American Football, both the EP and Album, released by the band American Football, are two of my favorite records of all time. On a surface level, there's something about them that is so enticing, so emotionally relatable, and expressively brilliant. It's hard to place a finger on. Here is where I'm going to try to place that finger, demonstrate why music theory is important in any songwriting, and talk about where other Midwest Emo bands fail.

Of course, drones aren't specific to American Football. An entire genre based around these drones, aptly named "Drone", was borne far before the band came to light. The difference between the two lies in placing and timing. While drone music bases the entire piece around these repetitious phrases, Football uses it almost like a grounding cable for their songs. In a harmonic environment where they constantly try to either try to trick your ear out of feeling the tonic chord or make you yearn for a resolution that takes musical ages to arrive, the drone provides a contrasting foundation. In many compositions, this would only act to provide confusion to a progression that's already working as hard as it can to shake you off your trail. And there's no doubt that it's confusing. But isn't the point of Emo emotional confusion and dissatisfaction? In this way, there's both a conscious yearning brought upon by the timbre of the voices and twirly guitars and a subconscious confusion in where you're supposed to "look" for the resolution.


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With all that said, notating the polyrhythms that Football uses is very difficult. Let's go back to these drones. In your average American Football song, the drones that are placed in repeat themselves in a very different pattern than the melody and drums that play beside it. If you want to talk about increasing emotional confusion, these polyrhythms absolutely drive the idea home. In playing these separate, nearly-self resolving lines back to back, the musical paths branch even further beyond the harmonic movement in choosing which path to follow. This is a concept called counterpoint, and it's something I'm a sucker for.

"2. Change keys so often and so subtly that the listener becomes unsure what key the music is in." Stay home, true to its name, gives off an impression of searching for something greater, but the whole time, we remain linked to the key of F, as opposed to God Only Knows, where the search is so aimless and so without a home, that we get the impression that Wilson never had one to start.

"3. Use homogeneity as a comforting device, repeating phrases to help the listener stay engaged with the music. This can be done by repeating an opening phrase, but transpose it a 2nd, 3rd or 4th higher." The types of drones that American Football keeps in their back pocket is very different from the repeated phrases that Wilson exploits to develop and retain agony. The drones in Stay Home are left to their repetitious devices to the point where, rather than ravage the mind, they lose their punch and gradually fizzle out, like tears in the rain.

American Football, however, came in with a different mindset. The music was soft. Not encouraging, not aggressive, but nebulous. And it was because they used theory to their advantage. If I remember correctly, one of their expressed goals was to examine the interaction possible between two guitars. Well, that's what we've just spent the last however long analyzing.

In fact, as much as people diss theory, it's the defining idea of what your ear perceives as "good". Furthermore, it's what makes it memorable. "But TheHatGod, not only is your name dumb, but the Beatles didn't know music theory, and they're the most popular band ever, even 60 years later!" This is an argument that comes up significantly more than it should. Ignoring that Paul was classically trained, the Beatles simply took the long route to learning music theory: playing so many songs, trying so many things, that it just sunk in. Hell, there's an entire website dedicated to analyzing the theory behind every single Beatles song. It gets dense.

The problem with music built around pushing sonic boundaries in timbre rather than composition is that it will always fall behind. Timbre falls out of style. No one listens to classical music because the violin is hot right now, and punk music fell out of fashion the same time distortion did. For music to be permanent, it needs to respect these fundamentals that have been studied for so many centuries with no limit in sight. Hell, even Kurt Cobain borrowed from his theory brothers to spice things up beyond simply aggressiveness in distortion.

Of course, this isn't saying you can't enjoy music without learning theory. Rather, this is just encouragement to learn theory so that you can understand why you feel what you feel. What techniques are employed where, that maybe you can use to your own benefit in composition or enjoyment? The best way to go about it is to find a song you like and figure out why you like it. I'd be lying if I didn't say I learned probably half the theory I know in a strong winded, multi-month effort to understand Stay Home.

