emphasis that Chipmunk is trying to establish himself as an artist more than his image in the public eye. The use of putting Chipmunk onto of the words again is the suggestion that hes at the top and he has it all under control, he is represented as confident. This is seen again on the back cover of the album where Chipmunk has is looking right at the audience, with a gesture his chosen audience would be really familiar with and not feel offended by.
Audience: Some may argue that this is directly aimed at a particular audience, however in terms of front cover and in comparison to other album covers this appeals to many different audiences. The colours used are basic as well as the text used on the front cover. It is hard to immediately differentiate which genre this artist belongs to unless you are already aware of who Chipmunk is.
I'll level with y'all: The only things I've heard from Washington D.C. rapper Wale are his Seinfeld-themed mixtapes, 2008's The Mixtape About Nothing and last year's More About Nothing. The rest of his non-sitcom library has just flown past me, I guess -- even his debut album, Attention Deficit.
The good news is that Wale's second album, Ambition (out today), gives me a chance to catch up with him and figure out his M.O. -- beyond him simply being a Seinfeld fan, I mean.
And I'm liking what I'm hearing.
As Wale works toward the release of his fourth studio album, The Album About Nothing, and with today being a ceremonious occasion for the rapper (happy 30th birthday!), we felt it was only right to shine a light on the records that have shaped Wale's career over the last decade. From deep mixtape cuts to Billboard hits, the D.C. rapper has delivered a number of notable tracks worthy of praise. These are The 25 Best Wale Songs.
2009 was a banner year for the mixtape game, with breakout releases from upstarts like Drake, Nicki Minaj, and J. Cole, just to name a few. The year was a disaster, however, for Wale; despite a string of regional hits from 2007 and 2008, the flop of his debut album obliterated Wale's momentum and forced a rethink of his previously winning formula.
If you remember my KiD Cudi post then you know I've been a Wale fan for awhile. He hasn't got the best track record with studio albums. However, if one thing is a constant, it's that Mr. Forlarin HAS BARS! As Wale transitions from Atlantic to the unknown, it seemed like as good a time as any to go through his discography!
Top 3 Songs:
1) "Diary" (ft. Marsha Ambrosius)
2) "Mirrors" (ft. Bun B)
3) "Let it Loose" (ft. Pharrell Williams)
This album was very underwhelming when I first heard it. I was still getting used to the fact that when a rapper is in Mixtape mode, they're able to do a lot of things they can't on a studio album and so I should adjust expectations accordingly. Luckily these songs have aged well, all things considering. "Diary" is great for showcasing Wale's ability to RAP while still getting conceptual. This time from the point of view as a woman. "Mirrors" has a nice enough beat but the way Wale works in tandem with the 4th best southern rapper is what makes the song special. "Let it Loose" just rounds out this three song list. 0852c4b9a8
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