Over the years, I'd never felt the need to become Fast in theaters or catch up with a growing pile of Furiosity on VOD and streaming services. But the idea of riding with the entire series in theaters, once a week, as a newly vaccinated member of society, itching for something to safely do outside my home? Especially as a fun alternative to the somber, straight-to-streaming likes of the Snyder Cut? Sure, brah.

If you're looking for sheer action-movie spectacle and can stomach some of the series' worst logical stretches (which, for F&F, is saying something) to connect each frenetic car chase and fist fight, you'll be right at home. And if you're familiar with the series' cast and back story, you can expect some tantalizing brah-canon completions. But watching Fast 9 feels like getting season tickets to a sports team's "rebuilding" year long after they'd won the world championship, and the result will be a tough watch for anyone who has never seen one of these films before.


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For some ridiculous reason, the Fast 9 writing team felt compelled to maintain a chain of believable, even-bigger-bad guys and girls. The resulting plot, which Fast 9 spends way too much time explaining and clarifying, feels like the car version of Darth Vader building another Death Star. (In F&F terminology, we're in "God's Eye" territory again. Yawn.)

I rewatched the original movie ahead of settling down for the series, and the thing that most stood out to me were how very of its era the shooting style was. A lot of rustic practical effects, shooting on location, handmade sets, fuzzy camera for outdoor shots - there's none of that in the series, and it feels a little charmless. It looks how you'd expect a direct-to-streaming fantasy show to look. It's very clean, but occasionally very cheap. It wants to capture a grounded, modern look, but it lacks the budget of Game of Thrones and its penchant for violence. The fight scenes feel rehearsed and choreographed, lacking the panache of the original. They're entertaining to watch, but fall into the Disney trap of making everything a chance for a comedic soundbite, and it gets old. Nobody says, "well, that happened" after a skeleton army attacks, but it feels like that line might have been cut at some point.

The performances are a curious mix too. There are some familiar Disney faces, with Erin Kellyman and Tony Revolori among the supporting players, but the mass group of travellers is swapped around with each episode with the pack converging then splitting time and time again, it's difficult to build much chemistry. Kellyman is excellent, if a little dry for the fantastical surroundings, but is ripped away from her best scene partners too often. Revolori meanwhile fully buys into the cheesy magic of the original Willow, but the series' attempt to be a little more grounded sees him overplaying at times. Davis himself never quite feels like the star either - that would be Ruby Cruz, a breakout actor in the making. 17dc91bb1f

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