Embedded Files
Workshop 2
Workshop 2
Week 6 - Vicky
2/8/22 • Victoria Sanua • Concept Artist; Modeler; Associate Art PM Here I am, sleepless in Philly (I've never seen Sleepless in Seattle, but the title is fitting for the situation). I've been awake for about 48 hours and I think I might have developed paranoia in the past few weeks. But, I am a-okay, probably... Anyway, since we've moved on to Workshop II, our art department has now more than doubled, so I've been informally promoted to Associate Art PM! The first 2-3 weeks was mainly just doing some concept art, specifically the Canyon level and some alien flowers for the Forest level, as well as making a couple of models here and there. Since we're planning on including human NPCs or at least implying that they exist, I created a weapon rack with a spear and a broken variation with 3 broken spears. I'm thinking that these humans haven't revolutionized beyond the Bronze Age so that we can keep their tools somewhat simplistic. Continuing on, I shifted my focus in Week 4 to creating a comprehensive list of every single model in existence because Grace pointed out that the models in engine are kind of all over the place and she was definitely right. So, this list essentially pointed out what models exist where and whether they need to be removed or imported, among other details as well. I'm trying to keep this list as current as possible to prevent any future problems. Now, last week and this week, my progress has really slowed down between midterms, other group projects, and trying to keep a steady income. Model-wise, I haven't done anything special besides a saguaro cactus to decorate the Canyon level and a super simple mountain to probably act as a way to hide the edge of the levels and also to populate the Mountain level, if we get to it. My main focus has been trying to export a Unity terrain into Maya. Henry pointed out that having a custom terrain could add to the environment and he's definitely right about that. Initially, I started making a terrain in Maya, but that proved to be pretty difficult because I just had to hope that the terrain would scale up correctly, look fine from the player's perspective, re-export the terrain after making any small edits, and other bothersome problems. Instead, I decided to create my own Unity project so that I wouldn't risk ruining anything in our project file. Obviously, making a terrain for Unity in Unity is a lot easier and more efficient, but the terrain isn't in the same style as everything else, which is where my dilemma has risen from. I found a Unity package that allows Unity assets to be exported as FBX files and imported directly into Maya, but for some reason, the terrain is non-existent in the Maya scene. I'm not sure what I'm doing wrong. I came up with a temporary solution by putting a geometric pattern on the terrain to mimic our style, but I still want to figure this out. Week 6 - Vicky
Week 6 - Grace
2/8/22 • Grace • Lead Programmer This is the first entry of the new term apparently so whoo! It is also 3 am and I have been working on this project all day. So some things I accomplished was making the forest scene look better, linked things in scene, and debugging a lot. And when I say a lot I mean like a lot. So much debugging. First the fire mechanics were broken which broke elsend which broke the boomerang which broke something else.... it was a lot. I fixed one problem only to create like 5 others. There are still a few bugs though mainly with the boulders but I don't want to fix those right now. I also worked on the GDD to try and update it with our revised concept but it still needs more work and also so does the presentation for this week but I have no idea what the art team did. Well I need to go to sleep so I'm finished for now but I will be back at this in like what 12 hours if not less so wish me luck!Week 6 - Grace
Workshop 1
Workshop 1
Week 12 - Vicky
12/8/21 • Victoria Sanua • ModelerWeek 12 - Vicky
Hey! Recapping the past couple of weeks quickly: week 10 was Thanksgiving break, so I didn't get any work done besides convincing my archaic father to playtest our game and laugh as he struggled to even move the mouse >:) Anyway, week 11 was just me creating a few more models to decorate our level, specifically a brazier, a couple vines, and a sundial. Since it's now finals week, my primary focus was just updating the art asset template because I realized that I cranked out a lot of miscellaneous models for almost 2 months... and I didn't keep a record of any of them. Oops... So a majority of my time was spent reopening all of my Maya scenes to measure the models, make sure everything is named correctly, documenting their polycounts, etc.
