Sarah Gleeson-White, Literature in Motion: Silent Film and the Formations of U. S. Literary Culture (Oxford 2024)
Sarah Gleeson-White, Literature in Motion: Silent Film and the Formations of U. S. Literary Culture (Oxford 2024)
Yiman Wang, To Be an Actress
Labor and Performance in Anna May Wong's Cross-Media World (California, 2024)
Jordan Brower, Classical Hollywood, American Modernism: A Literary History of the Studio System, (Cambridge, 2024)
Victoria Duckett, Transnational Trailblazers of Early Cinema, (California, 2023)
Rielle Navitski, Transnational Cinephilia: Film Culture between Latin America and France, 1945-1965, (California, 2023)
Will Kitchen, Romanticism and Film: Franz Liszt and Audio-Visual Explanation, (Bloomsbury, 2022)
Daniel Morgan, The Lure of the Image: Epistemic Fantasies of the Moving Camera, (California, 2021)
Richard I. Suchenski, Film Secession, http://www.filmsecession.com/about-us
Justin Remes, Absence in Cinema: The Art of Showing Nothing (Columbia, 2020)
Peter Limbrick, Arab Modernism as World Cinema: The Films of Moumen Smihi (California)
Katherine Groo, Bad Film Histories: Ethnography and the Early Archive, (Minnesota 2019)