I began creating sculptures in the mid-1990s, long before I ever wrote stories around them. What started as a personal search for form and meaning through discarded objects became the foundation of my entire narrative work. After a long pause, I returned to sculpture in 2012 with absolute dedication, producing new works consistently ever since.
I build them from recycled materials — objects once considered useless or forgotten. Through this process, I transform remnants of the present into artifacts of imagined futures. Each piece embodies resilience, reinvention, and the idea that imagination can give new life to what others abandon.
My sculptures exist as independent works of art, but also as narrative anchors. They appear inside my books and illustrations as machines, vehicles, and technological relics from the worlds I create. By existing in both physical and fictional space, they give readers a direct, tangible connection to my stories.
This approach turns every sculpture into more than an object. They are fragments of larger universes, physical evidence of worlds that blur the line between reality and imagination.
With my works I intend to explore the visions of an uncertain future, as a prediction we can prevent by caring for our planet.