Week 12 - Henry
12/8/21 • Henry Tucker • Associate Producer, TD, ProgrammerWeek 12 - Henry
This week was a lot. I had to 1. redesign our last demo level, 2. figure out how to add mirror reflections to our game, 3. and had to get extra trailer footage for our second-pass trailer and 4. Set up the cliff-hanger ending scene of our demoHere's the context: I had this great, but potentially time-consuming idea for the end of the demo. If you know anything about the narrative of our game it's the fact that the main conflict is that the mortal and spirit world (Elsend) are about to collide, leading to a potential cataclysm. There was potential for us to have a real "Inception" moment at the end of the trailer where the player would escape the temple and look up and see Elsend as if it were physically above the world, about to fall down onto them. I asked the professor about this and he recommended using a massive mirror plane to reflect the environment, which is why one of my priorities was to figure out how to add mirror reflections to our game.Alright, so the initial idea for the demo level redesign was that the player would get a moment where they would need to get into a loop where they were falling into and out of Elsend at a high pace, ideally creating an experience akin to Portal's infinite falling mechanic when you put two portal's on top of each other. In the case of Quietus the way to escape such a look is to throw the boomerang while in Elsend and teleport to it. This ended up not working out, but we'll get to that.Priority #2 was to get reflections into the game, which I did without trouble, but I found out that simply putting a giant mirror above the terrain didn't look very interesting or believable. It just looked like a giant mirror above the terrain. Luckily, I found other purposes for the reflection material that I made, but, once again, we'll get to that. What I ended up doing is literally duplicating the terrain, flipping it, scaling it up and having it loom over the other terrain above the player. That ended up looking far more impressive. This was the extent of my contribution to setting up the cliff-hanger ending.
Next was trailer footage. That was easy and wasn't really noteworthy. Here's where things went ever so slightly awry. We had a team meeting the night before our final Sell presentation and decided that the final puzzle just wasn't good. Because our transitions between the mortal world and Elsend are not seamless, flipping between the two worlds while falling was disorienting and borderline nauseating. Thankfully, I was able to come up with a redesign pretty quickly involving the mirror material I had originally created for the ending of the demo. In the end the level wasn't as clear as it could have been, but it was at least fun to those that understood what was going on, and our presentation went very well!
Week 11 - Henry
12/2/21 • Henry Tucker • Associate Producer, TD, ProgrammerWeek 11 - Henry
This week was by far my lightest week as we approach the end of this quarter. I applied the normal maps that Serena made to the environment where appropriate, though I actually did that Friday of last week. I provided Serena with some clips of the game for our first pass at a trailer, and I helped Grace get the boulder audio to work correctly. (I ensured that the audio only played while the boulder was moving)
Week 11 - Grace
12/8/21 • Grace Feldman • ProgrammerWeek 11 - Grace
I am really happy with my work this week because I got the dialog implemented! I also did a lot of work on the exit environment which looks fantastic. Although I am writing this at 1:2o AM and still have work I would like to do. My goal right now is just to update a lot of the production documents. But I am planning on continuing to work on the project!
Week 9 - Henry
11/20/21 • Henry Tucker • Associate Producer, TD, ProgrammerWeek 9 - Henry
So, this week actually went mostly as planned. Professor Diefenbach gave me a strategy and script to use to fix the stretched textures. I just needed to apply the script to the walls and floors of the environment and just like that the textures pretty much looked good. My next focus would be lighting, which...oh boy! Lighting gave me some problems. By simply messing around in Unity's lighting settings I managed to get the lighting to look pretty nice if a little dark. I had two major goals to make the lighting look really nice. I wanted to use baked lighting and I wanted to switch over to using Unity's Universal Render Pipeline. Neither of those worked out and here's why: For one reason or another that I was not able to find a last minute fix for, when I tried baking the lighting all of the surfaces turned pink except for the surfaces in the most direct light. To be clear: It's not that the textures weren't showing up. I could see the bricks on the wall, but they were bathed in an everpresent obnoxious pink glow. So I made the choice to return to baked lighting at a later date. Unfortunately, the Universal Render Pipeline gave me just as much trouble. Once the pipeline was imported and applied, all of the environmental textures started acting as if the proper-scaling script attached to them just wasn't there and textures all over the environment started stretching again. It was getting late so I decided to call the lighting good enough for this week, and hope to return to it in the coming weeks, though we are reaching the end of the quarter. All in all, lighting has improved drastically from last week, even without it being baked or URP.
Week 9 - Jacob
11/19/21 • Jacob Long • Narrative DesignerWeek 9 - Jacob
The past few weeks have been focused on audio production for me. Some play testers were saying that they could not tell when certain things were happening so we decided that adding some audio cues to make certain events and player actions to be clearer.
