Drafts of the first four chapters of my book (Working title: The Boy Who Loved Churches) are available here. The Boy Who Loved Churches is a work of historical fiction based on the (actual) life of Vlad Dracul III. Explores childhood trauma, religious identity, and the effects of violence on the soul. Not for the faint of heart, but it is shaping up to be a beautiful, fascinating, and deeply tragic work.
This page is done, so that's neat.
The best page on this website by a country mile is the resources section. That and the Philokalic Glossary are done (finally!)
I've added a Teaching page containing links related to my ongoing series over on Youtube. Currently we are exploring the Conferences of St. John Cassian.
I've uploaded a ton of my photography. I will likely go through and caption them at some point.
I've also uploaded a bunch of doodles. Again, captions forthcoming (at some point). Why yes, I do mostly draw realistic versions of kaiju from a children's video game. What of it? There's also a really cool sketch of my kiddos. Pretty proud of that one.
Short Fiction is coming soon... as soon as I remember where I put the originals...
The existential question of the ages, amiright? Short version, social media is a cesspool and I needed/wanted somewhere to put all my stuff. So this site is basically a semi-organized conglomerate of things I dig. Back in the late '90s (oof) I had a personal website my dad built for me, hosted on Tripod (those were the days). It was a catch all for my artwork, writing, ruminations, and so on. I eventually learned to use Microsoft FrontPage and how to view the source code of website's whose design I liked. I didn't at all frequently steal random source code to make my own site look pretty... I would never...
Anyway, that's what this is. The 2020's edition of my old Tripod site (no, I won't link it. Yes, it still exists. Yes, it is cringe). Thank God Google Sites is more user friendly than FrontPage ever was.
Well, if you're here, you probably already know that, but I'll humor you, I guess.
Hi, I'm Connor, your friendly neighborhood curmudgeon (though I've mellowed a bit with time). Most of my time and energy goes into family and parish life, but from time to time I've been known to doodle, write, play music, and wax eloquent about things I know little to nothing about. It should go without saying that all opinions here are mine and do not represent the position of my employer, religious institution, or anyone else.
I am a practicing Catholic formed in the Byzantine tradition, though my family and I currently serve in various capacities at a mission parish of the Personal Ordinariate of the Chair of St. Peter. Some days I'm the spiky ByzCath, some days less so. Most days I'm just a guy trying to follow the Master in the footsteps of the saints and sages who've gone ahead of me. I'll probably write about that a bit.
I live on the side of a mountain in East Tennessee, which in the winter gets almost as cold as my native New England (but not really). Together with my wife, three littles, and two cats, we're trying to cultivate a culture of virtue in the wasteland of post-modernity.
I'm rather attached to a piece of artwork by Scott Erickson (see right), whose artwork I heartily recommend, if not his theology. It spoke to me when I first encountered it some years ago, and it continues to speak to my experience, though my understanding of it has become more nuanced with time. Who knows, perhaps someday it will join my ever-growing collection of tattoos.
The hermit crab is a fragile creature protected by a hard shell it calls home. It spends most of its life digging around for scraps, and from time to time it leaves behind a shell that no longer fits, journeying out into the open in search of one better suited. If it fails to do so, it will die. It is nomadic by necessity, and without the courage to leave comfort and safety behind, the shell that once sheltered it becomes a prison, and the growth that should have been to its benefit crushes it. On the other hand, once it finds a shell that fits, it settles in, digs deep, and makes it a place of rest. Its life is not endless wandering; rootedness is just as necessary as change.
So too with me, I've found. I have to guard against unhealthy attachments to passing things—be they liturgies, devotions, parishes, job situations, or social circles. If God calls me out into the open, so to speak, it is because I will die if I do not. In contrast, one also cannot live in a state of perpetual uprooting. Growth requires both movement and settlement—pilgrimage and homecoming. God calls us sometimes into the open, but also into the shelter of community and vocation where we can rest, be nourished, and cultivate virtue. Should providence shatter my shell, I must not be afraid to move where it leads. And where it leads, I must also not be afraid to make a home.
So glad you asked. Sort of.
Theoretically, I'm working on a book. It's slow going, but it can't be helped. I'll drop sections of it on the Book-thingy page as I go. Feel free to email me any feedback if you like. The original working title of the book was The Forest and The Silence, which also happens to make a dope name for a website and youtube channel, so now I have to come up with a new working title... oh well. The book is a work of historical fiction following the person of Vlad Dracula—Yes, the actual person, not the cryptid of Bram Stoker fame. Read this excerpt from my "Author's Note" to get a feel for it, if you like.
This work is by no means a historical chronicle, so I hope any liberties I’ve taken with chronology or mistakes I’ve made with regard to place and time will be forgiven. What it is meant to do is take a complex, polarizing historical figure surrounded by mythology (most of which has nothing at all to do with him) and explore themes in his life that have—at least, to the present day—been little explored. Prince Vlad Țepeș becomes here a framework for exploring psychological and spiritual themes related to trauma, power, faith, and the integration/disintegration of the human psyche.
What makes this project so fascinating to me, is that while it may be tempting to write him off as another blood-thirsty medieval madman who paid lip service to Christianity for political means, Prince Vlad really could have been the man I’ve described below: complex, tortured, haunted, and yearning for a salvation he believed he did not deserve from a God he felt had long since abandoned him. I think he might have been just that. People are, after all, far messier and convoluted than we often give them credit for. And perhaps in our current day, when the “other side” is often represented as pure evil—demonized, if you will—a book like this about a man who was at times considered a “son of the devil” (one translation of the name “Dracula”), may prompt us to take a closer look at those who sit opposed to us in the ideological sense.
If this concept tickles your fancy, feel free to check back for more, and if you like what I'm doing here (with the book or otherwise) feel free to buy me a coffee.