ESPN announced today that Grammy-winning music producer Timbaland and global superstar Justin Timberlake will work with ESPN throughout the 2023-24 NFL season to curate music for select Monday Night Football games. The curated music from Timbaland and Timberlake will run in Monday Night Football promotional spots, live telecasts and pre-game shows for seven weeks this season.

What does this mean for decisionmaking on priorities and funding? First, we must rethink the criteria we use. For too long, educators have relied primarily on personal experiences and anecdotal evidence in making decisions about extracurricular programs. That is no longer enough. Decisions must also be driven by fact, data, and research. Fortunately, there is a growing research base on the impact of both football and music on student learning and engagement, brain function, academic environment, and health (both individual and public) to draw on.

Because a more thorough understanding of the wide range of issues surrounding these activities is imperative, I recently conducted a return-on-investment analysis of the effectiveness as educational tools of football (because it consumes by far the most resources of school athletic departments) and music (because it is the arts-program component with which I am most familiar).

The purpose was clear and simple: to present a thoughtful, thorough, and clear-eyed assessment of the relative value of football versus music programs in providing students with learning experiences most suited to the 21st century.

But from there, the similarities mostly end. When considering the broadest impact on education over the longest period of time, music programs are far superior to football programs in return on dollars invested.

Yeah I will. I love 20th century classical music. I love the music of the time in which I live. You start generally with all the big pieces, romantic pieces, like Tchaikovsky and the melodic big orchestral thick. Then you go to Beethoven and back through Mozart and Bach. Then you work your way up and eventually I landed in the 20th century that I love so much. Aaron Copland and Samuel Barber. Usually certain music it takes me a certain kind of season to listen to but those I can listen to at any time.

Within a year of the release of its full-length, American Football became a studio project. Shortly thereafter, the band mutually decided to stop recording together.[1] Still, American Football gained critical acclaim for that album, which merged the plain-spoken, confessional lyrics and the varying time signatures of math rock with a softer musical sensibility. These characteristics carried on in Mike Kinsella's solo project Owen, and Kinsella would later re-record "Never Meant" as Owen in 2004.

Two years after reforming, the band released their second album. Again eponymous, and again on Polyvinyl, the album was released in October 2016, preceded by the single "I've Been So Lost For So Long", which was made available for streaming through SoundCloud.[7] The album's cover featured the same house photographed on the band's first full-length album. The American Football House had become a landmark for emo music fans around the world since the first album's release, who would travel to Urbana, Illinois, to take photos outside of the home.[8]

American Football is usually described as an emo band[16][17][18] and is considered one of the most important bands of the late 1990s Midwestern emo scene and subgenre.[19][20][21] The band's musical style has been also described as math rock[22][7][23] and post-rock due to the band using uncommon time signatures in their songs, which is a staple in both genres.[22][16][18] The band has also been punctually described as indie rock,[17] dream pop,[24] and slowcore.[18]

Florida A&M head football coach Willie Simmons announced late Friday night on social media that he has suspended all football-related activity until further notice due to an unauthorized rap video shot inside the Rattlers' locker room at Galimore-Powell Fieldhouse.

"It is a privilege to wear the Orange and Green and as a football program, our young men have failed to live up to the standards set before us," Simmons said in his statement. "They will all learn from this mishap and we will continue to work hard every day to become the best version of ourselves and continue making Rattler Nation Proud."

Some people, including Richey, also wear football game helmets in the video. The song title promo on Apple music includes the Rattlers' Orange and Green with football diagrams and includes a parental advisory for explicit content.

The video's song title 'Send A Blitz' is a football reference, which is a defensive scheme that sends five or more players to rush the offense. The artist did not mention FAMU, education or the Rattlers' football team in the video.

Simmons decision to suspend football-related activity comes four days before Southwestern Athletic Conference (SWAC) Media Day in Birmingham, Alabama, next Tuesday, and 12 days ahead of the team reporting for fall training camp on Aug. 2. e24fc04721

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