Week 9 - Vicky
11/19/21 • Victoria Sanua • ModelerWeek 9 - Vicky
Hello, it's been a while! A quick run-through of the past weeks:
Week 7, I focused on making color palettes for Serena so that she has a basic idea for textures. I made a general palette for the temple level, focusing on the walls, rocks, and some props. I designed another palette for the trees I modelled way back in Week 4, if we do decide to use them. It's just basic shades of brown and green for the bark and leaves. And finally, I came up with a palette for Elsend. Although I labelled each color for an item, they can really be used however they're seen fit. That was honestly the hardest palette because I tried to stick with the pastel theme while still making sure the colors are distinct from each other.
Week 8, I spent a lot of my time just cranking out models to fill the levels, like a stone bed to imply the player wakes up on it, a torch to provide more ambient, but obvious, lighting, and some walls to give the current walls more... *pizzazz*, specifically make them look more textured and worn.
Finally, this week was more models, stylizing the Maya human default model and attempting to rig it to make it look like a statue, an offering altar, a small vase, and a chain. I've looking at Legends of the Hidden Temple for inspiration for miscellaneous props :). I also spent some time trying to conceptualize the temple for the sell presentation. ...It's definitely not my best work, so I'll probably spend some time during Thanksgiving break trying to improve it... if my family lets me. I also spent this past weekend tweaking the playtest survey to have much more specific questions so that we can actually use the results to improve our builds. Some of the questions I added were, "How difficult was the platforming in the third puzzle?," "Did you die at all in the second puzzle?," and other questions like that.
Week 8 - Henry
11/11/21 • Henry Tucker • Associate Producer, TD, ProgrammerWeek 8 - Henry
Aha! It worked! And by "it" I mean my idea to put my code on the presentation to see if anybody would point out my mistake. I was writing the equation to set the Elsend materials to the walls and floors as x = y when I should have been writing it as y = x! I really should have tried reversing those. I even thought of it but I guess forgot to actually test that hypothesis? I dunno my mind is an enigma. Anyways I fixed that problem immediately after our presentation and everything works flawlessly now. Also my plans for this weeks have been turned on their head. Basically all of the negative feedback on our game was about its environment so I'm going to spend this week away from the 'ol Visual Studio and am instead going to be looking at how I can use the environmental assets that we currently have and any new ones that I receive throughout this week to actually make the environment look like a setting rather than just a block out of what could be an environment. The number one thing I need to do is ensure that every object in our game is a prefab just to make beautifying future levels easier. I also need to make sure that I consolidate those prefabs to make new prefabs so that we maximize the utility of every model we have. One example of this that I've already completed is using a smaller version of our "boulder" model as a part of our "rubble" model.
Alright, so it's the end of the week now and I've applied the new environmental textures to the wall and floor as appropriate, however the textures are stretching across the mesh of the walls and floors in an unnatural way. The Elsend walls and floor are still blank, but our overworld environment has had a major facelift at this point. Next week I'll be focusing on fixing the texture stretching problem and hope to implement an actual lighting system.
Week 8 - Serena
11/10/21 • Serena Lawhorn • Texture ArtistWeek 8 - Serena
These are some of the textures I made for our Boulder Puzzle!
Top Row (Left to Right): Brick Wall, Wooden Door, Rocks
Bottom Row (Left to Right): Golden Door frame, Ruby Button, Pebbled Ground
Week 7 - Grace
11/5/21 • Grace Feldman• ProgrammerWeek 7 - Grace
Well it is now almost 2 am and I have finished the coding for the tutorial level as well as minor bug fixes for the boomerang because the parameter menu got changed. I also have done quite a bit on putting stuff on this weeks scrum presentation and making sure things are filled out properly. Tomorrow I will probably work on putting portals and making sure those work as well as getting the platform to rotate more slowly but for now I am stopping so goodnight everyone!
Week 7 - Jacob
10/30/21 • Jacob Long • Narrative DesignerWeek 7 - Jacob
During our team meeting, Henry, Grace and I worked out a design for a tutorial level which introduces both gameplay mechanics as well as story. I wrote a play-by-play description of the level for easier implementation.11/4/21I finished up the audio for the boomerang and the footsteps and moved on to some audio for Elsend. I primarily worked on a sound effect to signal how much time the player has left in Elsend with a clock like ticking sound. I also started on some basic ambience but that one still needs a bit of work.
