The Ojibwe People traditionally view their art as being an intrinsic part of their everyday objects, thus they try to make objects that are used everyday as beautiful as possible. In the making of these beautiful things they believe they are showing respect to the Great Spirit. The Ojibwe people draw their inspiration from everything naturally occurring and attempt to incorporate them in their designs, such as their floral motifs.

The Ojibwe People are renowned in particular for their floral designs, frequently seen in their beaded work. We will be attempting our own beaded work but because it takes so long to do I will likely need to post about it towards the end of our studies. For now I wanted to focus our art study on the actual floral designs and what better way to do this than by using a picture book:

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The above picture book is not a picture book about floral art but it does capture the importance of the plant world to the Ojibwe people, not to mention the simplicity of their floral designs. This was a really gentle starting point. Ojibwe motifs are to be found on every page:

I love the simplicity of their designs and felt it would be very easy for the children to copy them. In fact we were able to go one step further when, by accident, we were shown how the Ojibwe take their designs from nature. I had bought a couple of kits for decorating Ojibwe bandolier bags:

Each kit contains two bags already marked with beautiful floral decoration for the girls to colour or paint. It was the extra bits and pieces which were included in the kit which taught us the most though. Each kit contained a DVD with short clips, giving the history of the bandolier bags and the designs to be found on them. We watched this during lunch one day and then read the information leaflet:

Although this art study has been different from our usual studies, it had been one of my favourites. For some reason, this floral art speaks to me and I, personally, can definitely see an applique project coming up in my future, using the Ojibwe method of extracting a wonderfully simple motif from nature.

With a vibrant and thriving Native American community, Becker County is rich in Ojibwe culture. A portion of the White Earth Reservation lies within the northern part of Becker County. A brief history of the White Earth Nation can be found on their website.

Close up photos of this bandolier bag show several easily identifiable maple leaves. While some of the flowers are more stylized, the maple leaves show a close attention to natural details such as leaf shape and veining.

This post began with floral moccasins and we will end with floral moccasins, though this time, they are adult sized. The pucker-toe of these moccasins is still visible, but there is also a seam through the middle of the foot to the toes, creating a pointed shape. This pointed shape and the round shape (as shown earlier in the baby moccasins) are both of Ojibwe/woodland tribes design.

One of the best parts about being a lighting & home goods manufacturer is the unique opportunity we have to design, develop, and bring to life our own exclusive product assortment. It takes commitment, hard work, and (above all) a genuine passion for what we do to create modern heirlooms the old-fashioned way, and we couldn't be more proud of what our team is able to achieve together.

We knew we wanted to design a floral quilt that filled a gap in our existing bedding collection. After assessing our assortment, we decided we wanted to diverge from our existing geometric designs and add a fun, bold floral-inspired pattern.

In total, it took us around a year to design and develop. The initial design is always a mad dash, but it took us several months to fine tune. Once we had a concept to send to our partners in Portugal, we asked them to test different construction methods for us to review. After we landed on the construction, we narrowed it down to the colors we wanted to sample.

Trying to embody a certain feeling and mood through color is an exciting challenge! It is extra tricky to elicit the emotion you want in a single color since different hues resonate with people in unique ways. We landed on two to three colors per quilt to help communicate what we wanted: warmth, familiarity, and folk-inspired modesty.

Our original quilt was auburn and ecru. We thought it layered well with rich, warm tones. For our Holiday Collection, we had the opportunity to expand on the colorways, which was exciting. We went with green and blue for the Juniper quilt and festive, brighter tones for the Red quilt.

Incredibly, it's all woven together in a jacquard matelass construction, which means that the loom that created the quilt creates custom, interwoven layers, resulting in a super complex, double woven blanket. It's the kind of stuff we dream about as makers.

If you look closely, you'll see two yarn weights on the front side of the quilt. As a custom matelass weave, those yarns are visible in some spaces and hidden (woven inside) in other places. The patterning of thick yarns interlocked together results in a layered or "puffed" appearance similar to a quilted piece. This uniquely textured weave helps create a cozy, perfectly weighted blanket since the thicker yarns pass through the entire length of the quilt.

