Flashback Live Show Mp3 Free Download

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I know jokers has a nice flashback thread for documenting the time and camera for when entertaining things happen on the feeds. It seems like it was good a few years back, but was inconsistent the past few years. Does anyone have any other sites they would recommend for this?

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State Theatre does not have its own parking area. There are a limited number of handicapped accessible spots located in front of the theater and metered street parking located around the theater. Additional handicap spots are located in the Civic Square Parking Deck. Please allow extra time for parking when attending a show. Visit the NBPA parking locator. Parking through the New Brunswick Parking Authority can be reserved in advance using Parkmobile here.

In the case of inclement weather, refunds will be awarded only if the show is cancelled. If the performance is rescheduled, then the original tickets issued are valid for the new date. In the event that a show is cancelled, we will make every effort to inform all ticketed customers via phone and email as soon as we can. If a show is cancelled, a refund will be issued to the original payment type used to purchase the ticket. Cash payments will be refunded by State Theatre check to the buyer on record.

Guidelines are subject to change at any time, and some artists and shows may require more stringent measures. Please refer to the performance page on this website before coming to the theater or your preshow email for the latest policies applicable to your show. Failure to follow posted guidelines will result in denial of entry or expulsion from the theater without a refund.

Acid Flashback is a live streaming Internet radio station whose format is a psychedelic blend of classic, prog rock, new wave, indie rock, jam bands, reggae, blues, and jazz. Our focus is on mixing popular songs with live versions, outtakes, deep cuts, rarities, and covers to bring the listener back to the days of album rock and free form radio. All the music is hand curated and mixed with pop culture references to create a one of a kind listening experience.

The live-action One Piece series on Netflix currently stands as the best live-action adaptation of any Japanese anime series, borrowing the best aspects of the original One Piece anime while adding a few new tricks to present a fresh, exciting narrative that anyone can enjoy. The live-action One Piece series does many things right, including using a new formula for flashback sequences.

Anime fans, especially shonen fans, are used to lengthy flashback sequences that might take up half or even all of an episode's runtime. By contrast, the live-action One Piece series breaks up its main characters' flashbacks into pieces and weaves them into the current narrative, which allows the series to flow better. Ideally, any possible future seasons will do the same, and anime series could stand to use this technique, too.

Plenty of anime series, most of all shonen titles like Naruto and Bleach, make heavy use of flashbacks to provide more context for the characters. Often, this involves a dramatic flashback of the hero's worst childhood experiences to explain their deepest fears and mental scars, and to show exactly why the hero is striving for greatness despite the odds. The Naruto anime, for example, often flashed back to protagonist Naruto Uzumaki's rough childhood of being a lonely and widely feared jinchuriki, and the anime also had a serious flashback for the night Sasuke Uchiha witnessed his clan's slaughter. In fact, it almost became a running joke for Naruto flashbacks to focus on the rope swingset Naruto used to sit on just outside the Leaf village's ninja academy.

Anime flashbacks may serve the same purpose as the flashbacks found in live-action movies and TV shows, but shonen anime in particular tends to take it too far. The pacing of any shonen series is badly disrupted anytime a flashback takes up most of an episode's runtime, and the timing is often awkward and predictable as well. Too often, a shonen action hero is injured and all seems lost in their latest fight, only to think back on their past experiences, draw inspiration from them, and turn the fight around with renewed confidence or even new ideas. It almost feels like a deus ex machina, and the longer and sadder the flashback, the more power the shonen hero will get.

There are exceptions to this rule, such as full-blown flashback arcs that are meant to put the main story on hold to flesh out a past storyline that needs a few episodes to make sense. A recent example was the multi-episode flashback arc in Jujutsu Kaisen Season 2, starring the teenage Satoru Gojo and his pal, Suguru Geto. There's also Bleach's "Turn Back the Pendulum" flashback mini-arc to explore the fascinating details of Sosuke Aizen's villainous schemes and how the eight Visoreds came to be. However, it's rare for lengthy flashback arcs like this to work well, and in most cases, anime series are best served by focusing on the present and only showing the past in brief bursts, putting the "flash" in "flashback." Fans only need flashes of the past to appreciate the present.