Week 7 - Henry
11/3/21 • Henry Tucker • Associate Producer, TD, ProgrammerWeek 7 - Henry
The week started off on Saturday with Jacob, Grace and I trying to figure out how to incorporate the narrative of the game into the gameplay. This led to us somewhat spontaneously plotting out a tutorial level in which the player could be both onboarded into the world, conflict and mechanics of the game.
I've managed to get an actual Pause Menu implemented into the game rather than just a Parameter menu. The pause menu includes options to quit, resume, and reset the game as well as the ability to go into the parameter menu and change things around. The player can also go into the pause menu to look at the controls of the game in case they miss the blurb on the top left of the screen providing them that information.
Oh, and as for the hardcoding I did last week...it's still there. The code is just not executing and I don't know why. Now I have the code that I really think should be working but isn't commented out so that I can continue debugging next week. I'm putting a screenshot of the code on our Scrum so that if somebody watching our presentation catches my mistake they can point it out.
Week 6 - Grace
10/29/21 • Grace Feldman• ProgrammerWeek 6 - Grace
Well it is now past midnight and because I didn't have time to work on the project earlier in the week I am now doing some minor stuff with the boomerang and other things and unity collaborate is fighting me all the way because two people are making changes to the scene. So I have now had to implement parts of a second puzzle three times now and can't test it because I can't get past the first puzzle because of errors so I am calling it a night here and possibly trying again in the morning (actual morning and not after midnight morning).
Week 6 - Vicky
10/28/21 • Victoria Sanua • ModelerWeek 6 - Vicky
It was midterm week, so I didn't get as much done as I would've liked, but my main priority was the art asset template. Grace, Erika, and I started it on Saturday, the 23rd, and I'm currently finishing it up right now. I'm listing all of the art and models that have been done so far and documenting any other important info about them.
My second priority was to continue retopologizing some models and turn them from quads to tris, but between midterms, class registration, and co-op search, I'll focus on retopologizing next week.
Jacob and I just finished the third sell presentation. Luckily, since I already made a sell presentation for week 4 when we didn't need one, we just updated that presentation, making it quick and easy.
I'm also reaching out to people to playtest, including my sister. I'm focused on her for the moment because she doesn't play on PC, so it'll be interesting to get her reactions and opinions to optimize our game more.
Week 6 - Jacob
10/23/21 • Jacob Long • Narrative DesignerWeek 6 - Jacob
The table of contents was completely out of whack in the GDD so I updated that. I further updated the GDD contents regarding the new/changed mechanics to get a clearer picture of how they work. I also removed some segments which did not seem useful for us or felt like clutter.
10/28/21Added a version 2.00 summary in GDD. Started messing with some audio for the boomerang as well, although I'm not very experienced with audio so it's been hard to make it sound decent. I also reached out to some friends and family get them to playtest our build. 10/29/21Made some serviceable audio tracks for throwing a boomerang as well as a track for footsteps. I will come back to these later but they get the job done for now.Week 6 - Serena
10/25/21 • Serena Lawhorn• ProducerWeek 6 - Serena
Updated our Play our Game section! Players are able to download our recent build and fill out our survey too. We also added pictures of ourselves to the Meet the Team section!
Week 6 - Henry
10/24/21 • Henry Tucker • Associate Producer, Associate TD, ProgrammerWeek 6 - Henry
It's currently Sunday night and I have done some quick bug fixes and minor quality of life implementations. They include adding a mouse sensitivity slider to the parameter menu and allowing the UI elements to scale properly with screen resolution. Preliminary tests of these changes show successful results!
It turned out that I accidentally swapped a few of the sliders in the parameters menu so some were either not working or doing unexpected things.
It's the end of the week, and I implemented some basic visual differentiation between Elsend and the mortal world using the SetActive = true/false system that I laid the groundwork for last week. I did some really gross hardcoding to get it all done on time. Streamlining that will be my #1 priority for next week. What I do have right now, though is that some ethereal purple lights and a (admittedly hard to discern) change in materials is what differentiates Elsend from the mortal world.
Week 5 - Henry
10/22/21 • Henry Tucker • Associate Producer, Associate TD, ProgrammerWeek 5 - Henry
This week was a big week for me. We met as a team on Saturday and put together a whole puzzle design which, by the end of that same day, I had blocked out in-engine. The puzzle involved a boulder that, once a button was pressed, would roll down towards the player Indiana Jones style. However, if the player managed to dodge the boulder, they would be able to use it as a platform to get across the wide gap to the door on the other side. This means that the boulder would need to simultaneously need to be able to kill the player if it was moving, and be harmless once stationary. This means that I needed to learn how to activate and deactivate a triggering collider based on the velocity of the object.