Stillwater feels unique to Schoolhouse, and unique to our Product Design Team. Despite not being a traditional quilt, it pays tribute to the quilts that were hand sewn and passed down as heirlooms for most of our country's history.

The popularity of floral motifs in Mughal art was because traditionally, living creatures and humans were not supposed to be depicted in Islamic art. Therefore, the plant kingdom provided subjects that were non-controversial and capable of stylization.

Persian and Central Asian styles had deeply influenced earlier Mughal art, but this changed to a more realistic and colorful style under Jahngr, who had a deep interest in flora and fauna, fuelled by his trip to Kashmir in 1620. During his reign, travelers from Europe brought art as gifts, which profoundly influenced his atelier. Studies of flowers became more naturalistic, and new traditions grew from the fusion of disparate cultures.

Flowers from the reigns of Jahngr and Shah Jahan appear as botanical studies, in miniatures depicting gardens, in calligraphy, and as Pietra dura and murals. They are found, too, in embroidery and prints on textiles, jewelry, and crystal cups. Knowledge of flowers was considered necessary to be regarded as a sophisticated gentleman, as per the Mirzanama, a 17th-century treatise, which states that a Mirza must-have flower gardens in his house.

While many flower motifs in Mughal art were purely imaginary and, in many cases, derived from European prints, some flowers were favorites and botanically accurate too. Of these prominently are the poppy, marigold, and narcissus, though the larkspur, crocus, iris, and saffron frequently appear as well.

The opium poppy, though a native of temperate Asia, is the most common in Mughal decorative arts. On a sinister note, many Mughal rulers, and particularly Jehangir, used opium regularly. Therefore the poppy appears regularly on water pipes. The poppy appears on Kashmir shawls, on carpets, embroidered and block printed on apparel, and of course, famously on the walls of the Taj Mahal and Itimad ud Daulah. It appears too on tents as kannats or panels, especially crucial to the Mughals because of their itinerant lifestyle, where tents served as traveling palaces.

The marigold or genda has always been a part of Indian floral iconography, particularly in marriages and religious contexts, though it was initially not of Indian origin. This flower often appears in the brocades of the Mughal era, as well in miniatures.

Mira Gupta is a well known curator and designer in craft based luxury. She has had working stints with Fabindia, Good Earth and Ogaan to promote the cause of craft. She is deeply interested in art, travel, architecture and culture.

In works of art, a motif is an important and noticeable element or feature that typically appears throughout the work. It can relate to the theme, or it can be the dominant or central idea itself. Concepts like betrayal and forgiveness can be motifs, for example, but so can particular images and sounds, such as trees or bells. Motif is also commonly applied in design, where it typically refers to a single or repeated pattern or color. A piece of fabric might have a floral motif; a room may have a black and white motif.

Leitmotif (also and formerly more commonly spelled leitmotiv) has its origins in opera, and is especially associated with Wagnerian opera. The word is from the German words leit and Motif, which translate respectively as "leading" and "motive." In opera, a leitmotif is a recurring melody that accompanies the reappearance of an idea, person, or situation. The term is now applied in other kinds of music, sometimes with a meaning very close to the original: "The Imperial March" that is heard in the Star Wars film franchise whenever Darth Vader appears on screen, for example, is a modern example of leitmotif.

Leitmotif also has extended use that treads the same territory as motif. It's not a common word, but when it is applied it often refers to a dominant recurring theme, as when an image consistently used in an artist's works is described as a leitmotif. Note that some people object when leitmotif is modified by a word like main or dominant, on the grounds that since German leit means "leading" the phrase is redundant. English speakers using leitmotif in English, however, may choose to ignore the objection since leit does not mean "leading" in English.

Floral wallpaper models with flower and blossom patterns are incredibly versatile tools for creating a fabulous atmosphere. Depending on the specific model, wallpapers with flowers can be romantic, playful, enchanting, or natural, to name but a few examples. Floral wallpaper is suitable for just about any room in private homes, but it also provides a charming ambience in hotels, catering establishments like restaurants and cafs, shops, and public facilities. Furthermore, flowers carry symbolic meaning, so the specific choice of floral motif can convey a distinct message. 152ee80cbc

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