As the adaptation of a lengthy shonen anime that embraces nearly every shonen cliche/trope there is, Netflix's One Piece show inherited all kinds of anime-style ideas, such as the power of friendship, cartoony villains, and flashbacks. However, since the live-action One Piece series was already pressed for time and had to compress the entire East Blue saga into about seven hours of runtime, the writers and producers got creative. Aside from omitting certain characters and scenes to save time, the creators tightened up the flashbacks and broke them up into pieces, interweaving them with the present day's narrative.

For one thing, this prevented the live-action One Piece series from disrupting its pacing with lengthy visits to the past. An hour-long episode would feel disjointed and sluggish if half of its runtime was spent dwelling in the past, with the current day's more important events put on hold the entire time. Breaking up the flashbacks into actual flashes of the past and alternating with the present makes it easier to juggle both timelines, despite the frequent switching between them. Both narratives get to fairly share space in an episode, and neither is neglected for long, so both feel fresh and easy to remember. It's jarring to return to the present day's events after an episode-long flashback in anime, but in live-action One Piece, the past and present are never more than 5-10 minutes away.

The best part about the live-action One Piece's flashback technique is that this formula doesn't require live-action acting to work. It's actually about the writing, so any anime series could borrow this technique and give it a try. This could even work for anime series that adapt an original manga series or light novel series that has substantial flashback sequences in them. The original flashback can be broken up into episodic pieces that are inserted into relevant moments in the anime's present-day narrative, all so the past and present can reflect one another and feel more relevant to each other. Such a technique may also improve an anime series' pacing, no longer sacrificing entire episodes at a time to showcase the hero's tragic childhood or show the villain's rise to power.

Ahsoka episode 5 secretly honors George Lucas and his final Star Wars movie with a key flashback to the Clone Wars some viewers might have missed. Although Revenge of the Sith was the final film in the Skywalker saga produced by Lucas, it wasn't his last Star Wars movie. That honor belongs to 2008's Star Wars: The Clone Wars.

With an animated series already planned to air on Cartoon Network, George Lucas chose to have the initial arc of the show's first season woven together as a feature film to be theatrically released in 2008 ahead of the show's premiere date two months later. Now, Ahsoka episode 5 honors not only the show but also Lucas' movie with its dynamic live-action flashbacks to the Clone Wars, featuring Hayden Christensen's Anakin Skywalker alongside a younger Ahsoka during the Clone Wars (Ariana Greenblatt). However, the movie homage is arguably more subtle than the other Easter eggs and references to the Clone Wars animated series.

Major battles from the established canon are depicted in Ahsoka's flashbacks to Clone Wars such as The Ryloth Campaign and the Siege of Mandalore. While Ahsoka confirms the Mandalorian conflict by name, it's evident based on her Mandalorian attire and blue lightsabers. It's further confirmed by the appearance of Clone Commander Rex, the 332nd Company, as well as the opposing force of Mandalorians with their armor inspired by the former Sith lord Maul.

However, the very first Clone Wars sequence is not Ryloth as some might initially assume. Instead, this first sequence is the Battle of Teth with its pink mists and trees just barely seen through the ongoing conflict. Likewise, the Battle of Teth was indeed one of Ahsoka and her master's very first missions together, having been featured in Lucas' Clone Wars movie shortly after Anakin and Ahsoka's first meeting during the Battle of Christophsis. Due to the explosions and low visibility overall, it's easy to miss combined with the fact that this first sequence on Teth is shorter compared to the other Clone Wars flashbacks on Ryloth and Mandalore.

This legacy obviously includes the introduction of a character who in turn grown to become massively popular over time, especially now that Ahsoka Tano has her own live-action show. As such, it's very cool to see Ahsoka episode 5 giving a nod to where it all began, one of the last Star Wars projects that came from Lucas himself. 2351a5e196