I implemented the use of buttons that the player could use to trigger events. I reconfigured how player death would work. Now instead of sending the player to a different scene, it just activates and deactivates a series of objects to make the space that the player is in function differently. One of the other design decisions we made on Saturday was the decision to implement "Destabilization" in Elsend, which adds a drawback to Elsend to balance it out so that it is not always the player's go-to solution to a puzzle. In correspondence with this decision, I added a 90-second countdown timer for whenever the player is in Elsend. Once it reaches zero, whatever puzzle the player is playing in resets.
One of our goals this week was playtesting, which meant implementing a Parameter menu. This means that if a player doesn't like the way that one of the variables in our game is set, they can modify it to fit what feels best for them. Hopefully this means that over the course of our playtests, we will find out what movement and settings feel best for the player. Implementing the menu took longer than expected, but even considering that, was finished by Wednesday morning. Unfortunately, the build for our game did not work in itch, so we due to that one issue we did not have as much time for playtesting as we would have liked, and didn't have anybody fill out the playtesting forms.
Thankfully, next week playtesting should be happening throughout the week. The only modifications necessary for me to make before we get started is adding a Mouse Sensitivity slider to the Parameters menu and allow for proper UI scaling. Other than that I hope to implement basic tutorial instructions so that we don't need to explain everything to our playtesters every time going in, making the portal from Elsend back to the mortal world more obvious, improve boulder collision and add a concrete respawn location, death screen and fail screen to the game.
Week 5 - Jacob
10/22/21 • Jacob Long • Narrative Designer • Level DesignerWeek 5 - Jacob
This week, we made a few rather substantial changes to some of the core mechanics. I made sure the GDD reflected these changes and was also able to edit and clean up the GDD a bit further. This week I also got to think up a few more ideas and sketches for more puzzles as well as some concepts for how story will be delivered throughout the gameplay.
Week 5 - Erika
10/22/21 • Erika Taylor • ModelerWeek 5 - Erika
This week, I focused on character modeling. I started the first pass for Morgan's human form, and I wish it had come out better. Since I haven't used Maya since early 2020, I'd forgotten how unforgiving the software is. I lost a lot of progress, but the setback has retaught me a valuable lesson about saving your work.
Week 5 - Grace
10/21/21 • Grace Feldman • ProgrammerWeek 5 - Grace
This week I focused entirely on the boomerang and made sure that I could have it curve in mid air and and have it track the mouse position to go where it needs to. I also made sure that it could collide with objects and stick there as well as you could teleport to it using the Q key. So the boomerang now works as planned and I can not tell you how happy I am that it works.
Week 5 - Vicky
10/21/21 • Victoria Sanua • ModelerWeek 5 - Vicky
This week, I focused solely on models. I did a second pass on some of the forest environmental models and the boomerang, changing the style a bit from low-poly quads to low-poly tris. I also did a first pass on the models for our first puzzle, the boulder puzzle. Since I did the puzzle models first, those have not been converted into tris yet.
Week 5 - Serena
10/21/21• Serena Lawhorn • ProducerWeek 5 - Serena
For this week, I have added previous builds to the website and created a google drive for all our documentation. As a team, we did have a minor setback on our game concept, so I changed some of our scopes in our Gantt chart to ensure we can still be on schedule for future builds.
Week 4 - Jacob
10/15/21 • Jacob Long • Level DesignerWeek 4 - Jacob
This week, I focused on a few minor additions and revisions of the GDD and level design. For level design, I concepted the structure of the generic level and made a flow chart of how to navigate this generic level. I also revised the story segment of the sell presentation to be more specific to our story and less vague.
Week 4 - Erika
10/15/21 • Erika Taylor • Concept ArtistWeek 4 - Erika
This week, I focused on concept art for the main character, Morgan, and the spirit world NPCs, who will mostly look the same aside from maybe color and facial expressions. Morgan was drawn in a human form with legs for the real world with earthy tones like green and brown. Morgan's spirit form lacks legs and is an ethereal pastel green. I also finalized the art for the Boomerang, so the orthographics could be used for modeling.
