Hello guys, I've stumbled upon a novel on app goodnovel which is called forceful marriage:master young mute wife. Yes, I know the name sounds cheesy and the story as well but it got me hooked, I can't seem to stop thinking about it. I believe in Chinese is . Do you have the translation of it or any other information?

Hi, I am looking for a historical romance novel. The hero and heroine are married, but live separately. They correspond through letter. One day while the hero was sitting with his friends, he gets a letter from his wife informing him that his mother in law has passed away. He leaves immediately to attend the funeral. Later on he is rude to his wife and eventuallythe give their marriage a second chance. Ends with happily ever after.


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The strong trigram Chn is above, the weak trigram Sun below. This hexagram is the inverse of the preceding one. In the latter we have influence, here we have union as an enduring condition. The two imagesare thunder and wind, which are likewise constantly paired phenomena. Thelower trigram indicates gentleness within; the upper, movement without. In the sphere of social relationships, the hexagram represents the institution of marriage as the enduring union of the sexes. During courtship the young man subordinates himself to the girl, but in marriage, which is represented by the coming together of the eldest son and the eldest daughter, the husband is the directing and moving force outside, while the wife, inside, isgentle and submissive.

Cather read Parkman both carefully and critically. And she accounted for the courage and good humor of the Quebec nuns by transposing Parkman's general praise into her own idiom: "They were still in their accustomed place in the world of the mind (which for each of us is the only world), and [had] the same well-ordered universe about them. . . . In this safe, lovingly arranged and ordered universe . . . the drama of man went on at Quebec just as at home, and the Sisters played their accustomed part in it" (Shadows 97). Just as Ccile thinks of Quebec as "her town" and lives securely inside its familiar boundaries, the nuns (according to Cather) breathe an atmosphere of supernaturalism that allows them to domesticate the universe (61). We do not know all of the stories about Catherine de Saint-Augustine that Mother Juschereau relates to Ccile. And no one tells specific stories about Marie de l'Incarnation, despite the reputation for sanctity she has in the novel and despite her actual work with Indian languages. But as the evidence suggests, these are formidable and renowned women, part of the surrounding context of Shadows on the Rock. And we learn something of Cather's priorities in dealing with the material offered by Quebec from the fact that she would mute the impact of such volatile lives in composing her "series of pictures . . . left over from the past" ("On Shadows" 15). Which is to say that Cather eschews a readily available and highly dramatic matire in Shadows, that she transforms a lurid spirituality into an aspect of Ccile's sheltering landscape. Thus Ccile comes to think that the martyrdoms of the early church were not "half so wonderful and so terrible" as those of the Jesuit missionaries: "And could the devotion of Sainte Genevive or Sainte Philomne be compared to that of Mother Catherine de Saint-Augustine or Mother Marie de l'Incarnation?" (Shadows 102).[5] In order for Ccile to remain blissfully central to the story, demons and mystical marriages must give way to devotion, an omnibus term that distances reality, just as (in a secular mode) Auclair's reading of Plutarch's Lives to his daughter distances the idea of honor, locates it not in Quebec, not in France, but in Rome, where it assumes classical and undisturbing form. 17dc91bb1f

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