Week 4 - Henry
10/14/21 • Henry Tucker • Associate Producer, Programmer Week 4 - Henry
I implemented a sprinting mechanic, the first iteration of the spirit world and death. I also helped put together the scrum presentation. I polished the sprinting mechanic with an FOV shift to ensure that the player knew when they were sprinting. I also constructed some platforms to be used in the video demo for class.
Week 4 - Grace
10/14/2021 • Grace Feldman • Programmer Week 4 - Grace
I finished up the boomerang mechanics and made sure it was possible to get the boomerang behind objects as well as created a system for summoning the player and having the boomerang follow the player. I also did a rudimentary collision system with the boomerang, and helped with the scrum and sell presentations.
Week 4 - Vicky
10/14/21 • Victoria Sanua • ModelerWeek 4 - Vicky
Like last week, I did a bit of everything. I modelled some environmental pieces to populate the forest level, specifically some trees, rocks, and a fallen log. I also set them up in a little diorama to better display them since we do not have an official level yet. I modelled the boomerang as well with the help of Erika's orthographics. I created the third sell presentation and assisted on the second scrum presentation as well.
Week 4 - Serena
10/14/21 • Serena Lawhorn • ProducerWeek 4 - Serena
For this week I worked on the website by adding more of our documentation and adding a deliverable feedback section for the team. I helped work on the scrum presentation with Vicky and Henry. I made a google form for playtesting, as of right now it is a general playtesting survey but over time I will make a narrow down survey as the game progresses. I also worked on updating our Gantt chart.
Week 3 - Jacob
10/8/21 • Jacob Long • Narrative DesignerWeek 3 - Jacob
This week was mostly focused on the GDD. I focused on its formatting and organization as well as writing any content pertaining to gameplay mechanics, story and level design as well as any general game information. I was also responsible for collecting placeholder audio to implement into the current build. Finally, I further developed the story by giving it's setting some background information for purposes of worldbuilding and character development.
-Jacob
Week 3 - Erika
10/8/21 • Erika Taylor • Concept ArtistWeek 3 - Erika
For this week, I worked mainly on concept art. I drew up an idea of how Elsend, the spirit world, would feel. I used a combination of bright colors to create an ethereal look. I was inspired by my Feywild Honey D&D dice that are mainly gold but have all these pretty pinks, purples, blues, and yellows when rolled in the light. I later added in some whitish wispy plants, a suggestion from Jacob, just to fill the landscape out a little more and add to the look. I also found placeholder assets and placed them in Unity so they could be implemented by Henry.
-Erika
Week 3 - Henry
10/8/21 • Henry Tucker • Associate Producer, ProgrammerWeek 3 - Henry
This week I worked collaboratively with Serena to put together our team's Gantt chart, and worked with both Serena and Victoria to construct the team's scrum presentation. In addition to these collaborative tasks, I implemented a first person character controller into our most recent version of Quietus as well as full-range movement and jumping. I tested and polished the jumping a bit to make sure it felt good to use. A couple of more minor features I implemented are placeholder assets, as well as a small crosshair at the center of the player's screen to make testing and aiming our boomerang more easy.
-Henry
Week 3 - Grace
10/8/21 • Grace Feldman • ProgrammerWeek 3 - Grace
For this week, I modified the boomerang mechanic so it travels in a curved path. That is pretty much it although I did do some minor work on the GDD, Gantt chart, and presentation along with recording the demo. I spent the entire week trying to figure out the boomerang mechanic and got a little bit of help on that after trying five different methods.
-Grace
Week 3 - Vicky
10/7/21 • Victoria Sanua • Concept ArtistWeek 3 - Vicky
For this week, I dabbled in a bit of everything. I drew up some rough concept art for the forest level to get an idea for the ambient mood and tone. I also drew up a concept for the boomerang and a very short gif of a possible puzzle or it can at least act as an example of our puzzles would look like. I created the second sell presentation and assisted on the first scrum presentation as well.
-Vicky
Week 3 - Serena
10/7/21 • Serena Lawhorn • ProducerWeek 3 - Serena
This past week, I switched our website from Wix to google site since our team has been using the google suite to collaborate. Google sites allow us to plug in all of our documentation and work with ease. Besides the website, I worked on the scrum presentation with Henry and Vicky, created the Gantt chart with Henry, and kept track of where everyone was at in their work.
-Serena
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